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A collection of 100 original, rarely seen photographs of identified Union and Confederate soldiers and other participants in the Gettysburg Campaign, each accompanied by vivid accounts of their personal experiences based on letters, journals, newspaper reports, regimental histories and other documents. The photographs are wartime portraits of men and women presented to families, friends and comrades in arms. These unique artifacts, once found in parlor photo albums, fireplace hearths and bedstands, somehow survived the ravages of time and today are in the hands of private collectors. The faces of the individuals reveal the romance and horror of a generation at war. The stories that accompany each image detail triumphant and tragic events before, during and after the three-day fight. These individuals hailed from all walks of life—rich and poor, urban and rural, native born and immigrant, with varying levels of education and perspectives on life. Each profile is a microhistory. Together, they tell the larger story of Gettysburg in human terms. Among those you’ll meet: James M. “Roe” Reisinger of the 150th Pennsylvania Infantry, who suffered a wound and later received the Medal of Honor for his actions at on July 1; Helim S. Thompson of the 44th New York Infantry, severely wounded and left for dead on Little Round Top; Zachariah Angel Blanton of the 18th Virginia Infantry, wounded and captured in Pickett’s Charge; and Harriett A. Dada Emens, a nurse who cared for desperately wounded and sick in the Union army’s 12th Corps Hospital.
Rare photos, most never before published, of soldiers who fought at Gettysburg. Includes each soldier's rank, unit, and role in the battle.
Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.
Although he took command of the Army of the Potomac only three days before the first shots were fired at Gettysburg, Union general George G. Meade guided his forces to victory in the Civil War's most pivotal battle. Commentators often dismiss Meade when discussing the great leaders of the Civil War. But in this long-anticipated book, Kent Masterson Brown draws on an expansive archive to reappraise Meade's leadership during the Battle of Gettysburg. Using Meade's published and unpublished papers alongside diaries, letters, and memoirs of fellow officers and enlisted men, Brown highlights how Meade's rapid advance of the army to Gettysburg on July 1, his tactical control and coordination of the army in the desperate fighting on July 2, and his determination to hold his positions on July 3 insured victory. Brown argues that supply deficiencies, brought about by the army's unexpected need to advance to Gettysburg, were crippling. In spite of that, Meade pursued Lee's retreating army rapidly, and his decision not to blindly attack Lee's formidable defenses near Williamsport on July 13 was entirely correct in spite of subsequent harsh criticism. Combining compelling narrative with incisive analysis, this finely rendered work of military history deepens our understanding of the Army of the Potomac as well as the machinations of the Gettysburg Campaign, restoring Meade to his rightful place in the Gettysburg narrative.
Horses are one of the many unsung heroes of the American Civil War. These majestic animals were impressed into service, trained, prepared for battle, and turned into expendable implements of war. There is more to this story, however. When an army’s means and survival is predicated upon an animal whose instincts are to flee rather than fight, a bond of mutual trust and respect between handler and horse must be forged. Ultimately, the Battle of Gettysburg resulted in thousands of horses killed and wounded. Their story deserves telling, from a time not so far removed.
A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.
The most pivotal deffensive line in the most pivotal battle in the history of America. The fighting at Culp's Hill during the Battle of Gettysburg was some of the fiercest during the bloody battle, and holding the hill, for the Union, was essential not only for victory in battle, but protecting the country as a whole. Authors Matthew Borders and Joseph Stahl present intimate portraits of twenty-eight soldiers who defended Culp's Hill, including in-depth analysis of never before published images and harrowing accounts of heroism in the fight to save the Union.
More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.
"This book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier."--BOOK JACKET.
Daniel Webster, Frederick Douglass, Harriet Beecher Stowe, Jefferson Davis, John Brown. We know their names and recall the place of each in our nation's history. But do we recognize their faces and those of the dozens of their contemporaries who forged a new and forward-looking America during the Civil War era? Faces of Discord is a look into the real faces of the leading historical figures of this turbulent and transformative time. Compiled from the collections of the Smithsonian's National Portrait Gallery, these depictions include those of Abraham Lincoln, Robert E. Lee, Ulysses S. Grant, John S. Mosby, George Armstrong Custer, and many others who were painted, sculpted, and photographed by the foremost artists of the day. More than just arresting pictures in a book, these “faces of discord” represent historical portraits of the period, some of which were once owned by the famous sitters themselves and passed down to the Smithsonian by their descendants. The National Portrait Gallery is a fitting repository for these images, in part because the gallery occupies the building that was used as a barracks and hospital for Federal troops during the war and was the site of Lincoln's second inaugural ball. Faces of Discord also tells the stories of the extraordinary lives behind the faces that changed the course of American history. Selected exclusively from Smithsonian collections and illustrated within Faces of Discord are rarely seen personal possessions and memorabilia associated with many of these historical figures who still command our attention and so vividly animate these pages.