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The epic of King Gesar of Ling is the national oral epic of Tibet, sung by itinerant bards in their land for many centuries but not recorded in print until recent times. Spreading widely beyond Tibet, there are extant versions in other languages of Central Asia. The first printed version is from Mongolia, produced on the orders of the Kangxi emperor of the Manchu Qing dynasty in the early 18th century. In the process of transmission, the original saga lost much of its Tibetan flavour, and this Qing edition can be regarded as a genuine Mongolian work. Its hero, Geser Khan in Mongolian, became a folk-hero, later deified both in China and Mongolia. Geser’s mission is to save the world from endemic evil and strife, bringing peace to all. Although he himself is the son of a god, Geser as a human is unpredictable, romantic and funny, and many of his adventures belong to the picaresque. This translation of the first, and one of the longest, chapters of the epic covers his miraculous birth, his turbulent youth, and his marriage to the beautiful Rogmo Goa. It celebrates and commemorates the 300th anniversary of the printing of the epic in Peking in early 1716.
Myths and legends are deeply rooted in the world's literature, language, and history. But what does the phrase "Achilles heel" refer to, and what did Oedipus or Beowulf actually do? Gather round for enthralling stories of gods, danger, heroes, and great cosmic events. With over 1000 illustrations, Myths and Legends explores epic global stories, bringing to life the greatest creation myths of all time, such as that of Brahma and Vishnu, and the Inca god Viracocha. It brings you monstrous creatures and terrifying people including the witch Baba Yaga, as well as epic adventures such as King Arthur's search for the Holy Grail and Jason's capture of the Golden Fleece. It tells how the Masai first got their cattle, or how the Greeks discovered fire and shares legends that explain death, including the story of the Maori god Tane. Originally passed down from one generation to the next, these sagas from all over the world are part of our heritage and touch our hearts. Myths and Legends provides context and meaning to each one, and is a treasure trove for everyone interested in their cultural legacy.
The Gesar of Ling epic is the Tibetan equivalent of The Arabian Nights. For hundreds of years, versions of it have been known in oral and written form in Tibet, China, Central Asia, and across the eastern Silk Route. King Gesar, renowned throughout these areas, represents the ideal warrior. As a leader with his people's loyalty and trust, he conquers all their enemies and protects the peace. His life story, which is full of miracles and magic, is an inspiration and a spiritual example to the people of Tibet and Central Asia even today; Gesar's warrior mask can be seen in the town square and on the door of homes in towns and villages throughout this area. As a Buddhist teaching story, the example of King Gesar is also understood as a spiritual allegory. The "enemies" in the stories represent the emotional and psychological challenges that turn people's minds toward greed, aggression, and envy, and away from the true teachings of Buddhism. These enemies graphically represent the different manifestations of the untamed mind. The teaching is that genuine warriors are not aggressive, but that they subjugate negative emotions in order to put the concerns of others before their own. The ideal of warriorship that Gesar represents is that of a person who, by facing personal challenges with gentleness and intelligence, can attain spiritual realization. This book contains volumes one through three, which tell of Gesar's birth, his mischievous childhood, his youth spent in exile, and his rivalry for the throne with his treacherous uncle. The Gesar epic tells how the king, an enlightened warrior, in order to defend Tibet and the Buddhist religion from the attacks of surrounding demon kings, conquers his enemies one by one in a series of adventures and campaigns that take him all over the Eastern world. He is assisted in his adventures by a cast of heroes and magical characters who include the major deities of Tibetan Buddhism as well as the native religion of Tibet. Gesar fulfills the Silk Route ideal of a king by being both a warrior and a magician. As a magician he combines the powers of an enlightened Buddhist master with those of a shamanic sorcerer. In fact, at times the epic almost seems like a manual to train such a Buddhist warrior-magician. In the story, the people and nation of Ling represent the East Asian notion of an enlightened society. There, meditation, magic, and the oral folk wisdom of a communal nomadic society are synchronized in a lifestyle harmonious with the environment, but ambitious for growth and learning and refined literate culture. Filled with magic, adventure, and the triumphs of this great warrior-king, the stories will delight all—young and old alike. The Gesar epic is still sung by bards in Tibet. The words of the Gesar epic have never been translated into a Western language before.
The Tibetan Gesar epic has known countless retellings, translations, and academic studies. The Many Faces of Ling Gesar, presents its historical, cultural, and literary aspects for the first time in a single volume for both general readers and specialists.
The first and only English translation of the centuries-old Tibetan spiritual allegory of King Gesar, a tale on a par with The Arabian Nights or the King Arthur stories. For hundreds of years, versions of the Gesar of Ling epic have been sung by bards in Tibet, China, Central Asia, and across the eastern Silk Route. King Gesar, renowned throughout these areas, represents the ideal warrior. As a leader with his people's loyalty and trust, he conquers all their enemies and protects the peace. The example of King Gesar is also understood as a spiritual teaching. The "enemies" in the stories represent the emotional and psychological challenges that turn people toward greed, aggression, and envy and away from the true teachings of Buddhism. The epic of Gesar is the longest single piece of literature in the world canon, encompassing some 120 volumes; here the first three volumes are translated, telling of Gesar's birth, his mischievous childhood and his youth spent in exile, and his rivalry for the throne with his treacherous uncle.
Aus dem Inhalt (38 Beitrage): V. M. Alpatov, Female Variant of Japanese Z. Anayban, The Women of Tuva in the Context of the Transformation Period in Russia. Birtalan, Ada: A Harmful Female Spirit in the Mongolian Mythology and Folk Belief E. Boikova, Common-Law Marriage in Pre-Revolutionary Mongolia D. Chmielowska, The Image of Woman in Turkish Literature in the Second Half of the 20th Century M. Dobrovits, Maidens, Towers and Beasts M. R. Drompp, From Qatun to Refugee: The Taihe Princess among the Uighurs B. Frey Naf, Compared With the Women the a Menfolk have little Business of their own." - Gender Division of Labour in the History of the Mongols M. Galik, The Twenty-Fourth Nasreddin? Two Women in Wang Meng's Xinjiang Stories J. Giessauf, Mulieres Bellatrices oder Apis Argumentosa? Aspekte der Wahrnehmung mongolischer Frauen in abendlandischen Quellen des Mittelalters M. I. Gol'man, The Mongolian Women in the Russian Archives of the XVIIth Century W. Heissig, Zum Motiv der Hexenverbrennung in der Mongolischen Volksdichtung F. G. Hisamitdinova, The Place and Role of the Bashkir Woman in Family and Society: The Present and the Past.
The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding. Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations. Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.
This is the epic tale in verse and prose of the legendary Tibetan warrior king, Gesar of Ling. Gesar'e life story is the life-force of a vision which has for centuries inspired people throughout Central Asia in dealing with every kind of inner and outer hardship. 6 illustrations.
Jamyang Norbu has taken the stories of 'forgotten' Tibetansresistance fighters, secret agents, soldiers, peasants, merchants, even street beggarsand skillfully worked their myriad accounts into a single glorious 'memory history' of the Tibetan struggle. He uses recollections from his own childhood to ease the reader into an immersive understanding of the complexity of Tibet's modern history: the Chinese invasion, the uprisings in Kham and Amdo, the formation of the Four Rivers Six Ranges Resistance Force, the March '59 Lhasa Uprising, the CIA supported Air Operations, the Nyemo peasant Uprising of 68/69 and the Mustang Guerilla Force in northern Nepal, where Norbu later served. He writes of leaving home to drive tractors at refugee settlements, educate refugee children, produce plays at the Tibetan Institute of Performing Arts, and collect intelligence for the Tibetan Office of Research and Analysis (TORA) and for France's External Intelligence Agency (SDECE). He uses these anecdotes not so much as autobiography but as a framing device to recount the lives, deeds and, too often, tragedies of the many Tibetans he encountered and befriended throughout his lifenearly all of whom played vital roles in shaping the recent history of their country but whose contributions are still unsung and forgotten. Jamyang Norbu's lifelong commitment to collecting and orchestrating the 'echoes' of these many forgotten voices from the past has resulted in a lyrical, learned and compassionate book that could well be described as the prose epic of the Tibetan freedom struggle.
King Gesar, renowned throughout Tibet and Central Asia, represents the ideal warrior—the principle of all-victorious confidence. As the central force of sanity, he conquers all his enemies, the evil forces of the four directions, who turn people's minds away from the true teachings of Buddhism. These enemies graphically represent the different manifestations of cowardly mind. As Chögyam Trungpa explains in the Foreword: "When we talk here about conquering our enemy, it is important to understand that we are not talking about aggression. The genuine warrior does not become resentful or arrogant . . . It is absolutely necessary for the warrior to subjugate his own ambition to conquer at the same time that he is subjugating his other more obvious enemies. Thus the idea of warriorship altogether is that by facing all our enemies fearlessly, with gentleness and intelligence, we can develop ourselves thereby attaining self-realization." The legends of Gesar usually take weeks for a bard to recount. Filled with magic, adventure, and the triumphs of this great warrior-king, the stories will delight all—young and old alike.