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Germanic mythology is currently experiencing a significant boom in audiovisual media, especially among younger audiences. Heroes such as Thor, Odin and Siegfried populate television and comic series, films, and video games. When and why did this interest in Germanic mythology emerge in the media? Starting from the interpretation of the myths used by Richard Wagner in 'The Ring of the Nibelung' at the end of the 19th century, the contributions in this volume examine the reception of Germanic myths in audiovisual media in the course of the 20th and 21st century.
Germanic mythology is currently experiencing a significant boom in audiovisual media, especially among younger audiences. Heroes such as Thor, Odin and Siegfried populate television and comic series, films, and video games. When and why did this interest in Germanic mythology emerge in the media? Starting from the interpretation of the myths used by Richard Wagner in 'The Ring of the Nibelung' at the end of the 19th century, the contributions in this volume examine the reception of Germanic myths in audiovisual media in the course of the 20th and 21st century.
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Germanic mythology is a rich tapestry of myths, legends, and folklore that reflects the beliefs and values of ancient Germanic peoples. Encompassing a variety of tribes, including the Goths, Vandals, Saxons, and Norse, this mythology served as a crucial part of cultural identity and social cohesion. It provided a shared narrative framework that connected communities, reinforcing a sense of belonging among individuals. The importance of mythology in Germanic culture lies not only in its role in explaining natural phenomena and human experiences but also in its function as a moral and ethical framework that guided the behavior of individuals and communities. Myths served to articulate values such as honor, bravery, and loyalty, which were central to the warrior ethos of many Germanic societies. Through heroic tales, individuals were taught the significance of courage in the face of adversity and the importance of kinship and loyalty to one’s tribe.
This book is dedicated to exploring the gods and goddesses that the Germanic people worshiped, and within the pages you will find subtopics like: Historical background of Germanic colonies in Africa. Ancient Germanic traditions, like Christmas trees, that are still active today. Interesting anecdotes about the Nordic and Germanic languages. Wars, calendars, and other historical subtopics. Early medieval records, archaeology, and other documents and objects that give us insights into the past. Germanic gods and goddesses and their background. Mythical giants, heroes, and legends. Germanic mythology is intricate, complex, and the ideals behind their mythological beliefs were often intertwined with real life events. This book will examine how both myth and fact contributed to the culture and traditions of the Germans, and how these influences and some stories continue to live on throughout the centuries. Add this book to cart now.
For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted. This is often the case with adaptations of literary texts to the screen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.
The Nebra Disc (front cover) informs archaeologists that the Bronze Age people of Northern Europe were more sophisticated than once thought. In an area traditionally seen as primitive and barbaric, it would seem a complex religion had flourished more than 3,600 years ago. "We have been dramatically underestimating the prehistoric peoples," says Harald Meller, Head Archaeologist at the Museum of Halle in Saxony-Anhalt, where the Nebra disc was discovered. Scientists have long known that most European languages stem from an older Proto-Indo-European root, perhaps originating in the Russian Steppes c. 4000-6000 BC. Many have speculated about the culture and the religion of its speakers, but few in as great detail as Viktor Rydberg. Here he illuminates Proto-Indo-European beliefs through a comparative analysis of its earliest religious texts, among them, the Rigveda, the Zend-Avesta, and the Icelandic Poetic and Prose Eddas, concluding with his own thoughts on mythological method. This, the second volume of Rydberg's two-volume Undersökningar i Germanisk Mythologi, is the sequel to his Teutonic Mythology. Insightful research from the dawn of comparative mythological studies, these controversial essays remain as relevant today, as they were when they were published over a century ago. This is the first part of a two-part set.
In the context of the Indo-European cultures, this book, The Hidden Pathways of Germanic Mythology, offers an overview of the hidden pathways of Germanic Mythology, focusing upon the Germanic Word View, the creation of the world, the Dawn of Gods and the psychological role of some of the most significant gods and goddesses. The center of gravity is given to the relationship between the Germanic mythology, Christianity and humanistic education. It is revealed that the Germanic universe had a balanced worldview between patriarchal and matricentric gods and that the Norse people developed and cultivated some of today's most highly held values such as democracy and individual and female rights. The book points at the considerable consequences of neglecting, demonizing, repulsing and repressing archetypical representations of the original Germanic culture, which was and still is considered barbarous and primitive. This creates momentous daggers for the resilience, diversity and wellbeing of our societies. It is shown that Odin's fundamental act of divination, his voluntary hanging on the Word Tree, provided humanity with access to the collective unconsciousness and ego autonomization. Odin is thus the archetype of the therapist of the psychodynamic tradition. The book ends with a plea that advocates for increased archetypal literacy, looked at as roadmap to peace.