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No, no, NO! Geraldine is NOT moving. Not to this new town where she’s the only giraffe. Not to this new school where she has no friends. Not to this new place, where everyone only knows her as That Giraffe Girl. But soon Geraldine meets Cassie, a girl who is just as much of an outcast as she is, and as time goes by, she realizes that being yourself and making one really good, unusual friend can help someone who literally stands out fit right in. Together, Geraldine and Cassie play by their own rules.
Young Geraldine longs to have adventures as thrilling as those in the Book of Tales, the book her papa reads to her and her brother Button at night. More than that, she wants to be brave--a seemingly impossible task in a world where ravens throw black shadows over the earth and wolves prowl barren lands in search of their prey. But Geraldine is a mouse. The weakest of ground things. Why was she, who wants so much to be brave, created by God to be small and quivering? The book's ten stories follow the Woolkins family--Papa, Mama, Geraldine, and Button--from October to December, as they face their rather human trials and tribulations and Geraldine struggles to understand Very Very Big Hands, the creator of all, including ravens and wolves. Suitable for readers of most ages. Parents will want to read the book to younger children, preferably after making them a cup of cocoa.
Some people are meant to travel the globe, to unwrap its secrets and share them with the world. And some people have no sense of direction, are terrified of pigeons, and get motion sickness from tying their shoes. These people are meant to stay home and eat nachos. Geraldine DeRuiter is the latter. But she won't let that stop her. Hilarious, irreverent, and heartfelt, All Over the Place chronicles the years Geraldine spent traveling the world after getting laid off from a job she loved. Those years taught her a great number of things, though the ability to read a map was not one of them. She has only a vague idea of where Russia is, but she now understands her Russian father better than ever before. She learned that what she thought was her mother's functional insanity was actually an equally incurable condition called "being Italian." She learned what it's like to travel the world with someone you already know and love -- how that person can help you make sense of things and make far-off places feel like home. She learned about unemployment and brain tumors, lost luggage and lost opportunities, and just getting lost in countless terminals and cabs and hotel lobbies across the globe. And she learned that sometimes you can find yourself exactly where you need to be -- even if you aren't quite sure where you are.
Meet spunky, funny, and friendly Geraldine Pu as she takes on a bully and makes a new friend in this first book in a new Level 3 Ready-to-Read Graphics series! Geraldine Pu’s favorite part of school is lunch. She loves her lunch box, which she calls Biandang. She can’t wait to see what her grandmother, Amah, has packed inside it each day. Then one day, Geraldine gets stinky tofu...and an unexpected surprise. What will she do? Ready-to-Read Graphics books give readers the perfect introduction to the graphic novel format with easy-to-follow panels, speech bubbles with accessible vocabulary, and sequential storytelling that is spot-on for beginning readers. There’s even a how-to guide for reading graphic novels at the beginning of each book.
Geraldine Largay vanished in July 2013, while hiking the Appalachian Trail in Maine. Her disappearance sparked the largest lost-person search in Maine history, which culminated in her being presumed dead. She was never again seen alive.
Geraldine Chaplin is the most distinguished actor among Charlie Chaplin's children. Through her collaborations with major international film directors, she has created a striking performative presence across international cinema. Her acting also evokes, with varying levels of self-consciousness and in shifting cinematic contexts, the memory of her father's screen performances. This book analyses the distinctive screen art of Geraldine Chaplin and uncover parallels between her performances and her father's work on film. Through this method, this star study explores the rich and surprising relationships between art cinema and silent film comedy, and between modernist and classical cinematic performance. It offers a long overdue appreciation of Geraldine Chaplin's own remarkable screen achievements, all the while shedding new insight into the art of Charlie Chaplin through the singular prism of his daughter's bold work.
Geraldine has a fantasy flight with large birds who fly her to Annual Birds Congress’s social evening where she sees the birds singing, dancing, and eating at their party. Geraldine is a young giraffe who lives with her mum, Gertrude, and likes going on trips with her dad, George. She goes on a bike ride with him, which ends with her getting four sore knees. Geraldine is full of fun, and we see her in humorous situations. Geraldine enjoys playing in the park on large swings and roller-skating with her friend Penelope. She has a flight in an airplane and visits the dentist with chaotic results. There are pages for drawing pictures of Geraldine. Please note that Geraldine learns about how to grieve for her granny, Grizelda, when she sadly dies.
From 1906 until 1922, Geraldine Farrar was the Metropolitan Opera's most popular and glamorous prima donna. Convinced that music must always serve the drama, she often sacrificed tonal beauty to dramatic effect, and her acting was noted for its intensity and realism. Nevertheless, Farrar was a superb singer, possessing a beautiful lyric soprano voice. Farrar was also a star of the silent screen, appearing in 14 films from 1915 to 1920. In retirement, she was mentor and friend to the African American soprano Camilla Williams, enabling Williams to become the first African American to have a regular contract with a major American opera company. This biography and critical analysis of Farrar's career provides a detailed account of her major contributions to the history of opera.