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Get a beautifully giant sketchbook with 600 pages to fill with sketches and drawings. Includes 600 pages that can be filled with drawings and sketches, and allows you to fill it in with a lot of artwork. Available in 15 Gorgeous Colors. What You Will Get: Includes 600 Pages 8.5" x 11" Sketchbook Perfect for Large Sketches Makes a Great Gift for Artists Available in 15 Gorgeous Colors Do Visit Freya Ali author page to check out our wide variety of planners, personal organizers, journals and notebooks available in various formats.
The 35th anniversary edition of the classic how-to book that has helped millions of artists learn to draw. When it was originally published in 1970, How to Draw What You See zoomed to the top of Watson-Guptill’s best-seller list—and it has remained there ever since. “I believe that you must be able to draw things as you see them—realistically,” wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape of an object—cube, cylinder, cone, or sphere—and use that shape to draw the object, no matter how much detail it contains.
Big and beefy gals as vampires, dino hunters, and more.
222 page, 8.5 x 11", spiral bound and tabbed Artist Edition book dedicated to charting and swatching colored pencils, pastel pencils, watercolor pencils, ink, and markers. Book includes 49 pre-labeled charts (with color names and numbers) of the most popular brands. Book also includes blank charts for additional brands and media, and a large number of original line art illustrations that can be colored. This book was designed and illustrated for the adult coloring market by Susan Carlson (aka Ruby Charm Colors).
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
An intimate account by the Academy Award-winning actress documents her rise from an everyday girl to an acclaimed performer while exploring her defining relationship with her mother and how their shared and separate dreams influenced their experiences.
Franklin Booth: Silent Symphony is a massive, 304-page book featuring over 400 pieces that span the artist's entire career. Accompanying photos of Franklin Booth (1874-1948), his family, friends and colleagues--along with illustrations by his peers and inspirations--add nearly fifty more images. A new essay by the award-winning illustrator and professor Alice A. Carter delves into Booth's life. This biography highlights his childhood in Indiana, family life and the earliest days of his professional career, his road trips, studio life and teaching career with intimate stories and much more. Quotes of first-hand encounters with Booth by his students, friends and fellow artists also are shared. Pen-and-ink drawings cover a fifty-year span--from Booth's earliest days to his final works. These include his story illustrations for top magazines of the time, plus a diverse and rare assortment of pieces made for poems, advertisements and prints. Book illustrations completed in color as well as pen-and-ink also are featured, along with rare sketches for an unrealized project. All art was scanned and photographed from its original source material using the latest technology and has been painstakingly prepped for this publication. Franklin Booth's meticulous and unique pen technique has been revered by artists and students for the last hundred years. No one has ever been able to duplicate his style. Booth utilized his own life, philosophies and experiences as vehicles to project his thoughts to the viewer, which makes his work deeply compelling and infused with his respect for nature and art. He always listened to his own voice and developed a style that was not a natural product of his era. This allowed his work to become timeless and to continue capturing audiences today. Franklin Booth's influence can still be seen in modern comic books, fantasy illustrations, concept art and films. The magnitude of his art is made for the big screen, with his figures in epic scenes. His work has made its way through decades of shifting genres and changes in the art world and is still as immediate today as it was in the early twentieth century.
Professors Fischl and Paul explain law school exams in ways no one has before, all with an eye toward improving the reader’s performance. The book begins by describing the difference between educational cultures that praise students for “right answers,” and the law school culture that rewards nuanced analysis of ambiguous situations in which more than one approach may be correct. Enormous care is devoted to explaining precisely how and why legal analysis frequently produces such perplexing situations. But the authors don’t stop with mere description. Instead, Getting to Maybe teaches how to excel on law school exams by showing the reader how legal analysis can be brought to bear on examination problems. The book contains hints on studying and preparation that go well beyond conventional advice. The authors also illustrate how to argue both sides of a legal issue without appearing wishy-washy or indecisive. Above all, the book explains why exam questions may generate feelings of uncertainty or doubt about correct legal outcomes and how the student can turn these feelings to his or her advantage. In sum, although the authors believe that no exam guide can substitute for a firm grasp of substantive material, readers who devote the necessary time to learning the law will find this book an invaluable guide to translating learning into better exam performance. “This book should revolutionize the ordeal of studying for law school exams… Its clear, insightful, fun to read, and right on the money.” — Duncan Kennedy, Carter Professor of General Jurisprudence, Harvard Law School “Finally a study aid that takes legal theory seriously… Students who master these lessons will surely write better exams. More importantly, they will also learn to be better lawyers.” — Steven L. Winter, Brooklyn Law School “If you can't spot a 'fork in the law' or a 'fork in the facts' in an exam hypothetical, get this book. If you don’t know how to play 'Czar of the Universe' on law school exams (or why), get this book. And if you do want to learn how to think like a lawyer—a good one—get this book. It's, quite simply, stone cold brilliant.” — Pierre Schlag, University of Colorado School of Law (Law Preview Book Review on The Princeton Review website) Attend a Getting to Maybe seminar! Click here for more information.
Get a beautifully giant sketchbook with 600 pages to fill with sketches and drawings. Includes 600 pages that can be filled with drawings and sketches, and allows you to fill it in with a lot of artwork. Available in 15 Gorgeous Colors. What You Will Get: Includes 600 Pages 8.5" x 11" Sketchbook Perfect for Large Sketches Makes a Great Gift for Artists Available in 15 Gorgeous Colors Do Visit Freya Ali author page to check out our wide variety of planners, personal organizers, journals and notebooks available in various formats.