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Iwans Mutter ist schwerkrank, Ella auch. In einem Krankenhaus treffen sie aufeinander und kommen daraufhin nicht mehr voneinander los. Eine Nacht am Wasser, sie reden sie schweigen. Denn sie wissen um Dinge, die es sich auf einmal zu teilen lohnt. Sie suchten beide einen Ausweg, letztendlich finden sie einen Weg. Ist diese dunkle Nacht am Meer nur eine verschwommene Erinnerung oder doch der schönste Sommernachtstraum?
Diese kurze Erzählung handelt von Alva und Gregor. Während Alva seit einiger Zeit in der Dunkelheit lebt, fühlt sich Gregor in einer bunten Welt am wohlsten. Ihre Wege kreuzen sich und Gregor versucht, Alva das Licht zu zeigen.
In May of 1945, the American army, along with those of its Allies, occupied the cities and towns of Hitler’s Third Reich. While most American soldiers wondered how Germany’s citizens were going to feed and shelter themselves, this volume introduces the reader to another group of men who were concerned about a different form of starvation. The men of what was to become the Information Control Division (ICD) in the American Zone were preparing an antidote to 12 years of National Socialist propaganda, which was to be a steady diet of carefully selected bits of information that were calculated to change the way the German people understood the world. It was designed to transform the Germans into staunch defenders of democracy. In addition to providing the first historical overview of the activities of the ICD and the methods they employed, the book offers a unique perspective on how the US occupation utilised psychologists, psychiatrists, anthropologists, sociologists and other academics to vet potential candidates for media licenses in Germany. The narrative takes the reader through the various steps of the process of becoming a literary publisher, newspaperman, magazine editor, radio programmer, and filmmakers, and reveals how the American Military Government in Germany used the establishment of new media empires to attempt the mass re-education of an entire nation.
This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. “Health is natural; sickness is unnatural: at least so it seems to man,” is how Stefan Zweig begins his fascinating, often entertaining examinations of Franz Anton Mesmer, Mary Baker Eddy, and Sigmund Freud. “Bodily suffering is not assuaged by technical manipulation but through an act of faith.” Mental Healers is dedicated to Albert Einstein, the scientist who had won the Nobel Prize for Physics in 1921. It first appeared in 1931 as Die Heilung durch den Geist, orHealing Through the Spirit, a title that anticipates our current interest in alternative medicine and the placebo effect. Zweig’s first healer, Franz Anton Mesmer (1734-1815), was a German physician who introduced “animal magnetism” to the world. Viewed by many as a charlatan, he died an outcast before he could properly understand and explain his discovery. Zweig’s second healer, Mary Baker Eddy (1821-1910), was a New England matron who found her vocation only in middle age. She established Christian Science, an American Protestant system of religious practice that rejects medical intervention, when she was almost 60. Zweig’s third healer, Sigmund Freud (1856-1939), was the Viennese Jewish physician who founded psychoanalysis. Zweig, who knew Freud and delivered a eulogy at his funeral, describes Freud’s then-new ideas with the insight of an artist who lived in the same time and place. Fluently written and psychologically astute, Mental Healers is compelling cultural history and a valuable window onto the genesis of new ideas in healing. “Mesmer, Eddy and Freud were critical figures alerting the modern world to the influences of the mental and emotional on health and illness. Their impact was tremendous and Zweig's classic study provides a wonderful opportunity to engage with these significant innovators.” — Ted Kaptchuk, Professor of Medicine, Harvard Medical School, Director, Program in Placebo Studies & Therapeutic Encounter
The first in a sweeping and action-packed debut fantasy duology loosely inspired by the early climbers of Mt. Everest—perfect for fans of Cindy Pon and Alison Goodman. Kamzin has always dreamed of becoming one of the Emperor’s royal explorers, the elite climbers tasked with mapping the wintry, mountainous Empire and spying on its enemies. She knows she could be the best in the world, if only someone would give her a chance. But everything changes when the mysterious and eccentric River Shara, the greatest explorer ever known, arrives in her village and demands to hire Kamzin—not her older sister Lusha, as everyone had expected—for his next expedition. This is Kamzin’s chance to prove herself—even though River’s mission to retrieve a rare talisman for the emperor means climbing Raksha, the tallest and deadliest mountain in the Aryas. Then Lusha sets off on her own mission to Raksha with a rival explorer who is determined to best River, and Kamzin must decide what’s most important to her: protecting her sister from the countless perils of the climb or beating her to the summit. The challenges of climbing Raksha are unlike anything Kamzin expected—or prepared for—with avalanches, ice chasms, ghosts, and even worse at every turn. And as dark secrets are revealed, Kamzin must unravel the truth of their mission and of her companions—while surviving the deadliest climb she has ever faced.
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.