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This wonderful collection of travel writing captures the very best of Getaway's articles over the past 21 years of travel, exploration and adventure.
The novel is about the Kaufmann family, spanning three generations between 1858 and 1976. Peter Kaufmann emigrated to South Africa from Germany and became a renowned wainwright. He was also involved in the construction of the first railway line between Cape Town and Pretoria. His son, Willy, became a politician and was later appointed high commissioner in London. For many people Arabia holds something strange, something mystical. OPEC imposed a worldwide oil embargo in 1973 that affected South Africa as it did most other countries. South Africa was running low on oil reserves and urgently needed a lifeline! After the lifting of the embargo the following year, the South African government entered into negotiations with one of the Arab oil-producing countries for assistance and proposed the delivery of crude oil in exchange for gold. Behind the scenes in London, the South African embassy played a low-key role, and Willy Kaufmanns grandson, Gnther, who served a stint as a diplomat at the time at the embassy, was also involved. However, an unfortunate incident that shocked the Arab world prevented the proposal from coming to fruition!
In this border-hopping anthology of travel memoir and fiction, every trip is a big one, as an advance guard of adventurous writers--both seasoned names and fresh voices--scatter across the globe, face the pure euphoria and sheer anxiety of travel, and survive a lot of very fast living.
The essays in this book chart how women’s profound and turbulent experiences of migration have been articulated in writing, photography, art and film. As a whole, the volume gives an impression of a wide range of migratory events from women’s perspectives, covering the Caribbean Diaspora, refugees and slavery through the various lenses of politics and war, love and family. The contributors, which include academics and artists, offer both personal and critical points of view on the artistic and historical repositories of these experiences. Selfies, motherhood, violence and Hollywood all feature in this substantial treasure-trove of women’s joy and suffering, disaster and delight, place, memory and identity. This collection appeals to artists and scholars of the humanities, particularly within the social sciences; though there is much to recommend it to creatives seeking inspiration or counsel on the issue of migratory experiences.
Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum. Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
"How important is quality writing in journalism? What are reporters' responsibilities to their profession, their sources, and the public? What part do publicists play in the news-making process?" "The third edition of Writing for the Media tackles these and other pertinent questions facing those who write for the media - journalists and public relations professionals alike. It challenges writers to think critically about what they do as well as how they do it. At the same time, this edition remains a guide for beginning and intermediate writers on ways to identify, report and construct accurate and interesting articles under deadline pressure. There are also chapters on editing, publication design, publicity, and advice on how to succeed as a freelancer." "Each chapter contains real-life case studies, advice from top practitioners, and lists of useful websites for further reading."--BOOK JACKET.
Featuring a wide range of options for restaurants and accommodations, practical information on health, visas, and transportation, itineraries for varying time frames, comprehensive overviews of the politics and culture of each area, plus comprehensive maps and a 32-page color safari section, this guide offers the best travel information available for Zimbabwe, Botswana, and Namibia.
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
This book contributes to our collective understanding of the significance of representations of women and gender in magazines in both their print and online forms. The essays are authored by scholars, writers and cultural producers in fields such as art, film and visual studies, literature, critical race studies, communications, broadcast and print journalism, history, and women and gender studies. Taken as a whole, the volume offers historical breadth and perspectives that are transnational and cross-racial on women in magazines and digital media in a variety of ways. It examines how women are represented, how women have created and produced magazines and how women make meaning of themselves and their world using magazines as key sources of information.