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Have you ever wondered why New Zealands plants and animals are so different from those in other countries? Why the kakapo is the only parrot in the world that cannot fly, or why the kiwi lives there and nowhere else? New Zealand is an extraordinary place, unique on Earth, and the remarkable story of how and why life evolved there is the subject of Ghosts of Gondwana.
The moa were the most unusual and unique family of birds that ever lived, a clan of feathered monsters that developed in isolation for many, many millions of years. They became extinct reasonably quickly after the arrival of the Maori, and were a distant memory by the time European explorers arrived. So the discovery and identification of their bones in the 1840s was a worldwide sensation, claimed by many to be the zoological find of the century. This book begins by recounting the story of discovery, which was characterised by an unbelievable amount of controversy and intrigue. Since then there has been an unbroken chain of new discoveries, culminating with intriguing revelations in recent years about the moa's biology, that have come to light through DNA testing and radio-dating. This is a fascinating and important book that richly recounts the life and death of our strangest bird. Packed with a fantastic range of illustrations, Moa fills an important gap in our natural history literature, a popular but serious book on this national icon.
This is a story of murder and revenge set across continents and outer space but it is also about the choices that people make and the reasons that they make them. These are often ill defined and even contradictory. They might include revenge or greed, and sometimes there is also a kind of moral imperative that will not be resisted. But most of the time it is LOVE that powers the emotions for good or ill.
The biography of one of New Zealand's greatest naturalist-artists, G. V.Hudson. George Hudson, 1867-1946, was one of New Zealand's pioneer naturalists, who devoted his life to collecting and describing the New Zealand insect fauna. He amassed what is probably the largest collection of New Zealand insects, now housed at Te Papa. Hudson also wrote seven books on insect fauna between 1898 and 1946, each illustrated in colour with immaculate paintings of the specimens, a total of over 3100 paintings, mainly focused on months and butterflies. An Exquisite Legacy is a biography of Hudson, written by his grandson Dr George Gibbs, himself a prominent entomologist. Gibbs outlines the life of this naturalist and artist, whose dedication and output was truly remarkable. Hudson remained an amateur naturalist his whole life, but his contribution to our knowledge about the New Zealand insect world is of enduring significance, while his artistic legacy, built up over nearly seven decades, is truly remarkable. This extensive collection of exquisite illustrations is without parallel in New Zealand. Beautifully illustrated throughout, this biography of George Hudson is the first chance for most people to see his exquisite artwork. Up until now, his books have been valuable collectors' items unavailable to most people. A foreword by Courtney Johnston, Chief Executive of Te Papa Tongarewa, provided in recognition of the importance of this book, and the significance of the Hudson Collection at Te Papa.
A detailed, research-informed synthesis of the current issues facing the Australasian biota and the challenges involved in their conservation.
Gone is a fascinating and timely illustrated narrative exploring the lively tales of eleven extraordinary extinct species from around the globe––sharing an enlightening story of extinction and conservation for today.
This volume explores nonhuman animals’ involvement with human maritime activities in the age of sail—as well as the myriad multispecies connections formed across different geographical locations knitted together by the long history of global ship movement. Far from treating the ship as a confined space defined by the sea, Maritime Animals considers the ship’s connections to broader contexts and networks and covers a variety of locations, from the Canadian Arctic to the Pacific Islands. Each chapter focuses on the oceanic experiences of a particular species, from ship vermin, animals transported onboard as food, and animal specimens for scientific study to livestock, companion and working animals, deep-sea animals that find refuge in shipwrecks, and terrestrial animals that hunker down on flotsam and jetsam. Drawing on recent scholarship in animal studies, maritime studies, environmental humanities, and a wide range of other perspectives and storytelling approaches, Maritime Animals challenges an anthropocentric understanding of maritime history. Instead, this volume highlights the ways in which species, through their interaction with the oceans, tell stories and make histories in significant and often surprising ways. In addition to the editor, the contributors to this volume include Anna Boswell, Nancy Cushing, Lea Edgar, David Haworth, Donna Landry, Derek Lee Nelson, Jimmy Packham, Laurence Publicover, Killian Quigley, Lynette Russell, Adam Sundberg, and Thom van Dooren.
In an unprecedented way, this book relates fundamental physical and ecological principles to economics so that the detachment of current economic practices from physical reality becomes obvious. Sustainable alternative models are proposed. Almost all the material is derived from the work of great minds of past and present. Forgotten and ignored ideas are resurrected. Its a book for intelligent, educated lay people, students and academics. That his forecasting is more successful than many prominent economists, and that respected figures are turning to views long held by him, gives the author confidence that his contribution is of value.
“The idea of a national park was an American invention of historic consequences marking the beginning of a worldwide movement,” the U.S. National Park Service asserts in its 2006 Management Policies. National Parks beyond the Nation brings together the work of fifteen scholars and writers to reveal the tremendous diversity of the global national park experience—an experience sometimes influencing, sometimes influenced by, and sometimes with no reference whatever to the United States. Writer and historian Wallace Stegner once called national parks “America’s best idea.” The contributors to this volume use that exceptionalist claim as a starting point for thinking about an international history of national parks. They explore the historical interactions and influences—intellectual, political, and material—within and between national park systems in Canada, New Zealand, South Africa, Indonesia, Antarctica, Brazil, and other countries. What is the role of science in the history of these preserves? Of politics? What purposes do they serve: Conservation? Education? Reverence toward nature? Tourist pleasure? People have thought differently about national parks at different times and in different places; and neat physical boundaries have been disrupted by wandering animals, human movements, the spread of disease, and climate change. Viewing parks around the world, at various scales and across national frontiers, these essays offer a panoptic view of the common and contrasting cultural and environmental features of national parks worldwide. If national parks are, as Stegner said, “absolutely American,” they are no less part of the world at large. National Parks beyond the Nation tells us as much about the multifarious and changing ideas of nature and culture as about the framing of those ideas in geographic, temporal, and national terms.
In many ways, this book is the culmination of more than four decades of my exp- ration of the taxonomy, biogeography and ecology of New Zealand’s quite small freshwater fish fauna. I began this firstly as a fisheries ecologist with the New Zealand Marine Department (then responsible for the nation’s fisheries research and mana- ment), and then with my PhD at the Museum of Comparative Zoology at Harvard University, Cambridge, MA, USA in the early–mid 1960s. Since then, employed by a series of agencies that have successively been assigned a role in fisheries research in New Zealand, I have been able to explore very widely the natural history of that fauna. Studies of the fishes of other warm to cold temperate southern lands have followed, particularly southern Australia, New Caledonia, Patagonian South America, the Falkland Islands, and South Africa and, in many ways, have provided the rather broader context within which the New Zealand fauna is embedded in terms of geography, phylogeny, and evolutionary history, and knowing this context makes the patterns within New Zealand all the clearer. An additional stream in these studies, in substantial measure driven by the beh- ioural ecology of these fishes round the Southern Hemisphere, has been exploration of the role of diadromy (regular migrations between marine and freshwater biomes) in fisheries ecology and biogeography, and eventually of diadromous fishes wor- wide.