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A biography of nineteenth-century Canadian photographer Geraldine Moodie.
Rare Merit is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries.
Examining colonial art through the lens of transculturation, the essays in this collection assess painting, sculpture, photography, illustration and architecture from 1770 to 1930 to map these art works' complex and unresolved meanings illuminated by the concept of transculturation. Authors explore works in which transculturation itself was being defined, formed, negotiated, and represented in the British Empire and in countries subject to British influence (the Congo Free State, Japan, Turkey) through cross-cultural encounters of two kinds: works created in the colonies subject over time to colonial and to postcolonial spectators' receptions, and copies or multiples of works that traveled across space located in several colonies or between a colony and the metropole, thus subject to multiple cultural interpretations.
A family containing six authors is special. When three of them independently become famous, the family is extraordinary. Such was the Strickland family, six sisters and two brothers, brought up in Suffolk, England with Lancastrian forbears and Canadian descendants. 'The Strickland Family' interweaves family letters, writings and newspaper items, allowing the family members to tell their own fascinating and varied life stories. Set in England and in Canada, their lives stretched from 1794 when King George III was on the throne, past celebrations for Queen Victoria's Diamond Jubilee in 1897. Their father was a wealthy self-made man who believed that girls should be as well-educated as boys. The home education he devised for his daughters was of great breadth and depth. His sons were his two youngest children and went to schools. However a business deal went wrong in 1815 and he died in 1818 before he could re-coup the losses. He left his widow with debts, not income, and his sons' education was cut short. After his death, life for his family was a struggle, but they survived and to varying degrees prospered. Three of the family (Sam Strickland, Susanna Moodie and Catharine Parr Traill) were early emigrants to Canada. Their first homes were primitive log cabins in small forest clearings. As time passed and Canada developed, Sam became a successful farmer and businessman. His sisters struggled with Canadian pioneer life but both achieved long-lasting fame as writers - Susanna as a poet and novelist, Catharine through her writing for children and her botanical studies. Agnes Strickland was the most famous member of the family. She attended the Court of Queen Victoria and was a house guest in some of the grandest houses in Britain. Her sister and sometime co-author (Elizabeth Strickland) insisted on remaining anonymous, despite the complications this caused when their series of royal biographies 'Lives of the Queens of England' became an outstanding success. Agnes followed this with a biography of Mary Queen of Scots, which she considered her most important work. Jane Margaret Strickland, despite ill health and being the sister who stayed at home to care for their ageing mother, was also an author of note. Her many works included a history of Rome and a biography of her sister, Agnes. Of the two non-authors in the family, one (Sarah) became, in her second marriage, the wife of Richard Gwillym, a wealthy and well-connected vicar in Lancashire. The other (Tom) joined the merchant navy aged fourteen. As captain of beautiful but hazardous sailing ships, his working life took him all round the world. Despite the distances which separated them, family ties remained strong and they helped each other in times of need. Their interwoven biographies trace many of the changes and main events in Canada and England in the 19th century.
Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowledged in publications of the British and European specialists, the contributions of these women nonetheless formed a significant part of the natural history information about extensive, previously unknown regions and their products. Rather than a biographical dictionary or a collection of self-contained essays on individuals from many time periods, Ladies in the Laboratory III is a connected narrative tied into the wider framework of 19th-century science and education. A well-organized blend of individual life stories and quantitative information, this volume is for everyone interested in the story of women's participation in 19th century science. The stories of these women make for fascinating reading and serve as a valuable source for the student of women's and colonial history.
"Our names – Atiqput – are very meaningful. They are our identification. They are our Spirits. We are named after what's in the sky for strength, what’s in the water ... the land, body parts. Every name is attached to every part of our body and mind. Yes, every name is alive. Every name has a meaning. Much of our names have been misspelled and many of them have lost their meanings forever. Our Project Naming has been about identifying Inuit, who became nameless over the years, just "unidentified eskimos ..." With Project Naming, we have put Inuit meanings back in the pictures, back to life." Piita Irniq For over two decades, Inuit collaborators living across Inuit Nunangat and in the South have returned names to hundreds of previously anonymous Inuit seen in historical photographs held by Library and Archives Canada as part of Project Naming. This innovative photo-based history research initiative was established by the Inuit school Nunavut Sivuniksavut and the national archive. Atiqput celebrates Inuit naming practices and through them honours Inuit culture, history, and storytelling. Narratives by Inuit elders, including Sally Kate Webster, Piita Irniq, Manitok Thompson, Ann Meekitjuk Hanson, and David Serkoak, form the heart of the book, as they reflect on naming traditions and the intergenerational conversations spurred by the photographic archive. Other contributions present scholarly insights and research projects that extend Project Naming’s methodology, interspersed with pictorial essays by the artist Barry Pottle and the filmmaker Asinnajaq. Through oral testimony and photography, Atiqput rewrites the historical record created by settler societies and challenges a legacy of colonial visualization.
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
In this special two-book bundle you’ll meet remarkable women in science, sport, preaching and teaching, politics, war and peace, arts and entertainment, etc. The book is full of amazing facts and fascinating trivia about intriguing figures. Discover some of the many heroines Canada can be proud of. Find out how we’re remembering them. Or not! ??Augmented by great quotes and photos, this inspiring collection profiles remarkable women — heroines in science, sport, preaching and teaching, politics, war and peace, arts and entertainment, and more. Profiles include mountaineer Phyllis Munday, activist Hide Shimizu, unionist Lea Roback, movie mogul Mary Pickford, the original Degrassi kids, Captain Kool, hockey star Hilda Ranscombe, and the woman dubbed "the atomic mosquito." Includes 100 Canadian Heroines 100 More Canadian Heroines
Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth-century and early twentieth-century Canada. The collection, which contains in excess of 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history and provides a variety of views of its landscapes, developing urban areas and peoples. Colonial Copyright Law was the driver by which these photographs were acquired; unmediated by curators, but rather by the eye of the photographer who created the image, they showcase a grass-roots view of Canada during its early history as a Confederation. Canada in the Frame describes this little-known collection and includes over 100 images from it. The author asks key questions about what it shows contemporary viewers of Canada and its photographic history, and about the peculiar view these photographs offer of a former part of the British Empire in a post-colonial age, viewed from the old ‘Heart of Empire’. Case studies are included on subjects such as urban centres, railroads and migration, which analyse the complex ways in which photographers approached their subjects, in the context of the relationship between Canada, the British Empire and photography.