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Welcome to the town of Promise, deep in the heart of Texas! Promise, a ranching community in the Hill Country, has a mysterious past. Yet it's the kind of place that represents the strength of small-town and rural America. Because Promise is built on family and friendship. Hard work and endurance. Laughter and, above all, love. NELL'S COWBOY Nell Bishop, widowed mother of two children, is turning her property into a dude ranch. And one of her first guests is Travis Grant, an Easterner known for his books about the West. Her kids adore him—and she has to admit she's drawn to him, too. But Nell isn't ready to fall in love again. Or is she? LONE STAR BABY Wade McMillen might be a minister, but he's also a man. An unmarried and very attractive one. So is it as a man that he responds to Amy Thornton when she shows up in Promise, pregnant and alone? Or as a man of God? Maybe it's both…. www.DebbieMacomber.com
A companion volume to Ghost Towns of Texas provides readers with histories, maps, and detailed directions to the most interesting ghost towns in Texas not already covered in the first volume. Reprint.
Texas is a land of legends and folktales. Some of them are based on characters like Pecos Bill, Bigfoot Wallace, and Davy Crockett - loud, outgoing, bigger-than-life "daytime" kinds of people. Others concern themselves with mysterious, shadowy things: giant, footless birds, river spirits, and phantom lights. These ghost stories are told in whispers. Perhaps to make children behave or adults change their way of living and have become interwoven with the real-life historical happenings and characters of Texas to the point of doubt in some instances as to what is real and what is the child of overactive imaginations. As is the case with all folklore, they are told in many different versions. These have be-come a part of the heritage of Texas folklore.
“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).
In February 1945, some 80,000 U.S. Marines attacked the heavily defended fortress that the Japanese had constructed on the tiny Pacific island of Iwo Jima. Leaders of the Army Air Forces said they needed the airfields there to provide fighter escort for their B-29 bombers. At the cost of 28,000 American casualties, the 3rd, 4th, and 5th Marine Divisions dutifully conquered this desolate piece of hell with a determination and sacrifice that have become legendary in the annals of war, immortalized in the photograph of six Marines raising the American flag on Mount Suribachi. But the Army Air Forces’ fighter operations on Iwo Jima subsequently proved both unproductive and unnecessary. After the fact, a number of other justifications were generated to rationalize this tragically expensive battle. Ultimately, misleading statistics were presented to contend that the number of lives saved by B-29 emergency landings on Iwo Jima outweighed the cost of its capture. In The Ghosts of Iwo Jima, Captain Robert S. Burrell masterfully reconsiders the costs of taking Iwo Jima and its role in the war effort. His thought-provoking analysis also highlights the greater contribution of Iwo Jima’s valiant dead: They inspired a reverence for the Marine Corps that proved critical to its institutional survival and its embodiment of American national spirit. From the 7th War Loan Campaign of 1945 through the flag-raising at Ground Zero in 2001, the immortal image of Iwo Jima has become a symbol of American patriotism itself. Burrell’s searching account of this fabled island conflict will advance our understanding of World War II and its continuing legacy for the twenty-first century. At last, the battle’s ghosts may unveil its ultimate, and most crucial, lessons.
A representative anthology of Texas folklore from the first half of the twentieth century, including legends, ghost stories, songs, proverbs, and other writings.
"Ghost notes" is a musical term for sounds barely audible, a wisp lingering around the beat, yet somehow driving the groove. The Texas musicians profiled here, ranging from 1920s gospel performers to the first psychedelic band, are generally not well known, but the impact of their early contributions on popular music is unmistakable. This beautiful Tim Kerr-illustrated collection provides more background on the Texas from which these artists sprang, fully formed. Readers will learn about the black gay couple from Houston who inspired the creation of rock 'n' roll, as well as the true story of the origin of Western Swing. They will learn about "the first family of Texas music" and the birth of boogie-woogie, the dirt-poor singers and the ballad collectors who saved folk songs during the Depression, and the accordeonista whose musical legacy was never contained on recordings but was passed on by his protégé. The pioneers of modern times include the Dallas rapper who became the wordsmith of gangsta rap, the sheriff's son from Dumas who produced the signature tunes of Frank Sinatra and Dean Martin, and the blind lounge singer Kenny Rogers called the greatest musician he's ever known.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.