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Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.
The possibility of life after death is a significant theme in cinema, in which ghosts return to the world of the living to wrap up unfinished business, console their survivors, visit lovers or just enjoy a well-wreaked scaring. This work focuses on film depictions of survival after death, from meetings with the ghost of Elvis to AIDS-related ghosts: apparitions, hauntings, mediumship, representations of heaven, angels, near-death experiences, possession, poltergeists and all the other ways in which the living interact with the dead on screen. The work opens with a historical perspective, which outlines the development of pre-cinematic technology for "projecting" phantoms, and discusses the use of these skills in early ghost cinema. English-language sound films are then examined thematically with topics ranging from the expiation of sins to "hungry" ghosts. Six of the most significant films, Dead of Night, A Matter of Life and Death, The Innocents, The Haunting, The Shining, and Jacob's Ladder, are given a detailed analysis. A conclusion, filmography, and bibliography follow.
Political intrigue, greed, betrayal and a high-stakes race against a killer: Photojournalist Sophie Medina is back with a bang Freelance photojournalist Sophie Medina has photographed world leaders, popes and international peace talks. Tonight, the focus of her lens are the 120 guests at a glittering society engagement party in Washington: billionaires, politicians, exiled European royalty . . . and Sophie's old friend Brother Kevin Boyle, controversial environmentalist and Franciscan friar. Rumors are flying about a project that Kevin is working on. A project that could be worth millions, if it falls into the wrong hands. So when Kevin's body is discovered the next day in his monastery's magnificent gardens, Sophie's convinced his death is no accident - even though no else seems to agree. What secrets was Kevin keeping, that were enough to kill for? Sophie embarks on an international treasure hunt that takes her from the US Capitol to London. But with time running out, and a suspect list made up of the rich and powerful, can she find the truth before Kevin's killer finds her? The second Sophie Medina mystery, following Multiple Exposure, is a great choice for readers who like fearless female sleuths and international intrigue.
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
The Neurology of Vision sets out the principles and information needed to understand and manage disorders of the visual pathways in the brain. The author divides vision into three components. The optical component addresses the eye's ability to properly focus light on the retina. The retinocortical component converts light into neural signals in the retina, transmitting them to the primary visual cortex. Finally, the integrative component converts this simple visual information into more complicated forms. The symptoms and signs, testing methods, and diseases of each part of the visual system are presented using this unique, structural component approach. A final chapter discusses the visual manifestations of psychiatric disturbances. The book is heavily illustrated with over 150 beautifully rendered line illustrations, 50 radiographic brain images, and 60 retinal photographs. Case studies with teaching questions are also included, to further the reader's knowledge and test understanding.
This book offers a complete revision for its introduction to the quantum theory of light, including notable developments as well as improvements in presentation of basic theory and concepts, with continued emphasis on experimental aspects. The author provides a thorough overview on basic methods of classical and quantum mechanical measurements in quantum optics, enabling readers to analyze, summarize, and resolve quantum optical problems. The broad coverage of concepts and tools and its practical, experimental emphasis set it apart from other available resources. New discussions of timely topics such as the concept of the photon and distinguishability bring the entire contents up to date. Key Features: Provides a complete update of a classic textbook for the field. Features many new topics, including optical coherence, coherent and incoherent imaging, turbulence-free interferometry. Includes new chapters for intensity fluctuation correlation and thermal light ghost imaging, and biphoton imaging. Offers a complete overhaul of the introductory theory to give a more coherent and thorough treatment. Expands on discussions of optical tests of quantum theory, Popper’s experiment, Einstein’s locality questions, and the delayed choice quantum eraser.
By providing the most radiography practice and placing it within a unique Q&A format with detailed answers and rationales to ensure comprehension, Exercises in Oral Radiology and Interpretation, 5th Edition, is specifically designed to complement radiography instruction throughout the continuum of dental professions. For more than 35 years, this go-to supplement has bridged the gap between the classroom and the clinic, providing hundreds of opportunities to practice and master image interpretation. It serves as a valuable adjunct to the core content presentation, with more than 600 images with case scenarios, plus examples, questions, and tips to fill in the gap in textbook coverage and prepare you for clinical experiences and classroom and board exams. - UNIQUE! Hybrid atlas/question-and-answer format focuses your energies on applying core text content within hundreds of practice opportunities — both knowledge-based and critical thinking — to better prepare you for clinical experiences. - Hundreds of clinical photos and radiographs allow you to see not only how images should be obtained, but also how to identify normal and abnormal findings on radiographs. - 525 test questions, organized by radiation science and assessment/interpretation, offer board review practice. - A back-of-book answer key contains detailed answers and rationales for each Q&A set within each chapter, in addition to simple answers for the board review questions. - Comprehensive coverage of all dental imaging techniques and errors, as well as normal and abnormal findings, makes this supplement a must-have throughout your radiography courses, as a board study tool, and as a clinical reference. - Emphasis on application through case-based items that encourage you to read, comprehend, and assimilate content to formulate a well-reasoned answer. - Approachable, straightforward writing style keeps the focus on simply stated, succinct questions and answers, leaving out extraneous details that may confuse you. - Chapter Goals and Learning Objectives serve as checkpoints to ensure content comprehension and mastery. - Written by two highly trusted, longtime opinion leaders, educators, and clinicians in oral medicine and oral radiology, Bob Langlais and Craig Miller, this valuable instructional and study aid promotes classroom and clinical success.
The adventures of a goldfish who just died.
The Handbook of Optical and Laser Scanning reveals the fundamentals of controlling light beam deflection, factors in image fidelity and quality, and the newest technological developments currently impacting scanner system design and applications. This highly practical reference features a logical chapter organization, authoritative yet accessible w
This book constitutes the refereed proceedings of the 16th IAPR International Conference on Discrete Geometry for Computer Imagery, DGCI 2011, held in Nancy, France, in April 2011. The 20 revised full papers and 20 revised poster papers presented together with 3 invited lectures were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on models for discrete geometry, discrete and combinatorial topology, geometric transforms, discrete shape representation, recognition and analysis, discrete tomography, morphological analysis, as well as discrete and combinatorial tools for image segmentation and analysis.