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Get on the Waka is a fresh, energetic collection of fiction writing by Maori since 2000, selected and with an introduction by Witi Ihimaera. It showcases 17 stories and extracts from established writers, most of whom have won awards and recognition in New Zealand and overseas.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
The author recounts the ancient history and modern renaissance of the war canoe, detailing types and parts of the vessel, building techniques, captain and crew roles, and paddling routines and instruction ... Waka taua is a valuable guide to this timeless expression of Maori identity and power"--Back cover.
Get Lucky: A Rogue’s Tale is the true story of a rogue, sometimes lovable but often otherwise. Paul’s mum blamed his reverse Road to Damascus on a meeting between a bubble car and an oak tree. The blue-eyed boy became a rebellious teen, up for mischief and mayhem in the long hot Spanish summers of his misspent youth. It was women, booze and brawls, until one day he hit the big time and nicked a Rubens painting from a Dutch museum. This catapulted him into the louche demi-monde of Sixties Geneva: crooked billionaires, arms dealers, the world of the legendary art forger Elmyr de Hory and his partner in crime, Fernand Legros, a milieu portrayed in Orson Welles’ F For Fake. Paul was captured by the French police, but escaped, only to be taken again. This time he was thrown into the notorious Marseilles gaol, Baumettes. He was then imprisoned in Holland, escaping just before the Sixties’ end. In 1999, the rogue met his perfect match. He was gaoled for alleged witness intimidation, then freed when the cop pursuing him became the witness’ lover. But while he was inside, his bank account was cleaned out by his lawyer and an erstwhile business advisor. It was revenge and retribution as his adversaries lined up: a bunny boiler, a consigliere to the Maltese Mafia, and Alan Bond’s fixer. This path would take him from near madness to untold weath – if he could get lucky and secure the rights to a rogue state’s mineral deposits... Life happens to Paul Eagles, especially when he’s not looking. Get Lucky: A Rogue’s Tale is not a conventional autobiography; it’s the tale of someone who hasn’t always done the best by his fellow travellers, yet somehow comes up smelling of roses. From brawler to international art thief to successful entrepreneur would satisfy most people, but fate had other plans for Paul Eagles, as Get Lucky becomes a story of betrayal and retribution, often reading more like a novel than a memoir. But it is all true, with even the darkest moments leavened by humour in a book with a cast of real-life characters, many of whom once filled newspaper column inches. It’s a quirky and idiosyncratic tale, as much an entertainment as it is the story of one lucky man’s unconventional life.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Fired with her passion for life, food and challenge, Cowrie and her friends take on multinational corporations and the New Zealand government over the issue of genetically modified crops. As they grapple with concerns ranging from sick children to genetic engineering, they encounter corruption, politics and power.
This monograph constitutes the first comprehensive investigation of reciprocal constructions and related phenomena in the world’s languages. Reciprocal constructions (of the type The two boys hit each other, The poets admire each other’s poems) have often been the subject of language-particular studies, but it is only in this work that a truly global comparative picture emerges. Nine stage-setting chapters dealing with general and theoretical matters are followed by 40 chapters containing in-depth descriptions of reciprocals in individual languages by renowned specialists. The introductory papers provide a conceptual and terminological framework that allows the authors of the individual chapters to characterize their languages in comparable terms, making it easy for the reader to see points of commonality between languages and constructions that have never been compared before. This set of volumes is an indispensable starting point and will be a lasting reference work for any future studies of reciprocals.
How does public transport work in an African city under neoliberalism? Who owns what in it? Who has the power to influence its shape and changes in it over time? What does it mean to be a precarious and informal worker in the private minibuses that provide public transport in Dar es Salaam? These are the main questions that inform this in-depth case study of Dar es Salaam's public transport system over more than forty years. The growth of cities and informal economies are two central manifestations of globalization in the developing world. Taken for a Ride addresses both, drawing on long-term fieldwork in Dar es Salaam (Tanzania) and charting its public transport system's journey from public to private provision. This new addition to the Critical Frontiers of Theory, Research and Practice in International Development Studies series investigates this shift alongside the increasing deregulation of the sector and the resulting chaotic modality of public transport. It reviews state attempts to regain control over public transport and documents how informal wage relations prevailed in the sector. The changing political attitude of workers towards employers and the state is investigated: from an initial incapacity to respond to exploitation, to the political organisation and unionisation which won workers concessions on labour rights. A longitudinal study of workers throws light on patterns of occupational mobility in the sector. The book ends with an analysis of the political and economic interests that shaped the introduction of Bus Rapid Transit in Dar es Salaam, and local resistance to it. Taken for a Ride is an interdisciplinary political economy of public transport, exposing the limitations of market fundamentalist and postcolonial appraoches to the study of economic informality, the urban experience in developing countries, and their failure to locate the agency of the urban poor within their economic and political structures. It is both a contribution to and a call for the contextualised study of neoliberalism.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.