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Take the Exorcist Steps to meet “the diverse array of ghosts” in DC’s historic neighborhood—from the author of Capitol Hill Haunts (The Hoya). On the banks of the Potomac River, Georgetown has had three centuries to accumulate ghoulish tales and venerable apparitions to haunt its cobbled streets and mansions. In this historic Washington, DC, neighborhood, the eerie moans of three sisters herald every death on the river, and on R Street, President Lincoln is rumored to have witnessed the paranormal at a seance. Along the towpath of the C&O Canal, a phantom police officer still walks his lonely beat, and on moonlit nights, he is joined by a razor-wielding ghoul. From the spirit of a sea captain who lingers in the Old Stone House to the strange ambiance of the Exorcist Steps, author and guide Tim Krepp takes readers on a chilling journey through the ghostly lore of Georgetown. Includes photos! “A great storyteller who, with a confident grasp of the facts and judiciously inserted asides, can bring to life both the haunters and the haunted. His way of ending his chapters with—gasp!—the literary equivalent of a horror movie organ chord lends a delightfully chilling touch.” —HillRag
Contains over seventy tales of ghostly hauntings from each of the fifty United States and Canada.
Georgetown County, located between Myrtle Beach and Charleston, South Carolina, is steeped in tales of dynamic men and women who once lived and prospered here. Though these men and women have now passed away, many of their spirits still remain. There are rumored to be over a hundred ghosts in the area, making Georgetown County one of the nation's most haunted locations. Ghosts of Georgetown tells the stories of twenty of these apparitions. The ghosts in these tales range from the woman who died a horrible and tragic death on her wedding day, to the daughter of a former lighthouse keeper who warns sailors of impending storms, to the phantom choir whose voices can still be heard coming from the ruins of its former church. The stories tell of scorned lovers, innocent children, and wealthy plantation owners who have all returned to Georgetown long after their natural lives on earth were over. These tales weave the history of Georgetown's colorful past with the eerie spirits who roam the region in the present.
An anthology of chilling ghost stories and death lore collected from central Kentucky. In Ghosts of the Bluegrass, James McCormick and Macy Wyatt present stories of Kentucky ghosts, past and present. Some of the tales are set in rural areas, but many take place in urban areas such as the haunted house on Broadway in downtown Lexington and in buildings on the University of Kentucky campus, where Adolph Rupp is said to have conversed with the deceased biology professor Dr. Funkhouser. This volume contains chapters on haunted places, poltergeists, communication with the dead, and ghosts who linger to resolve unfinished business from their past lives, as well as a chapter about ghosts who reveal themselves through lights, changes in temperature, or sound. The book even features a chilling account by a nineteenth-century family haunted in their Breckinridge County home. Whether witnesses believe that a spirit has come to protect those it left behind or to complete an unfinished task, ghostly appearances remain a mystery. As McCormick and Wyatt point out, there are no right or wrong answers when it comes to the supernatural. One thing is certain: these tales will bring pleasure and perhaps a goose bump or two to the reader interested in ghost stories and folklore in the Kentucky tradition. Praise for Ghosts of the Bluegrass “Bell witch stories, ghostly dogs, campus ghosts, rattling chains—all are here, with titles like “The Gray Lady of Liberty Hall” and “Family Banshee Foretells Deaths.” In sum, this is a fine anthology with extremely interesting and readable ghost stories, worth reading for the charm of the stories themselves.” —Journal of Folklore Research “I felt like I was there sitting down with some of the area’s best storytellers, hearing authentic stories. McCormick and Wyatt have done a tremendous service to current readers and to future generations by preserving this important part of our heritage.” —Roberta Simpson Brown, author of The Walking Trees and Other Scary Stories and Queen of the Cold-Blooded Tales “The compilers have done an excellent job of editing, inserting helpful explanatory or historic notes to add to information on a particular story, and giving cross references for like stories.” —Kentucky Kaleidoscope
Elizabeth Robertson Huntsinger returns to the heart of the South Carolina Low Country for her second collection of twenty ghost stories. Huntsinger spins her tales of hags and plateyes, haunted lighthouses, eerie ghost ships, and restless spirits from antebellum plantations, seaport townhouses, and violated graves of native Indian tribes.
It begins as a lark -- a harmless diversion initiated by Washington, D.C., hostess Ruth Bennett as a means of entertaining her visiting niece, Sara. But the séance conducted in Ruth's elegant Georgetown home calls something back; something unwelcome ... and palpably evil. Suddenly Sara is speaking in a voice not her own, transformed into a miserable, whimpering creature so unlike her normal, sensible self. No tricks or talismans will dispel the malevolence that now plagues the inhabitants of this haunted place -- until a dark history of treachery, lust, and violence is exposed. But the cost might well be the sanity and the lives of the living.
Elizabeth Robertson Huntsinger returns to the heart of the South Carolina Low Country for her second collection of twenty ghost stories. Huntsinger spins her tales of hags and plateyes, haunted lighthouses, eerie ghost ships, and restless spirits from antebellum plantations, seaport townhouses, and violated graves of native Indian tribes.
Goes behind headlines and datelines to explore disturbing truth behind 40 famous and not-so-famous supernatural occurrence from around the world. truth behind 40 famous and not-so-famous supermatural occurrence from the around the world.
An unforgettable story about grief, love, and what it means to be haunted, The Ocean in Winter marks the debut of a remarkable new voice in fiction. The lives of the three Emery sisters were changed forever when Alex found their mother drowned in the bathtub of their home. After their mother’s suicide, the girls’ father shut down emotionally, leaving Alex responsible for caring for Colleen and little Riley. Now the girls are grown and navigating different directions. Decades may have passed, but the unresolved trauma of their mother’s death still looms over them, creating distance between the sisters. Then, on a March night, a storm rages near the coast of northeastern Massachusetts. Alex sits alone in an old farmhouse she inherited. The lights are out because of the storm; then, an unexpected knock at the door. When Alex opens it, her beautiful younger sister stands before her. Riley has long been estranged from their family, prompting Colleen to hire the private investigator from whom they’d been awaiting news. After her mysterious visitation, Alex and Colleen are determined to reconcile with Riley and to face their painful past.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.