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Germinal is the novel written by Émile Zola. This novel is often considered Zola's masterpiece and one of the most significant novels in the French tradition. The storyline depicts an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s. The title itself has a symbolic meaning for the storyline: the word Germen is a Latin word which means "seed" and it transcends into the novel, which describes the hope for a better future that seeds amongst the miners.
The thirteenth novel in Émile Zola’s great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity for compassion and hope. Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all. New translation Includes introduction, suggestions for further reading, filmography, chronology, explanatory notes, and glossary
"The Guide offers both an essential reference work for students of English and comparative literature and a stimulating overview of literary translation in English."--BOOK JACKET.
Figures of the World: The Naturalist Novel and Transnational Form overturns Eurocentric genealogies and globalizing generalizations about “world literature” by examining the complex, contradictory history of naturalist fiction. Christopher Laing Hill follows naturalism’s emergence in France and circulation around the world from North and South America to East Asia. His analysis shows that transnational literary studies must operate on multiple scales, combine distant reading with close analysis, and investigate how literary forms develop on the move. The book begins by tracing the history of naturalist fiction from the 1860s into the twentieth century and the reasons it spread around the world. Hill explores the development of three naturalist figures—the degenerate body, the self-liberated woman, and the social milieu—through close readings of fiction from France, Japan, and the United States. Rather than genealogies of European influence or the domination of cultural “peripheries” by the center, novels by Émile Zola, Tayama Katai, Frank Norris, and other writers reveal conspicuous departures from metropolitan models as writers revised naturalist methods to address new social conditions. Hill offers a new approach to studying culture on a large scale for readers interested in literature, the arts, and the history of ideas.
Excerpt from Germinal The driver was standing with his back to the fire, a little old man, dressed in a purple wool jacket, on his head was an old rabbit-skin cap; while his horse, a large fawn-colored beast, waited motionless as stone, while they emptied the six cars which he had drawn up. This work was done by an assistant, a jolly fellow, red and healthy, who hurried little, pressing upon the lever with a heavy hand. Up there the wind was still more severe, a freezing wind, whose great regular blasts swept on like the blows of a scythe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.