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"Simpson, imprint in humanities"--Page opposite title page.
"Ghosts of Past and Future demonstrates Darrell Schweitzer's ability to astonish us with his range and depth as a poet. Those who encountered him first as an engaging satirist and parodist will rejoice in the emotional depth of this work, though they will also be edified by his flashes of macabre humor. Schweitzer's symphonic progress of poems begins with illuminating meditations on mortality and death. It then moves to splendid dramatic monologues informed by a sage's knowledge and an lover's empathy. The book's next movement expands into works of beautiful and intimate lyricism. It climaxes with a series of insights on the significance of death for humanity's and the reader's future. The book is more than a feast of death; it is an affirmation of human value and history. At the same time, Schweitzer has put the book together to carry the reader through as if reading a piece of gripping suspense fiction. An important and, above all, fascinating book." -Mary A. Turzillo, Nebula winning fiction writer and poet. "Darrell Schweitzer is an outstanding exponent of contemporary imaginative literature.... [He] has mastered a fine and very flexible kind of syllabic line, part free, part blank verse, achieving many definitive and memorable passages that haunt the shared corridors of our collective imagination." -Donald Sidney-Fryer, author of Songs and Sonnets Atlantean.
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
Collecting Incredible Hulk (1968) #436-448, Savage Hulk (1996) #1, Cutting Edge #1, Cable (1993) #34 And Onslaught: Marvel Universe. Return of the Maestro?! Major Matt Talbot, nephew of the Hulk’s old foe, Glenn, has set his sights on capturing the jade giant — and with Hulkbusters and the Ringmaster on his side, he might just succeed! Meanwhile, a terror group called the Alliance has pushed the world to the brink of nuclear war. But if the Leader’s machinations are behind the Alliance’s carnage, then why is the Hulk claiming credit — and why does he look like the Maestro? That’s what Thor wants to know! As She-Hulk and Doc Samson take center stage, Janis Jones arrives from the future — but when Onslaught does the impossible, physically separating Bruce Banner from the Incredible Hulk, everything will change for the green goliath!
One of the country’s most distinguished writers and publishers returns to her roots to explore the consequences of democracy in the former Habsburg lands. In 1989 the Berlin Wall was dismantled. Communism gave way to democracy. Since that time the former borderlands of the long defunct Hapsburg Empire and the more recently dispersed Soviet Empire have been trying to invent their own versions of democracy and market-driven economics. But these experiments have led to a widening gap between rich and poor. The worldwide economic crisis has severely tested Central Europe’s determination to live peaceably, and there are many disquieting signs of old hatreds and racial tensions returning. Author Anna Porter travels through the Czech Republic, Hungary, Poland and Slovakia to speak with leading intellectuals, politicians, former dissidents and the champions of aggrieved memories. She interviews great figures of the revolution (Václav Havel, Adam Michnik, George Konrád) and its new custodians, among them Radek Sikorski and Ferenc Gyurcsány, and also examines the younger generation with little or no experience of Communism and no interest in its aftermath. She visits Poland’s Institute of National Remembrance, Prague’s Jewish Museum and Hungary’s House of Terror, each an attempt to reckon with dark episodes of history.
Ghosts and specters, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artifacts of a past from which we seem unable to break free.
'It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed 'A fascinating journey' - Yorkshire Post 'Marvellous...Finkel is an expert in Mesopotamian cultures at the British Museum, and is one of the most clever, and nicest, of people it has ever been my pleasure to encounter...A fascinating journey' - The Scotsman There are few things more in common across cultures than the belief in ghosts. Ghosts inhabit something of the very essence of what it is to be human. Whether we personally 'believe' or not, we are all aware of ghosts and the rich mythologies and rituals surrounding them. They have inspired, fascinated and frightened us for centuries - yet most of us are only familiar with the vengeful apparitions of Shakespeare, or the ghastly spectres haunting the pages of 19th century gothic literature. But their origins are much, much older... The First Ghosts: Most Ancient of Legacies takes us back to the very beginning. A world-renowned authority on cuneiform, the form of writing on clay tablets which dates back to 3400BC, Irving Finkel has embarked upon an ancient ghost hunt, scouring these tablets to unlock the secrets of the Sumerians, Babylonians and Assyrians to breathe new life into the first ghost stories ever written. In The First Ghosts, he uncovers an extraordinarily rich seam of ancient spirit wisdom which has remained hidden for nearly 4000 years, covering practical details of how to live with ghosts, how to get rid of them and bring them back, and how to avoid becoming one, as well as exploring more philosophical questions: what are ghosts, why does the idea of them remain so powerful despite the lack of concrete evidence, and what do they tell us about being human?
Place and politics collide in a multimedia free-for-all--a ghost tour of a boom city trying to find its soul.
Ghost stories tap into our most primal emotions as they encourage us to confront the timeless question: What comes after death? Here, in tales that are by turn scary, funny, philosophic, and touching, you’ll find that question sharpened, split, reconsidered—and met with a multitude of answers. A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead: these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.
Timeless, beautiful, and haunting, spirals connect the four episodes of The Ghosts of Heaven, the mesmerizing new novel from Printz Award winner Marcus Sedgwick. They are there in prehistory, when a girl picks up a charred stick and makes the first written signs; there tens of centuries later, hiding in the treacherous waters of Golden Beck that take Anna, who people call a witch; there in the halls of a Long Island hospital at the beginning of the 20th century, where a mad poet watches the oceans and knows the horrors it hides; and there in the far future, as an astronaut faces his destiny on the first spaceship sent from earth to colonize another world. Each of the characters in these mysterious linked stories embarks on a journey of discovery and survival; carried forward through the spiral of time, none will return to the same place. This title has Common Core connections.