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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Over 130 poems by 23 poets, including Goethe, Schiller, Holderlin, Tieck, Heine, Nietzsche, many others. New literal English translations on facing pages. Introduction.
The early 19th century was a period in German art in which painting played a significant part in the cultural resurgence commonly known as the Romantic Movement. This Movement and some of its chief exponents are examined against a background of German literature, philosophy and music.
A “New & Noteworthy” selection of The New York Times Book Review “Alexis Clark illuminates a whole corner of unknown World War II history.” —Walter Isaacson, New York Times bestselling author of Leonardo da Vinci “[A]n irresistible human story. . . . Clark's voice is engaging, and her tale universal.” —Jon Meacham, Pulitzer Prize–winning author of Thomas Jefferson: The Art of Power and American Lion: Andrew Jackson in the White House A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler's army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil. Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war. Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court's Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history's most violent conflicts.
First ever English translation, with facing edition, of an important medieval German Arthurian romance.Composed in the 1480s by the Munich painter and writer Ulrich Fuetrer, Iban is the story of a young knight at King Arthur's court, who pursues adventure abroad, wins a land and its lady as his wife, loses both through his immaturity and negligence, and eventually regains his country and his spouse in a series of adventures that teach him to place the welfare of others above his own desires. A retelling of Hartmann von Aue's Middle High German classic Iwein from circa 1200, itself an adaptation of the Old French writer Chrétien de Troyes' earlier Yvain, the Knight with the Lion, Fuetrer's Iban is one of fifteen narratives making up his massive Arthurian anthology, The Book of Adventures, which the author compiled for Duke Albrecht IV of Bavaria-Munich. Among the last premodern retellings of the story of the knight Ywain, Ibanoffers modern readers an invaluable window onto how the most beloved Arthurian tales were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes.
Excerpt from German Romance, Vol. 1 of 2: Specimens of Its Chief Authors; With Biographical and Critical Notices The Present Time, youngest-born of Eternity, child and heir of all the Past Times with their good and evil, and parent of all the Future, is ever a New Era' to the thinking man and comes with new questions and significance, however common place it look: to know it, and what it bids us do, is ever the sum of knowledge for all of us. This new Day, sent us out of Heaven, this also has its heavenly omens -amid the bustling trivialities and loud empty noises, its silent monitions, which, if we cannot read and obey, it will not be well with us! N 0; - nor is there any sin more fearfully avenged on men, and Nations than that same, which indeed includes and presup poses all manner of sins the sin which our old pious fathers called 'judicial blindness - which we, with our light habits, may still call misinterpretation of the Time that now is dis loyalty to its real meanings-and monitions, stupid disregard of these, stupid adherence active or passive to the counterfeits and mere current semblances of these. This is. True of all times and days. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.