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This is a great collection of script that will make it possible for you to achieve your dreams and be a film maker. Several of these stories have already been made into independent films. Most of fairly low budget films scripts.
"You're going to die," the doctor said. But Canadian author Martin Avery laughed and walked away. Fall Down Nine Times, Get Up Ten tells the story of a man who was told he would never work or walk again, in Canada, but lived to get a better diagnosis of "jing-chi-shen" in China.
This book is for anyone interested in the business of breaking into the movies. Learn who the key players are when it comes to getting a movie made and how to navigate the politics of filmmaking from start to finish, from first pitch to filling movie seats.
While Hollywood deserves its reputation for much-maligned portrayals of southern highlanders on screen, the film industry also deserves credit for a long-standing tradition of more serious and meaningful depictions of Appalachia's people. Surveying some two dozen films and the literary and historical sources from which they were adapted, John C. Inscoe argues that in the American imagination Appalachia has long represented far more than deprived and depraved hillbillies. Rather, the films he highlights serve as effective conduits into the region's past, some grounded firmly in documented realities and life stories, others only loosely so. In either case, they deserve more credit than they have received for creating sympathetic and often complex characters who interact within families, households, and communities amidst a wide array of historical contingencies. They provide credible and informative narratives that respect the specifics of the times and places in which they are set. Having used many of these movies as teaching tools in college classrooms, Inscoe demonstrates the cumulative effect of analyzing them in terms of shared themes and topics to convey far more generous insights into Appalachia and its history than one would have expected to emerge from southern California's "dream factory."
A compilation of essays, commentary, insights, and practical information from sixty leading Hollywood insiders furnishes helpful advice for independent filmmakers, with contributions by Christine Vachom, Geoff Gilmore, Bill Condon, Roger Ebert, Richard Pena, and other filmmakers, directors, critics, and producers. Original.
This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.
To help finance her indie vampire movie, Marcella takes a job as a carnival stripper, only to be abducted by associates of her backer, playboy/gangster Oscar, who spirit her to his castle in Europe. She escapes and finds refuge with a kindly old gentleman, the nocturnal Baron d'Orsay, who "does not drink ... wine." With the Baron's all-too-willing assistance, the unsuspecting Marcella finds more authenticity in her film than she had bargained for.
'This is the kind of book that troubles grey-suited committees of academic peers. It's too enjoyable. But that, given its subject, is just what it ought to be, and it treats that subject seriously . . . There isn't a “dull” page anywhere in the book.' – Professor Peter Thomson, Studies in Theatre and Performance Comedy is changing: stand-up comedians routinely sell out stadia, their audience-figures swollen by panel-show appearances and much-followed Twitter feeds. Meanwhile, the smaller clubs are filling up, with audiences as well as aspirants. How can we make sense of it all? This new edition of Getting the Joke gives an insider's look at the spectrum of modern comedy, re-examining the world of stand-up in the internet age. Drawing on his acclaimed first edition, Oliver Double focuses in greater detail on the US scene and its comedians (such as David Cross, Sarah Silverman, Louis CK, Demetri Martin and Margaret Cho); the 'DIY' comedy circuit and its celebrated apostles and visionaries, from Josie Long to Stewart Lee; the growing importance of the solo stand-up show; the role played by Twitter (including an interview with the organiser of the world's first comedy gig on Twitter), and the driving force that is the TV guest slot, be it on Mock the Week or Live at the Apollo. With expanded sections on joke construction, as well as ways to challenge the audience, and a host of new and updated exercises to guide the aspiring comedian, this new edition of Getting the Joke is the only book to combine the history of stand-up comedy with an analysis of the elements and methods that go into its creation. Featuring a range of interviews with working comedians – from circuit veterans to new kids on the block – combined with the author's vast experience, this is a must read for any aspiring stand-up comedian.
Publisher Fact Sheet Berg analyzes the intersection of Hollywood stereotyping and Latino self-representation, and explores how Latino actors and filmmakers have subverted and resisted stereotyping.
It's a November day and a visit to the grave site of Anthony Rutigliano, one of countless fallen American young men from the Vietnam war triggers memories of years past for John Fratangelo. This true story tells of the life John and Tony, two inseparable cousins had during their young years as kids in the Bronx and their adventures together through their teen years and their time in Vietnam. It tells of John's young marriage while in the army and his trials and tribulations that he endures during his two years in military service. The book has some humorous moments but sadly they are overwhelmed by the heartaches and losses that occur during the military. The story is highlighted by the apparition that John has of Tony on the night that John finds out about Tony being killed in Vietnam. This scene was what inspired the writing of this book. However, the story does not end there. It goes on to tell of the tragic events that continue in the life of John, nicknamed "Pizza" by his Recon buddies. It shows and informs all who read it that combat is no joke. It's real and horrific and all those who have endured it can attest to its atrocities. "The Last Goodbye" is a read that is sure to bring both a smile on your face and a tear to your eyes and will have a lasting impact on the way people who read it come to feel about the combat veteran and have a new found respect for every man and woman who proudly serve their country so that you, the reader and future generations will be able to live free and safe forever.