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Presents six adventures featuring the G.I. Joe team in comic book format, interspersed with character profiles, information on the 1980s animated television program, brief accounts of events between the stories, and other details.
This wordless issue introduced the world to Snake Eye's mysterious nemesis Storm Shadow and his Arashikage Ninja - and essays by Mark Bellomo offer a look into the inspiration and creation of this comic book classic.
Principally written by Larry Hama; pencils chiefly by Herb Trimpe and Mike Vosburg.
This 62 page 8"x11" celebration of the painted art of G.I.Joe: A Real American Hero features every carded figure, vehicle, playset, poster and peripheral product featuring painted art released from 1982-1983. This soft cover book features 100# paper and an epic card stock AccuFoil 11"x16" wraparound cover!
Willow, Xander, Oz, and Cordelia have stolen Buffy's yearbook and are filling the pages with personal notes, funny drawings, song lyrics, short passages that flash back to key episodes, etc. Packed with all sorts of references to the show--as well as little-known secrets from behind the scenes--this "yearbook" is a must-have for all Buffy fans.
v. 1: "Originally published by Marvel Comics as G.I. Joe: a real American hero issues #1-12"--Copyright page.
"Originally published by Marvel Comics as G.I. Joe: a real American hero issues #25-33, Yearbook #1, and by Hasbro as the 25th anniversary comic pack #10 and #32.5"-- Title page verso.
This volume focuses on Snake Eyes, ninja and stealth-master of G.I. Joe.
How children and children’s literature helped build America’s empire America’s empire was not made by adults alone. During the nineteenth and twentieth centuries, young people became essential to its creation. Through children’s literature, authors instilled the idea of America’s power and the importance of its global prominence. As kids eagerly read dime novels, series fiction, pulp magazines, and comic books that dramatized the virtues of empire, they helped entrench a growing belief in America’s indispensability to the international order. Empires more generally require stories to justify their existence. Children’s literature seeded among young people a conviction that their country’s command of a continent (and later the world) was essential to global stability. This genre allowed ardent imperialists to obscure their aggressive agendas with a veneer of harmlessness or fun. The supposedly nonthreatening nature of the child and children’s literature thereby helped to disguise dominion’s unsavory nature. The modern era has been called both the “American Century” and the “Century of the Child.” Brian Rouleau illustrates how those conceptualizations came together by depicting children in their influential role as the junior partners of US imperial enterprise.
COBRA COMMANDER STRIKES BACK! And in Springfield, Dawn Moreno will have her revengeÉ