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Macfadden's GHOST STORIES magazine (1926-31) offered spooky tales in every flavor, many of them told in the confessional style of Macfadden's "true"-style magazines. This first of two volumes includes 19 stories, complete with original illustrations. Extensive nonfiction material includes the history of GHOST STORIES; as well as detailed biographies of every GHOST STORIES editor, and every author whose stories appear in this volume.
Issue #2 of Ares Magazine, featuring 70 pages of new fantasy and science fiction, an interview with Dino Andrade, and a feature article by Dr. Charles Adler.
A weekly review of politics, literature, theology, and art.
This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space. Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States. One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.