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A champion of artists, the first director of the Whitney Museum of American Art, and a pivotal influence on the way American art has been perceived and received, Juliana Force was a creative and flamboyant personality who dominated the New York art world for decades. Yet her life, an American success story of the most classic type, has never been chronicled. In this authoritative biography, Avis Berman focuses long-overdue attention on a dynamic woman who claimed as her raison d'être the very development of American art.
Gloria Vanderbilt brought the family name out of the Gilded Age and into the Digital Age, reinventing herself over and over along the way. Hers is a story of charisma, glamour, and heartbreaking loss. The illustrations include portraits of Vanderbilt and her extraordinary homes.
In collaboration with Miami’s Vizcaya Museum and Gardens, a rediscovery of a lost figure of American modernism—the early-twentieth-century American painter born into the Astor family, whose imagination and patrician clientele provide a fascinating artistic and biographical saga. American modernism is populated with a cast of extraordinary characters, but few were as exuberant as Robert Winthrop Chanler, who made his artistic reputation with exotic and brilliantly colored lacquered screens and architectural interiors whose compositions feature fantastical avian, jungle, and aquatic creatures, many overlaid with iridescent metallic finishes. Chanler painted what entertained and interested him, while attracting wealthy Gilded Age patrons and earning popular and critical acclaim at numerous exhibitions—including the 1905 Salon d’Automne, the show featuring paintings by “les fauves,” with Henri Matisse as their leader; and the legendary “International Exhibition of Modern Art” in New York City, popularly known as the 1913 Armory Show. But, despite such a prolific career and a fascinating body of work, Chanler quickly became an obscure figure after his death in 1930. Robert Winthrop Chanler: Discovering the Fantastic is the first comprehensive examination in more than eighty years of an artist who straddled the divide between fine and decorative art, defined notions of originality and authorship during the birth of American modernism, and posthumously challenges twenty-first century preservationists through his idiosyncratic techniques and unorthodox material choices. Co-published with Vizcaya Museum and Gardens, which preserves Chanler’s fantastic undersea mural on the swimming pool grotto ceiling of the historic estate, the book includes essays that explore major commissions and conservation issues, all illustrated with new color photography, as well as a chronology and exhibition history, making this the definitive study on an indelible American modernist.
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Rarely is one allowed such an intimate glimpse into the "high peaks" of a life so extraordinary and exciting as that of C. V. Whitney. Scion of a distinguished family of great wealth, "Sonny" Whitney early displayed the zest for life and the adventurous spirit which have led him into a varied array of achievements remarkable even for the Whitney clan. A pilot in World War I and an AAF officer in World War II who was involved in such events as Iwo Jima and El Alamein, Whitney later, as assistant secretary of the air force, played a crucial role in ending the Berlin blockade. A sportsman with an absorbing love of the outdoors, Whitney has been a member of the Yale crew, captain of an international championship polo team, a hunter of note, and a Thoroughbred breeder whose stable has been a leading money winner. An interest in art inherited from his mother has led Whitney to help develop and support galleries and museums such as the Buffalo Bill Historical Center in Wyoming; his involvement in the entertainment world gave him a significant part in the production of the motion picture "Gone with the Wind." His other activities range from work as a "mucker" in a mine to ventures in finance, founding of the first ocean aquarium, Marineland, and world travel with enough adventures to fill another book. High Peaks is a set of selected memoirs which will appeal to all who seek joy and adventure in living.
New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty—his mother’s family, the Vanderbilts. One of the Washington Post's Notable Works of Nonfiction of 2021 When eleven-year-old Cornelius Vanderbilt began to work on his father’s small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires—one in shipping and another in railroads—that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by “the Commodore,” subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers—the seventy-room summer estate in Newport, Rhode Island, that Cornelius’s grandson and namesake had built—the family would have been unrecognizable to the tycoon who started it all. Now, the Commodore’s great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family’s empire, basked in the Commodore’s wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other. Written with a unique insider’s viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly captures.
This is a story of money, glamour, and scandal (on the highest level); a story of American society and of European royalty; a story of family strife exploding into one of the most dramatic and publicized court battles of the century—the battle for a solemn ten-year-old child, “little Gloria” Vanderbilt, who in 1934 was the object of the epic custody suit between her mother, the beautiful and penniless Vanderbilt widow, and her aunt, the famous Gertrude Vanderbilt Whitney, whose $78 million could buy her anything she wanted. And what she wanted was “little Gloria.” The leading characters: Gloria Morgan, who was one of the fabled Morgan Twins (invented by society reporter “Cholly” Knickerbocker as the quintessential Café Society beauties) and who, as a shy, stammering eighteen-year-old, living on nothing a year, did what she was raised to do, becoming the wife of . . . Reggie Vanderbilt, at forty-three a worn-out alcoholic who had managed to go through almost $25 million in fourteen years and who died only two years after his marriage to Gloria, leaving his beautiful young widow nothing but their baby, their baby’s untouchable trust fund, and the Vanderbilt name . . . Gloria Morgan’s twin, Thelma, who, as Lady Furness, was for years the mistress of the Prince of Wales (until she introduced him to her “best friend” Wallis Simpson) . . . Gertrude Vanderbilt Whitney, Reginald’s sister, a formidable Society woman, a sculptor and the founder of the Whitney Museum of American Art, a woman who conformed—on the surface—to everything expected of American royalty and yet lived a hidden second life as a passionate bohemian . . . And the child—little Gloria herself—shunted out of her mother’s life, carted around Europe, depending for her existence on her neurotically overprotective nurse, Dodo, who never left her for a single day, and her mad Morgan grandmother, who insisted that her own daughter might murder the child for the Vanderbilt millions. Deserted, “dressed in rags,” neglected, she became an almost mythic incarnation of “the poor little rich girl.” This child, who was to grow up to become a world-famous fashion designer, her name—Gloria Vanderbilt—a household word. We come to understand and care about this child as we observe, close up, the astonishing lives and intrigues surrounding her. We see her at the age of ten brought to the courthouse, rushed through mobs of spectators, reporters, photographers. We follow a courtroom drama of sensation after sensation, the judge ultimately banning both public and press, the final scandalous testimony reaching to the heart of the English royal family. We listen to the parade of witnesses—servants, millionaires, society celebrities, aristocrats, family retainers. We watch the judge himself—a classic Tammany pol—becoming another of the many victims of the case, reviled on all sides. And finally we see little Gloria pushed to choose between her mother and her aunt, making the decision that will affect her whole life—with nobody ever asking her the basic question, “Why are you afraid?” For the first time, the thousands of pages of documents and sealed court testimony have been unearthed and explored. Hundreds of people have been interviewed. And a writer completely knowing about society and the period has used all this material to create a compelling narrative of vitality, resonance, and fascination. Combining her extraordinary abilities as an investigative reporter with the skills and sensitivity of a novelist, Barbara Goldsmith has given us a galvanizing story, a whole world of astonishing emotional and social circumstances, unforgettably revealed.