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Religion is a central concern of German literature in all centuries, and the canon looks different when this perspective is acknowledged. For example, Goethe's fascination with evil is difficult to disentangle from the Holocaust, Moses Mendelssohn is as profound as the playwright who portrayed him, and «Princess Sabbath» deserves to be numbered among Heine's more enchanting lyrics. This essay collection posits, and tests, the hypothesis that German literature at its best is often an expression or investigation of Judaism or Christianity at their best; but that the best German literature is not always the best-known, and vice versa. Asking whether the New Testament is anti-Jewish (and answering in the negative), essayists range through the German centuries from The Heliand to Kafka and Thomas Mann.
Religion and enlightenment, the twin themes of this volume, always exist in tension. The tensions, affinities, and conflicts between the two, as they play out in German literature from Goethe, Schiller and Kleist down to Kafka and Thomas Mann, are explored in this volume, with one section examining their interplay in the neglected Austrian Enlightenment. Thanks to the historical and textual criticism of the Bible, the 'sea of faith' began its withdrawal sooner in Germany than in England, and this collection traces its retreat, looking especially at Nietzsche's militant opposition to Christianity and at the expression in some modernist writing of a distinctly post-Christian and even post-human outlook.
From German unification in 1871 through the early 1960s, confessional tensions between Catholics and Protestants were a source of deep division in German society. Engaging this period of historic strife, Germany and the Confessional Divide focuses on three traumatic episodes: the Kulturkampf waged against the Catholic Church in the 1870s, the collapse of the Hohenzollern monarchy and state-supported Protestantism after World War I, and the Nazi persecution of the churches. It argues that memories of these traumatic experiences regularly reignited confessional tensions. Only as German society became increasingly secular did these memories fade and tensions ease.
From the earliest times to the death of Geothe.
Discusses German influence on the development of early medieval Christianity.