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Published to accompany an exhibition of Versace design that opened in 1997 - With commentary on the major inspirations and themes of the designer, his creative interpretations of the past, his visions of costumes for the opera and the dance, his ideas for the male and his innovative uses of different materials.
Read the true story of the manhunt that inspired The Assassination of Gianni Versace: American Crime Story, the acclaimed FX series. “The breadth and thoroughness of [Maureen] Orth’s research are often staggering.”—The New York Times “Fascinating . . . ripe with chilling detail.”—Entertainment Weekly On July 15, 1997, Gianni Versace was shot and killed on the steps of his Miami Beach mansion by serial killer Andrew Cunanan. But months before Versace’s murder, award-winning journalist Maureen Orth was already investigating a major story on Cunanan for Vanity Fair. Culled from interviews with more than four hundred people and insights gleaned from thousands of pages of police reports, Vulgar Favors tells the complete story of Andrew Cunanan, his unwitting victims, and the moneyed world in which they lived . . . and died. Orth reveals how Cunanan met Versace, and why police and the FBI repeatedly failed to catch him. Here is a gripping odyssey that races across America—from California’s wealthy gay underworld to modest Midwestern homes of families mourning the loss of their sons to South Beach and its unapologetic decadence. Vulgar Favors is at once a masterwork of investigative journalism and a riveting account of a sociopath, his crimes, and the mysteries he left along the way.
The ever-changing look of Versace couture, as seen--and modeled--by the kings, queens, mega-models, and jokers of rock & roll. 280 illustrations, 200 in color.
From the theatrical to the whimsical, Gianni Versace's designs have something for everyone. On these pages, his sketches and finished works of haute couture, ready-to-wear, accessories, jewelry, and opera and ballet costumes as well as artworks created by and for Versace are interpreted by top photographers such as Richard Avedon, Irving Penn, and Bruce Weber. The pictures are accompanied by three very different kinds of writing: commentary by Hamish Bowles, Style Editor of American Vogue; a new short story by Isabella Bossi Fedrigotti, an Italian journalist and award-winning novelist; and a text by Lady Julia Trevelyan Oman.
A journalist who covered the failed manhunt for Andrew Cunanan pieces together the story of the killing spree that ended with the murder of fashion mogul Gianni Versace. Reprint.
Versace. The very name conjures up images of outrageous glamour and bold sexuality, opulence and daring. All of course true, but only half the story. Versace is also the legacy of a great creative genius from a poor, backward part of southern Italy who transformed the fashion world through his intuitive understanding of both women and how a changing culture influenced the way they wanted to dress. The first book in English about the legendary designer, House of Versace shows how Gianni Versace, with his flamboyant sister Donatella at his side, combined his virtuosic talent and extraordinary ambition to almost single-handedly create the celebrity culture we take for granted today. Gianni Versace was at the height of his creative powers when he was murdered in Miami Beach. The story was front page news around the world and the manhunt for his killer a media obsession. His beloved sister Donatella demanded no less than a funeral befitting an assassinated head-of-state to be held in Milan’s magnificent cathedral. In what was the ultimate fashion show, the world’s rich and beautiful – Princess Dianna, Elton John, Carla Bruni, Naomi Campbell, Carolyn Bessette-Kennedy, Anna Wintour and others – gathered to mourn a man already considered one of fashion’s great pioneers. Deborah Ball, a long-time Milan correspondent for The Wall Street Journal, conducted hundreds of interviews with Versace family members, Gianni Versace’s lovers and business rivals, models such as Naomi Campbell whom he helped shoot to international stardom and fashion industry icons, including Anna Wintour, the legendary editor of Vogue. Ball vividly recounts the behind-the scenes struggles – both creative and business – of Donatella as she stepped out of her brother’s long shadow and took control of the House of Versace. The book offers the first inside look at the enormous challenges Donatella faced in living up to Gianni’s genius, her struggle with a drug habit, her battles with her brother Santo and the mystery of why Gianni left control of his house to Donatella’s young daughter, Allegra. House of Versace is a compelling, highly readable tale of rise from obscurity, a painful fall and ultimate redemption as the Versace empire returned to health – for now. Bringing together fashion, celebrity, business drama, jet-set lifestyles, and a notorious crime, House of Versace is an old-fashioned page-turner about a subject of enduring fascination.
Published to accompany the first major exhibition of the work of Gianni Versace in the UK since his death in 1997, this stylish book provides a glittering retrospective of one of the twentieth century's most innovative and enigmatic designers. Always flamboyant and outrageous, Versace's imaginative and intelligent collections drew inspiration from pop culture and the street, as well as from his impressive knowledge of art and fashion. His work is seen here from two different but complementary perspectives - Art and Craft. Art lays out a glamorous array of designs, from asymmetric tailored suits to flamboyant print dresses, garments in leather and metal mesh, gorgeous evening wear and exotic theatre designs. Scattered through the pages are pictures of some of Versace's most famous clients- Liz Hurley in the notorious safety pin dress and Princess Diana. But the real stars are the exquisite designs themselves, created to flatter the female form and to lend panache to the male wardrobe. Understated elegance was not Versace's aim- his clothes stand out from the crowd, demanding to be admired, and are featured here in stunning, specially commissioned photographs. This is the most comprehensive collection of Versace originals ever exhibited. Craft looks at Versace's highly inventive use of materials, such as Oroton, the metal mesh he created which can be draped like the finest silk. Other innovative techniques include his idiosyncratic weaving methods and his flair for combining unlikely partners- Prince of Wales check with baroque embroidery, denim and diamant . Showing his fabrics, prints, appliqu and embroidery in gorgeous close-up, this section focuses on the detail of Versace's craftsmanship. The stylish page design gives each section its own distinctive look. The paperback cover opens out into page size flaps which features a colourful parade of images to delight fashion lovers and students alike. Everyone will find much to admire in this fascinating retrospective.
Sensuous, stylish, decadent, Gianni Versace's kaleidoscopic vision of male beauty and men's fashion is available for the first time in this miniature edition--a burst of color, clothing, and artful design. Featuring contributions by Richard Martin, Barry Hannah, and others, "Men Without Ties" also includes 686 full-color photographs by Herb Ritts, Richard Avedon, and Bruce Weber.
A playful peek behind the closed doors of the Versace homes in Italy and Miami.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.