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With Lucas on his own and encountering more stories from the dead, he manages to find others who also share his gift of unearthly sight. A faith thought long-forgotten is revived by this religious community that can see ghosts, a faith Lucas finds within himself once again.
This book relates famous ghost stories and explains the techniques and equipment of ghost hunting and explains how fakes and hoaxes are explosed.
"Alan Brown has done an excellent job of collecting ghostlore from throughout Alabama ... his book is the most important volume published to date on alabama ghost traditions". -- W.K. McNeil The Ozark Folk Center
A case-centred study of Phantom Hitch-Hikers & Phantom Jaywalkers in Folklore and Fact. Tales of Phantom Hitch-Hikers are found the world over. But is there anything more to them than the staple of contemporary folklore they appear to be? Cases like Blue Bell Hill suggest there is. Here, and in numerous other modern cases, witnesses report vivid and terrifying encounters with solid-looking figures that step into the paths of their vehicles. These events show an affinity with the legendary Phantom Hitch-Hiker, suggesting that far from being mere vestiges of a superstitious folk tradition, they may reflect a genuine but complex phenomenon that continues to manifest in modern times and settings, and challenges our very notions of reality. This book traces Blue Bell Hill's ghost from its roots in folklore to compelling fact, with nearly 50 witness accounts attesting to it as an important modern example of haunting on record, and arguably the foremost case of its kind in the world today.
Why do so many American college students tell stories about encounters with ghosts? In Haunted Halls, the first book-length interpretive study of college ghostlore, Elizabeth Tucker takes the reader back to school to get acquainted with a wide range of college spirits. Some of the best-known ghosts that she discusses are Emory University's Dooley, who can disband classes by shooting professors with his water pistol; Mansfield University's Sara, who threw herself down a flight of stairs after being rejected by her boyfriend; and Huntingdon College's Red Lady, who slit her wrists while dressed in a red robe. Gettysburg College students have collided with ghosts of soldiers, while students at St. Mary-of-the-Woods College have reported frightening glimpses of the Faceless Nun. Tucker presents campus ghostlore from the mid-1960s to 2006, with special attention to stories told by twenty-first-century students through e-mail and instant messages. Her approach combines social, psychological, and cultural analysis, with close attention to students' own explanations of the significance of spectral phenomena. As metaphors of disorder, insanity, and school spirit, college ghosts convey multiple meanings. Their colorful stories warn students about the dangers of overindulgence, as well as the pitfalls of potentially horrifying relationships. Besides offering insight into students' initiation into campus life, college ghost stories make important statements about injustices suffered by Native Americans, African Americans, and others.
The fiction of Xu works across boundaries, fusing Daoist traditions with the pessimism of Western nihilism.
The Civil War depleted and destroyed the resources of our nation, taking, above all, an overshelming human toll. In a nation of only 30 million people, more than half a million died. It's not surprising that this war in which so many died before they could finish the business of living produced an extraordinary number of ghost stories.
Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.
A New York Times Book Review Editor's Choice A comprehensive, authoritative and readable history of the evolution of the ghost in the west, examining the behavior of the subject in its preferred environment: the stories we tell each other. "Roger Clarke tells this [the story that inspired Henry James' The Turn of the Screw] and many other gloriously weird stories with real verve, and also a kind of narrative authority that tends to constrain the skeptical voice within... [An] erudite and richly entertaining book." —New York Times Book Review No matter how rationally we order our lives, few of us are completely immune to the suggestion of the uncanny and the fear of the dark. What explains sightings of ghosts? Why do they fascinate us? What exactly do those who have been haunted see? What did they believe? And what proof is there? Taking us through the key hauntings that have obsessed the world, from the true events that inspired Henry James's classic The Turn of the Screw right up to the present day, Roger Clarke unfolds a story of class conflict, charlatans, and true believers. The cast list includes royalty and prime ministers, Samuel Johnson, John Wesley, Harry Houdini, and Adolf Hitler. The chapters cover everything from religious beliefs to modern developments in neuroscience, the medicine of ghosts, and the technology of ghosthunting. There are haunted WWI submarines, houses so blighted by phantoms they are demolished, a seventeenth-century Ghost Hunter General, and the emergence of the Victorian flash mob, where hundreds would stand outside rumored sites all night waiting to catch sight of a dead face at a window. Written as grippingly as the best ghost fiction, A Natural History of Ghosts takes us on an unforgettable hunt through the most haunted places of the last five hundred years and our longing to believe.
From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.