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Gabriele Zerbi (1445-1505), born in Verona of an old patrician family, was a remarkable medical man & anatomists of his time. He probably studied at the University at Padua, where he began to teach medicine in 1467, having obtained the doctorate at the age of 22. He then taught medicine & logic at the University of Bologna, lived & worked in Rome, & finally returned to Padua. Maximianus the Etruscan, as he calls himself, lived in Rome in the age of Justinian, the 6th century. Only a few biographical facts about him can be gleaned from his 6 poems. Chapters: Introduction to Zerbi & His Works; text of The "Gerontocomia": On the Care of the Aged; Intro. to Maximianus's Elegies on Old Age & Love; & The Elegies. Bibliography.
This book takes a thematic look at the historical roots of the debate surrounding old age and disease.
This collection of occasional writings by renowned medieval scholar Margaret Wade Labarge considers an eclectic mix of themes and issues in the history of the Middle Ages. The varied lives of medieval women, their power and status within society, are depicted through their own writings; questions of medieval culture are linked to those facing humanity in our time; travel, as experienced by the most prestigious ambassador and by the lowliest pilgrim, is explored; and the origins and conditions of health care are examined. These themes have inspired or informed the author's eight major historical works, but are revisited here with the clarity, wit and discipline of a great teacher. A Medieval Miscellany will give readers already acquainted with Labarge's work new pleasure, and provide an enticing path into medieval lives and time for new readers.
First multi-year cumulation covers six years: 1965-70.
This book deals with the internal senses, the mind/body problem and other problems associated with the concept of mind as it developed from Avicenna to the medical Enlightenment. The book collects essays from scholars in this promising field of research. It brings together scholars working on the same issues in the Arabic, Jewish and Western philosophical traditions. This collection opens up new and interesting perspectives.
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
Offering an overview on health and healthy living from classical Antiquity through to the mid-19th century, when scientific medicine began to gain ascendancy, this book shows that despite the diversity of notions of 'healthy' and 'ill', directions on healthy living remain surprisingly constant throughout the centuries.
The goal of the twelve essays in this volume, contributed by scholars in the fields of history, literature, art history, and medicine, is to enrich our understanding of cultural discourses on ageing in early modern Europe. While a number of books examine old age in other eras, and a few touch on the early modern period, this is the first to focus explicitly on representations of ageing in Europe from 1350-1700. These studies invite the reader to take a closer look at images of ageing; they show that representations are embedded in specific communities, life situations, and structures of power. As well, the book explores how representations of old age function in various and often surprising ways: as repositories of socio-cultural anxieties, as strategies of self-fashioning, and as instruments of ideology capable of disciplining the body and the body politic. Since this book is about how old age as a cultural category was produced and maintained through representation, the essays in this volume are organised thematically across geographic, disciplinary, and media boundaries to foreground the politics and poetics of representational strategies. The contributors to this collection show that our understanding not only of ageing, but also of power, subjectivity, gender, sexuality, and the body is enriched by the study of cultural representations of old age. Through sensitive and sophisticated readings of a wide range of sources, these papers collectively demonstrate the formative influence and generative force of images of old age within early modern European culture.
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.