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"This book takes the reader through a full color look at reenactment of the German military of WWII. Dedicated reenactors have gone to amazing lengths to recreate the Wehrmacht in action. Original tanks and half tracks take to the field once more, alongside uniformed German soldiers. Everything from tanks to machine guns to can-openers and cooking utensils are put to use to recreate not only authentic battles, but the more mundane aspects of wartime life, such as vehicle and weapons maintenance, sleeping, cooking, and trying to survive. The author has selected photos from WWII reenactments around the world, where dedicated reenectors have spent enormous amounts of time and money making sure this momentous event is never forgotten. Panzers thunder through the fields once more, planes of the Luftwaffe strike from the sky, and the German fighting men and women once more are thrown into an amazing array of scenarios."--- From back cover.
The German army of World War II fed their men from field kitch­ens like these. The cooks risked danger and adversity to deliver hot meals to the soldiers at the front. Now World War II reenactors have put the field kitchen back to work. This book looks at the role the field kitchen played in World War II, as well as how a lovingly-restored vintage field kitchen is once again cooking authentic, hot food for hungry German soldiers.
D-Day with beach umbrellas in the distance? Troops ordering ice cream? American and German forces celebrating Christmas together in the barracks? This could only be the curious world of 20th-century war reenactors. A relatively recent and rapidly expanding phenomenon, reenactments in the United States of World War I, World War II, the Korean War, and the Vietnam War now draw more than 8,000 participants a year. Mostly men, these reenactors celebrate, remember, and re-create the tiniest details of the Battle of the Bulge in the Maryland Woods, D-Day on a beach in Virginia, and WWI trench warfare in Pennsylvania. Jenny Thompson draws on seven years of fieldwork, personal interviews, and surveys to look into this growing subculture. She looks at how the reenactors' near obsession with owning “authentic” military clothing, guns, paraphernalia, and vehicles often explodes into heated debates. War Games sheds light on the ways people actually make use of history in their daily lives and looks intensely into the meaning of war itself and how wars have become the heart of American history. The author's photographs provide incredible evidence of how “real” these battles can become.
This book explores the consequences of the latest political shifts in Central Eastern Europe: the rise of right-wing parties and, among other things, politics becoming more invested in history. These phenomena coincide and overlap with the democratisation of history by turning the past into a hot topic, persistently present in the public sphere and often evoking strong emotions. Ethnographic research (conducted in 2012-2016) focusing on how World War II reenactors experience the past serves as the basis to analyse the ways in which the group uses the widespread, often institutionalised interest in history to – on the one hand – become involved in debates on World War II and the remembrance thereof, and – on the other – to authentically experience this past. The volume therefore analyses how physical the process of creating and experiencing grassroots visions of the past is, and how these visions interact with the public discourse about the past. Reenactors’ ability to marry the often-contradictory orders of historical truth, authenticity, and representation is explored. Moreover, Baraniecka-Olszewska analyses how the reenactors overcome various obstacles on their way towards authentic experiences, performing history through their bodies.
It's the middle of a heat wave, and Charlie Schroeder is dressed in heavy clothing and struggling to row a replica eighteenth-century bateau down the St. Lawrence River. Why? Months earlier, Schroeder realized he knew almost nothing about history. But he wanted to learn, so the actor spent a year reenacting it. This book is Schroeder's account of the time he spent chasing Celts in Arkansas, raiding a Viet Cong village in Virginia, and flirting with frostbite en route to "Stalingrad" in Colorado. Along the way, he illuminates just how much the past can teach us about the present.--From back cover.
In the years after World War I, the defeated and much-reduced German Army developed new clothing and personal equipment that drew upon the lessons learned in the trenches. In place of the wide variety of uniforms and insignia that had been worn by the Imperial German Army, a standardized approach was followed, culminating in the uniform items introduced in the 1930s as the Nazi Party came to shape every aspect of German national life. The outbreak of war in 1939 prompted further adaptations and simplifications of uniforms and insignia, while the increasing use of camouflaged items and the accelerated pace of weapons development led to the appearance of new clothing and personal equipment. Medals and awards increased in number as the war went on, with grades being added for existing awards and new decorations introduced to reflect battlefield feats. Specialists such as mountain troops, tank crews and combat engineers were issued distinctive uniform items and kit, while the ever-expanding variety of fronts on which the German Army fought – from the North African desert to the Russian steppe – prompted the rapid development of clothing and equipment for different climates and conditions. In addition, severe shortages of raw materials and the demands of clothing and equipping an army that numbered in the millions forced the simplification of many items and the increasing use of substitute materials in their manufacture. In this fully illustrated book noted authority Dr Stephen Bull examines the German Army's wide range of uniforms, personal equipment, weapons, medals and awards, and offers a comprehensive guide to the transformation that the German Army soldier underwent in the period from September 1939 to May 1945.
A glimpse into the mundane minutia of the daily lives of ordinary German soldiers just before and during World War II. It covers the little things they carried in their pockets and backpacks to make a sometimes terrifying, often boring existence seem a little more bearable.
For many years, military historians and artists, collectors of militaria, war-gamers and war enthusiasts in general have felt the need for a comprehensive record of the uniforms, insignia and organisation of the fighting men of World War II. This remarkable book provides just such a record. Andrew Mollo is one of the leading British military historians with a worldwide reputation and his book is the result of years of study and research. His text not only details the design of uniforms and insignia but also describes their effectiveness in the field and how this affected the fighting ability of the troops themselves. An impressive series of 350 full-colour drawings has been specially commissioned for this book. These are supported by 160 photographs of the combatants in action, along with 53 plates of insignia. The authenticity of the drawings, together with the comprehensive descriptions, make The Armed Forces of World War II an invaluable source of reference for all students of military uniform.
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.