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Mathieu Sapin has made a career as a nonfiction cartoon chronicler. In a blend of witty, insightful diary and documentary vérité, he has tackled topics from moviemaking to the making of a presidential campaign, and provided behind-the-scenes looks at the presidential Palais d'Élysée. But the French government is no match for his latest subject: larger-than-life film star Gérard Depardieu, the most famous Frenchman in the world! From Azerbaijan to Bavaria, passing through Moscow and Portugal, Sapin tags along on a wild ride, creating a faithful portrait of a man full of contradictions.
In his proto-memoir Innocent, world-renowned actor GErard Depardieu reflects on his life as if from afar, like a bird surveying a wide horizon, presenting fervent observations on friendship, cinema, religion, politics, and more. From his early days in the theater and his friendships with Jean Gabin and others to his rise in the cinema, this light, vibrant, but searching book offers us an intimate entry into the thinking process of one of cinema's most mercurial and impassioned actors. Depardieu also touches upon controversial topics such as his relationship with Putin and issues that have led to skirmishes with the press and public. At bottom, Innocent is less a memoir and more the account of a man in search of faith, the faith that is of an innocent mystic, and includes passages about Depardieu's explorations of Islam, Buddhism, and other religions. Espousing a notion of innocence that calls us to move beyond dogma and ideology, Depardieu urges us to engage with others with respect, receptivity, and mindfulness. In these combative and divisive times, we believe this is a vital if not necessary book, one that could continue and extend dialogues about questions of faith, politics, and religion.
While adapting French novelist Marguerite Duras' (1914-1996) The Dogs of Praguefor the stage, Pia Forsgren, Director of The Jewish Theatre in Stockholm, compiled an extraodinary anthology-cum-dossier on Duras. This magnificent two-volume edition consists of 40 short memoirs and portrait-essays on Duras with extensive documentation focusing on her activism for the Resistance, and for the French Communist Party as a comrade of Jean-Paul Sartre, Simone de Beauvoir and Jeanne Moreau (volume one); and a magnificent collection of 360 color and black-and-white photographs of Duras, from a passport photo of the little French-Vietnamese girl to her son Jean Mascolo's wonderful portrait of an aged grande dame (volume two). The book's paper jackets mimic worn faux-leather passport bindings; one features Duras' 'stamped' initials, and the other features a specially designed 'compass portrait' of the author, with such points of orientation as Politics, Writing, Passion, Indo-China, Alcohol, Mother, War and Eroticism. Limited stock available.
From his first small parts on stage and in film and from his first major role (in Les Valseuses), through The Last Metro, The Return of Martin Guerre, Jean de Florette, and his Oscar-nominated Cyrano de Bergerac, one of the most exciting film careers of our time unfolds: Depardieu's work with Francois Truffaut, Catherine Deneuve, Yves Montand, Robert De Niro, Bernardo Bertolucci, and others, and his way of working - his effect on fellow actors and on directors, his preparation for his parts - are richly presented. And here is the man as well as the actor: his friendships, the huge film "family" he creates for himself and nourishes and is nourished by, the intense pressure of his self-imposed challenges, his marriage, which endures despite a style of life somewhere between excess and the impossible.
A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Borat of a mother" who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidently telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French.
His mother calls him a worthless halfwit while his fellow drunks at the local bar ensure he's the butt of all their jokes. He spends his days whittling wood, counting pigeons and adding his own name to the list on the town war memorial. So how could Germain possibly anticipate what a casual encounter on a park bench with eighty-five-year old Margueritte might mean? In this touchingly comic tale of an unusual friendship, that first conversation opens a door into a world Germain has never imagined—the world of books and ideas—and gives both him and Margueritte the chance of a happiness they thought had passed them by.
Moving away from the explicitly political content of his previous novels, Victor Hugo turns to social commentary in The Man Who Laughs, an 1869 work that was made into a popular film in the 1920s. The plot deals with a band of miscreants who deliberately deform children to make them more effective beggars, as well as the long-lasting emotional and social damage that this abhorrent practice inflicts upon its victims.
Featuring a fresh layout, revised maps, and more detail than ever before, the seventh edition of Parker's Wine Buyer's Guide offers collectors and amateurs alike the ultimate resource to the world's best wines. Understanding that buyers on every level appreciate a good deal, Parker separates overvalued bottles from undervalued, with wine prices instantly shifting according to his evaluations. Indifferent to the wine's pedigree, Parker's eminent 100-point rating system allows for independent, consumer-oriented, inside information. The latest edition of Parker's Wine Buyer's Guide includes expanded information on Spain, Portugal, Germany, Australia, Argentina, and Chile, as well as new sections on Israel and Central Europe. As in his previous editions, Parker provides the reassurance of a simple number rating, predictions for future buying potential, and practical overviews of regions and grapes. Altogether, an indispensable resource from the man the Los Angeles Times calls “the most powerful critic of any kind.”
During his lifetime, Alexandre Dumas (1802-1870)--grandson of a Caribbean slave and author of The Three Musketeers and The Count of Monte Cristo--faced racial prejudice in his homeland of France and constantly strove to find a sense of belonging. For him, "Monte Cristo" was a symbol of this elusive quest. It proved equally elusive for those struggling to overcome slavery and its legacy in the former French colonies. Exiled to the margins of society, 19th and 20th century black intellectuals from the Caribbean and Africa drew on Dumas' work and celebrity to renegotiate their full acceptance as French citizens. Their efforts were influenced by earlier struggles of African Americans in the decades after the Civil War, who celebrated Dumas as a black American hero.