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From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible. Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.
Haunting ancient cemeteries and primitive landmarks as well as modern apartment complexes and highway sides, ghosts and restless spirits abound. This volume of Florida's Ghostly Legends and Haunted Folklore offers a delightful—and somewhat spooky—look into the darker side of the south and central areas of the Sunshine State. Explore fortress ruins in New Smyrna Beach, and keep an eye out for mysterious shadows and dark figures in the nearby forest; visit the island of Islamorada, where the ghostly remains of Flagler's railway rumble over tracks destroyed in the 1935 Labor Day Hurricane; and, if you're especially brave, walk through the eerie corridors of the mausoleum in Myrtle Hill Cemetery near Tampa, where you are sure to hear whispers from the dead or the muffled echoes of a music box. Delve into the unknown with Greg Jenkins as he examines the history, legend, and paranormal rationale behind strange occurrences in many of south and central Florida's haunted locations. Get a fresh look at some of the state's most famous ghost stories and learn never-before-heard tales of the strange and the supernatural as you take a trip through Haunted Florida. The second volume of Florida's Ghostly Legends and Haunted Folklore, covering north Florida and St. Augustine, is also available. Next in series > > See all of the books in this series
“Powerful, laden with emotion, and smartly written.” —Brandon Sanderson, author of Mistborn and The Way of Kings A brilliant historical fantasy novel from acclaimed author Mary Robinette Kowal featuring the mysterious spirit corps and their heroic work in World War I. Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Harford, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the Corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels. While Ben is away at the front, Ginger discovers the presence of a traitor. Without the presence of her fiancé to validate her findings, the top brass thinks she's just imagining things. Even worse, it is clear that the Spirit Corps is now being directly targeted by the German war effort. Left to her own devices, Ginger has to find out how the Germans are targeting the Spirit Corps and stop them. This is a difficult and dangerous task for a woman of that era, but this time both the spirit and the flesh are willing... Other Books Forest of Memory Glamour in Glass Of Noble Family Shades of Milk and Honey Valour and Vanity Without a Summer At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Step into the eerie and enigmatic world of Halloween Ghost Stories A Paranormal Journey. This captivating anthology beckons you to embark on a spine-tingling adventure, where the line between the living and the supernatural blurs, inviting you into the heart of the most mystifying and enduring enigmas that have haunted human history. Our journey begins within the ancient walls of Denmark's Dragsholm Castle, where the echoes of centuries past still resonate, and the Mermaid Inn in England whispers with ghostly secrets. As we traverse the ominous Château de Brissac in France, we'll delve deep into history, where specters have etched their haunting marks. Explore the chilling annals of the Tower of London, the enigmatic Hampton Court Palace, and other haunted palaces and castles that come to life on Halloween night. But it's not just grandeur and history that hold these dark secrets. Even the most unassuming places have concealed extraordinary mysteries. The Ostrich Inn, Ballygally Castle, Hotel Provincial, and others unveil spine-tingling tales that will send shivers down your spine. Prepare to be captivated, disturbed, and awestruck as you journey through the realms of the paranormal. This gripping anthology is a voyage through time and space, where the unknown becomes your constant companion. Beware—once you open this book, you may find that the inexplicable has entered your life. Welcome to a world where the supernatural thrives, the unexplained awaits, and restless spirits bridge the past and present. Halloween Ghost Stories A Paranormal Journey awaits, where Halloween's spectral magic comes to life.
Hauntings lurk and spirits linger in the heart of America Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author James A. Willis shines a light in the dark corners of Ohio and scares those spirits out of hiding in this thrilling collection. From ghostly soldiers that still haunt Fort Meigs to the eerie Franklin Castle, there’s no shortage of bone-chilling tales to keep you up at night. There’s even a carved tombstone of an infant at Cedar Hill cemetery, whose ghostly eyes keep watch over those wander too close. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
Detective Fiction and the Ghost Story is a lively series of case studies celebrating the close relationship between detective fiction and the ghost story. It features many of the most famous authors from both genres including Conan Doyle, Agatha Christie, M. R. James and Tony Hillerman.
Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements. These engagements invariably come packaged in, and are shaped by, the language of spectrality. In its capacity to articulate a particular sort of relationship between the past, the present and the future, the spectral concerns the basic question of how to proceed, how to live with-maybe even address-ethical indeterminacy. Whether their spectral rhetoric traces the logics of capitalist possession (Conrad), queer "friendship" and paganized Christianity (Forster), regressive politics haunted by historical traumas (Butts), or the devious passages of perverse desire (Bowen), these writers locate something like hope in their ghosts. The ethical and political impasses they chart through their spectral rhetoric are not final, but temporary, and the drive to overcome them constitutes a tensile optimism.
Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of "ghost" and "haunting" beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people's history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.
In the silent whispers of night, when shadows cloak the world and an unsettling stillness hangs in the air, a lost realm awaits where past and present intertwine. This is a realm where echoes of bygone eras linger, the unfulfilled and forgotten roam freely, and the unseen make their presence known in the most chilling ways. "100 True and Terrifying Ghost Stories" offers a haunting invitation into this spectral world. This book is a compendium of the uncanny and unexplained, presenting a diverse collection of spectral encounters from across the globe— from China to America, Peru to London. These are true events that defy logical explanation and challenge our understanding of reality. Within these pages, you will meet spirits that wander ancient castles and bloody battlefields, phantoms haunting suburban homes and bustling city streets, and apparitions manifesting in unexpected places. Encounters range from mildly unsettling to downright terrifying, featuring playful poltergeists and vengeful wraiths. Each narrative offers a glimpse into a world where the ordinary and extraordinary collide, and the living and the dead share a tenuous coexistence. So, turn the page, and let the journey begin. But be warned: once you enter the world of the supernatural, you may find it hard to leave. The spirits within these pages are waiting to tell their stories, and they have been waiting for someone like you to listen.