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German is one of the most widely-spoken languages in the world, and is said to be closer to English than French or Spanish is due to the Germanic origins that both languages share. Thus, an elementary knowledge of the German tongue is said to be quite helpful in improving one’s grasp of the English language as well as vice versa. Grab The Easy Study Guide now!
Learning German Grammar They say that English, as a language, is closer to German than French or Spanish. Perhaps it is quite so, given that some German expressions sound nearly identical to their English counterparts. The English “Good morning,” for example, is strikingly similar to the German “Guten morgen Grab the Easy Study Guide now!
Though learning Spanish might seem difficult at first, once you have mastered the basics it will be much easier for you to learn other Latin and Indo-European languages such as Italian, German, French, and Russian. From learning a few key phrases and basic Spanish grammar, you can already begin conversing with native speakers and make your travels or even your everyday journeys more interesting and enjoyable. Grab The Easy Study Guide now!
How to Doodle There's no right or wrong way to doodle, much as there's no right or wrong way to draw in the first place. Doodlers can use the margins of a notebook or a pad of sticky note reminders just as easily as they can use a pristine white sketchbook. A doodler can use a number 2 pencil, a ballpoint pen, or really any other drawing implement that he or she desires. As long as you have a medium, it's possible to doodle. When it comes time to start doodling it's important to let your mind wander and to focus on any creative idea it comes across. Perhaps you see a large letter A on your letterhead, and decide to draw vines encircling it like something out of an old book of Grimm's Fairy Tales. Maybe you decide to add roses to the vines, turning the A into a fully-fledged topiary. Perhaps you decide to put a castle on top of the pinnacle of the A. Maybe you draw the vines hanging down and swinging in an unseen breeze.
Everything you could ever want in a Golden Age of Detective Fiction novel. — Booklist Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time. A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test – which is also being filmed – Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr, Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience.
Why do people stop offending? What are the processes they undergo in stopping? What can be done to help more people who have offended put their pasts behind them? The growth of interest in why people stop offending and how they are resettled following punishment has been remarkable. Once a marginal topic in criminology, it is now a central topic of research and theorising amongst those studying criminal careers. This book is both an introduction to research on desistance, and the report on a follow-up of two hundred probationers sentenced to supervision in the late 1990s. The reader is introduced to some of the wider issues and debates surrounding desistance via a consideration of the criminal careers of a group of ex-offenders. This lively engagement with both data and theoretical matters makes the book a useful tool for both academics and students. The book will appeal to undergraduates, postgraduates and academics studying criminology, criminal justice, sociology, social work, social policy and psychology, as well as trainee probation officers.
In this entertaining and groundbreaking book, Dr. Paul Pimsleur, creator of the renowned Pimsleur Method, the world leader in audio-based language learning, shows how anyone can learn to speak a foreign language. If learning a language in high school left you bruised, with a sense that there was no way you can learn another language, How to Learn a Foreign Language will restore your sense of hope. In simple, straightforward terms, Dr. Pimsleur will help you learn grammar (seamlessly), vocabulary, and how to practice pronunciation (and come out sounding like a native). The key is the simplicity and directness of Pimsleur’s approach to a daunting subject, breaking it down piece by piece, demystifying the process along the way. Dr. Pimsleur draws on his own language learning trials and tribulations offering practical advice for overcoming the obstacles so many of us face. Originally published in 1980, How to Learn a Foreign Language is now available on the 50th anniversary of Dr. Pimsleur’s publication of the first of his first audio courses that embodied the concepts and methods found here. It's a fascinating glimpse into the inner workings of the mind of this amazing pioneer of language learning.
Language is Music focuses on making learning foreign languages fun, easy and affordable for anyone with a desire to communicate effectively with people around the world. By applying over 100 simple tips to things you already do, such as listening to music or surfing the Web, you can experience the joy of "fluency" in any language without having to study abroad or spend money on private tutors. In Language is Music, Susanna Zaraysky masterfully shares her listening methods so that anyone can have fun learning any language. With over 100 tips and 100 free or low-cost Internet resources, you will learn how to use daily activities, such as watching T.V. or listening to music; conversation partners; and attendance at cultural events to become a masterful speaker of any tongue. "Learning foreign languages is like learning to sing a song or play music," says self-made linguist Susanna Zaraysky and author of Language is Music. Zaraysky has what you might call "an ear" for languages, having used music to successfully learn English, Russian, French, Spanish, Italian, Portuguese, and Serbo-Croatian-all with excellent accents. Advance Praise for Language is Music "I love it! I think it will help people who want to learn, and those who are curious about additional language learning. Many people want to learn a language but are frightened, or disappointed by the courses they have taken. Reading Language is Music will encourage them to try again, on their own and with friendly supporters." -Dr. Elba Maldonado-Colon, Professor Department of Elementary Education Bilingual Program, San Jose State University LET IT JUST ROLL OFF YOUR TONGUE. With lyrical insight and solid experience, Susanna Zaraysky, author of Language is Music, provides easy steps for learning a language. Gone are the boring, disconnected strategies that most of us remember from school. You've never learned a language this quickly and easily. Zaraysky's methods embody fun, connection, rhythm, and above all...music. -Suzanne Lettrick, M.Ed Educator and Founder of The Global Education and Action Network "Forget dictionaries and phrase books . . . Susanna Zaraysky's easy-to-use guide to language learning is indispensable for any serious language learner wanting to become fluent--not just conversationally proficient--in another language. Language is Music will teach you how to make language acquisition a part of your daily life, and to recreate the kind of total-immersion environment necessary for fluency. Highly recommended reading for aspiring polyglots. Pick up this book and you too will be all ears!" -Justin Liang, Japanese, Mandarin, Cantonese, Marshallese, intermediate Spanish Back in France, I spent many years learning "academic" English in school. But I progressed much faster when I forced myself to listen to the BBC or not look at the subtitles when watching an American movie. I wish I had Susanna's book with me then. It's full of creative ideas and practical tips that are indispensable complements to the traditional methods of learning foreign languages -- and it's coming from someone you can trust, she speaks so many of them! -Philippe Levy, French native speaker This book is great. It showed me another aspect and a new approach of learning a language. I will put the book to good use. As a foreign English speaker, I spent many years at school learning English and did not make much progress. A lot of the tips that I read in this book, I learned them with time. However if I had read this book earlier, it would have made my life much easier and I would have saved so much time. I am going to apply the tips in Language is Music into learning a third language: Spanish. This time, I am sure I will make huge progress much faster. Not only is Language is Music useful in acquiring a foreign language, but the resources and websites in the book are valuable for someone who wants to travel abroad. -Fabien Hsu, French native speaker
Photographic portraits should not be the formal, corporate-style poses of yesteryear, which reveal nothing of the subject's emotion, personality or mood - so believe Sarah Plater and Paul Wilkindon. Theirs is a modern, fresh and vibrant approach that aims to capture a moment in the lifestyle of the person or persons in the picture. This authoritative guide contains clear, concise and jargon-busting text that discusses the essential technical aspects of photography from choosing a camera and equipment to an appreciation of exposure, aperture, metering, shutter speed, depth of field and white balance settings, in addition to how natural light, colour and movement affect a photograph. A guide to posing helps to ensure dynamic and arresting images
This book represents a brief treatise on the theory and research behind the concept of desistance from crime. This ever-growing field has become increasingly relevant as questions of serious issues regarding sentencing, probation and the penal system continue to go unanswered. Rocque covers the history of research on desistance from crime and provides a discussion of research and theories on the topic before looking towards the future of the application of desistance to policy. The focus of the volume is to provide an overview of the practical and theoretical developments to better understand desistance. In addition, a multidisciplinary, integrative theoretical perspective is presented, ensuring that it will be of particular interest for students and scholars of criminology and the criminal justice system.