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Since she was a little girl, Melinda Gordon could talk to the dead: "earthbound spirits" as her grandmother called them. Melinda came to understand that the spirits are trapped, and in need. She listens, tries to understand what keeps them from crossing over, and helps them find what they need to be free. It's not easy, but with time and patience her gift allows her to come to bring those spirits to peace. The sound of a mournful lullaby has been haunting Melinda in her sleep, the song of a ghost who doesn't seem ready or willing to accept her help. Knowing that earthbound spirits are often confused and troubled, Melinda feels that with time she will make a connection. But there is no time; the melodic tapestry that the ghostly singer is weaving with her words -- meant to comfort a child -- has become a trap, lulling the young listeners into such a deep sleep that no one can ever awaken them. It takes one child, then another and another, until all across the town children are drawn in by the gentle song, their lives slowly slipping away. Even Melinda, with her knowledge of the spirit world, finds herself being pulled into the beautiful snare, where she nearly loses herself. Only then does Melinda begin to worry that this is a spirit so troubled, so heartsick, that it may be beyond her help.
Just an ordinary day in Grandview with customers at the Village Java looking for that perfect caffeine fix and lookylous being transformed into buyers by the eclectic assortment of antiques at Same As It Never Was. But there's nothing ordinary about the blur of activity at Jack's Dry Cleaning, where shirts are spinning on the racks and dresses are dancing without their owners. A spirit has taken up residence in the store, and although Melinda Gordon usually can sort out what's keeping a spirit from crossing over, this particular one is frustratingly uncommunicative. After a week of trying, the store owner is convinced that Melinda will never succeed. Then self-acclaimed spiritual consultant Wendy King comes to town, guaranteeing success in moving spirits to the afterlife...for a fee. But Wendy's methodology involves trapping and forcing spirits into the light. And she pays no heed when Melinda tells her that what she is doing is wrong and dangerous. After a young couple inherits the old Ray mansion and asks for help selling the antiques that fill the house, Melinda pushes aside her concerns about Wendy. But the old house holds a terrible secret and a spirit that Melinda cannot budge. The frightened owners turn to Wendy King, who forces the spirit to cross over, despite Melinda's pleadings. But Wendy's actions release an evil, unyielding spirit, one who promises to release a flood of disease and terror on the town, starting with the people closest to the Ghost Whisperer.
Have you ever wondered why spirits trap themselves in the cold, gray world of the Ghost Realm? Of course you have! Well, wonder no more! In one of the few ghost books of its kind, you¿ll not only be reading the ghosts¿ stories, you¿ll also be taken behind the scenes to where the real action takes place. In this book, professional psychic medium Boo Newell takes you on a journey shared with an assortment of ghosts, from murderers to betrayed lovers to steadfast soldiers. You¿ll hear directly from the ¿ghosts¿ mouths¿ what issue or issues they carried with them to the grave¿the issues that prevented them from going Home to the Other Side. How did they resolve these issues to find peace . . . or did they? Through her abilities as a psychic medium, Boo connected with these lost, troubled spirits to help them understand and face the issues that trapped them in the Ghost Realm. Throughout the book, she not only tells the ghosts¿ stories, but also shares with the reader many interesting, insightful facts about ghosts, how to work with them, how to do clearings, and how to lead paranormal investigations.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Griswald tries to catch a ghost to do his chores, but the ghosts have a different plan!
Most ghosts love to scare people. But Will is not most like ghosts. He is shy and quiet and hates attention. When he hears other ghosts talking about haunting an old house to scare kids, he knows he needs to stop them. See if Will is brave enough to stop the scary ghosts in the early chapter book.
For any woman who has ever bought a self-help book and wondered why she bothered. (P.S. Now that I know he's just not that into me, where do I go from there? Yeah, thanks for that advice.) Jennifer Love Hewitt is a self-proclaimed "love-aholic" and hopeless romantic (her middle name is Love, after all!). She has been lucky and unlucky in love, and lived to tell -- and she's done it all in the spotlight. Much has been written about her love life--some true, most made up to sell magazines. Now Hewitt shares the real story of what she's learned navigating the dangerous dating waters. In The Day I Shot Cupid, Hewitt offers her hard-won wisdom and tells us how to embrace love with both feet on the ground. First, we have to shoot Cupid. We have to believe that happily-ever-after is hard work -- it's not all flowers and symphonies and floating hearts. Wise and wry and refreshingly honest, Hewitt talks about how to pick the right guy and how to know when to let the wrong ones go free, and she offers some surprising truths about the opposite sex. From twenty things to do after a breakup, to ten things to do before a date, to the perils of text flirting (Note: You are waiting. By the phone. For his response.), Hewitt uses stories and dating secrets to illustrate the idiotic, romantic, crazy, depressing, hilarious, awkward, glorious moments we all experience in relationships. Funny, quirky, and empowering, The Day I Shot Cupid deserves a place on every woman's nightstand, bookshelf, or coffee table, or tucked inside her oversized designer handbag.
When Wild Willie's best friend Kyle moves back to the neighborhood the boys suspect that Kyle's new house is haunted.
My name is Chloe Saunders and my life will never be the same again. All I wanted was to make friends, meet boys, and keep on being ordinary. I don't even know what that means anymore. It all started on the day that I saw my first ghost—and the ghost saw me. Now there are ghosts everywhere and they won't leave me alone. To top it all off, I somehow got myself locked up in Lyle House, a "special home" for troubled teens. Yet the home isn't what it seems. Don't tell anyone, but I think there might be more to my housemates than meets the eye. The question is, whose side are they on? It's up to me to figure out the dangerous secrets behind Lyle House . . . before its skeletons come back to haunt me.
"Tarah Carson has hidden the secret for years. No one--not her mother, her friends at Bluford High, or even her boyfriend, Cooper Hodden--knows what her uncle did to her years ago. Tarah hoped to keep it that way. But an upcoming reunion is forcing Tarah's past into the present." --Back cover.