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This volume deals with authors in exile - those writers who were forced to leave their home country after the National Socialists seized power in 1933. Although many of the authors have continued to receive recognition in their particular fields, whether film or adult literature, one group of artists has been overlooked - the authors and illustrators of children's literature. Now for the first time German Children's and Youth Literature in Exile, 1933-1050, has recorded and made accessible a wealth of information on these German-speaking authors and illustrators who emigrated to many different countries and regions of the world. German Children's and Youth Literature in Exile, 1933-1950, contains biographies of 101 authors and illustrators of children and youth literature as well as bibliographies of the books written and illustrated by them that were published in exile between 1933 and 1950. Included are authors who were born before 1918 in Germany or in areas of the former Austro-Hungarian Empire and who lived or worked in Germany or Austria until 1933. Many of them were forced to emigrate because their lives were endangered. Some of them left before the repressive measures of the National Socialists were implemented, in order to maintain their intellectual and artistic freedom. The exile countries they chose were the United States, Great Britain, Switzerland, the Soviet Union, Czechoslovakia, France, Holland, Spain, Portugal, Italy, Sweden, Norway, Denmark, Belgium, Finland, Poland, Liechtenstein, Luxembourg, Mexico, Bolivia, Argentina, Brazil, Paraguay, Australia, Canada, China and Palestine/Israel. Among the authors listed in this volume are Kurt Held (Die rote Zora und ihre Bande 1941), Irmgard Keun (Nac.
A significant body of scholarship examines the production of children's literature by women and minorities, as well as the representation of gender, race, and sexuality. But few scholars have previously analyzed class in children's literature. This definitive collection remedies that by defining and exemplifying historical materialist approaches to children's literature. The introduction of Little Red Readings lucidly discusses characteristics of historical materialism, the methodological approach to the study of literature and culture first outlined by Karl Marx, defining key concepts and analyzing factors that have marginalized this tradition, particularly in the United States. The thirteen essays here analyze a wide range of texts—from children's bibles to Mary Poppins to The Hunger Games—using concepts in historical materialism from class struggle to the commodity. Essayists apply the work of Marxist theorists such as Ernst Bloch and Fredric Jameson to children's literature and film. Others examine the work of leftist writers in India, Germany, England, and the United States. The authors argue that historical materialist methodology is critical to the study of children's literature, as children often suffer most from inequality. Some of the critics in this collection reveal the ways that literature for children often functions to naturalize capitalist economic and social relations. Other critics champion literature that reveals to readers the construction of social reality and point to texts that enable an understanding of the role ordinary people might play in creating a more just future. The collection adds substantially to our understanding of the political and class character of children's literature worldwide and contributes to the development of a radical history of children's literature.
This annotated bibliography-organized geographically by world region and country, describing nearly 700 books representing 73 countries-is a valuable resource for librarians, teachers, and anyone else seeking to promote international understanding through children's literature. It is the third volume sponsored by the United States Board on Books for Young People. The first, Carl M. Tomlinson's Children's Books from Other Countries (1998) is a compendium of international children's literature with annotations of both in and out of print books published between 1950 and 1996. Susan Stan's The World Through Children's Books (2002) was the second and it included books published between the years 1997 and 2000. Crossing Boundaries includes international children's books published between 2000 and 2004, as well as selected American books set in countries other than the United States. Editor Doris Gebel has compiled an important tool for providing stories that will help children understand our differences while simultaneously demonstrating our common humanity.
Karin Michaëlis (1872–1950) was one of the most important Danish authors of the early 20th century and achieved enormous international success with her Bibi books about the life and adventures of a free-spirited Danish girl named Bibi. The series was not particularly popular in the author’s native country, however. This book unravels the intricate reasons behind the strikingly asymmetrical reception of the Bibi series at home and abroad while at the same time deconstructing this homeabroad dichotomy by showing that the Bibi books are an example of transnational children’s literature. They did not have their “home” in Denmark in that Karin Michaëlis wrote them specifically for foreign publishers, first and foremost the German Herbert Stuffer. The book further argues that the Danish texts are rewritings rather than originals and explores some of the salient textual features of the Danish and German Bibi books. Finally, it examines the series’ reception by young Italian readers in Fascist Italy and Karin Michaëlis’ Italian translator.
From the contents: 'A noteworthy contribution in the fight against Nazism': Hubertus Prinz zu Lowenstein im Exil (Elke Seefried). - A wandering scholar'in Britain and the USA, 1933-45: the life and work of Moritz Bonn (PatriciaClavin). - 'England find ich gut!' Facetten aus Leben und Werk des AutorsRobert Muller (Wilfried Weinke). - 'Es soll diese Spur doch bleiben.' HansJacobus: exile, national socialism and the Holocaust (Steven W. Lawrie)."
Illuminating the discoveries, collections, and studies of fossil vertebrates conducted by women in vertebrate paleontology, Rebels, Scholars, Explorers will be on every paleontologist's most-wanted list and should find a broader audience in the burgeoning sector of readers from all backgrounds eager to learn about women in the sciences.
The archeology of a novel: an afterword to The Blue Mountains of China / Rudy Wiebe -- "A new Athens rising near the Pole"?: the Canadian experience in Frances Brooke's The history of Emily Montague (1769) / Gordon B(c)œlling -- Anna Brownell Jameson's Winter studies and summer rambles in Canada (1838): a European woman's view of the New World / Heinz Antor -- "Capable of great improvement": Catherine Parr Traill's images of Canada in The young emigrants (1826) / Klaus Stierstorfer -- Deserts and visions of paradise: the representation of the Canadian landscape in advertisements and guides for Canadian immigrants / Markus Wust -- Destination and destiny: contemporary Canadian plays on immigrants / Albert-Reiner Glaap -- The representation of Canada in novels by Frederick Marryat and Robert Michael Ballantyne / Melanie Just -- Victorians abroad: Charles Dickens and Anthony Trollope in Canada / Michael Heinze -- "Alle diese L(c)Þnder sind unbekannt": Canada in late eighteenth and early nineteenth-century German travel literature / Ingmar Probst -- "A Canadian literature?": Elizabeth Smart and the failures of nationalism / Robert McGill -- In search of Cathaia-- voyages into the unexpected / Elke Nowak -- Re-enacting the Arctic voyage: the Northwest Passage in British literature / Annette Kern-St(c)Þhler -- Stuffed mooseheads: Canada as (missing) clich(c)♭ in European theatre / Christopher Innes -- Cultural reductionism and the reception of Canadian literature in Germany / James Skidmore -- Wildlife abounds? The photographic deconstruction of a Canadian clich(c)♭ in Robert Gernhardt's satire "Blanket Creek oder Verwilderte W(c)ơnsche" / Susanne Peters -- "One sees only what one knows": German popular literature and its images of Canada / Laurenz Volkmann -- Canada as a role model? Reflections of a country in post-war German youth fiction / Miriam Richter -- What makes a Canadian? Strategies of presenting Canadianness in teaching materials / Matthias Merkl.
Documents the living and working conditions of Austrian authors and illustrators in exile.