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Georgia's Remarkable Women: Daughters, Wives, Sisters, and Mothers Who Shaped History recognizes the women who helped to shape the Peach State. Female teachers, writers, entrepreneurs, and artists from across the state are illuminated through short biographies and archival photographs and paintings. Setting their own standards and following their passions, they continue to inspire new generations with their achievements. Meet Rebecca Latimer Felton, the first woman to sit as a U.S. senator; Juliette Gordon Low, the resilient founder of the Girl Scouts; Sarah Freeman Clarke, a painter who dared to pursue art and literature as a career; Gertrude "Ma" Rainey, the "Mother of the Blues," whose voice transcended race and class; and Margaret Mitchell, author of the enduring tale of survival, Gone with the Wind.
This fascinating story of Amanda America Dickson, born the privileged daughter of a white planter and an unconsenting slave in antebellum Georgia, shows how strong-willed individuals defied racial strictures for the sake of family. Kent Anderson Leslie uses the events of Dickson's life to explore the forces driving southern race and gender relations from the days of King Cotton through the Civil War, Reconstruction, and New South eras. Although legally a slave herself well into her adolescence, Dickson was much favored by her father and lived comfortably in his house, receiving a genteel upbringing and education. After her father died in 1885 Dickson inherited most of his half-million dollar estate, sparking off two years of legal battles with white relatives. When the Georgia Supreme Court upheld the will, Dickson became the largest landowner in Hancock County, Georgia, and the wealthiest black woman in the post-Civil War South. Kent Anderson Leslie's portrayal of Dickson is enhanced by a wealth of details about plantation life; the elaborate codes of behavior for men and women, blacks and whites in the South; and the equally complicated circumstances under which racial transgressions were sometimes ignored, tolerated, or even accepted.
In the spirit of She Persisted, Goodnight Stories for Rebel Girls, and Rad American A-Z, acclaimed artist Leah Tinari offers a spectacular collection of portraits, celebrating iconic, inspirational, and groundbreaking American women. Fine artist Leah Tinari’s stunning, spellbinding portraits honor the groundbreaking achievements and indelible impact of twenty-four extraordinary American women. These women’s dreams were without boundaries; their accomplishments limitless in their reach and lasting power. Tinari’s list is comprised of trailblazers, whose vision, grit, and guts paved the way not only for the generations to come, but for Tinari’s own artistic journey. These women include Louisa May Alcott, Rachel Carson, Julia Child, Shirley Chisholm, Ellen Degeneres, Ray Eames, Eve Ensler, Carrie Fisher, Dian Fossey, Aretha Franklin, Betsey Johnson, Carol Kaye, Yuri Kochiyama, Liz Lambert, Lozen, Shirley Muldowney, Tracey Norman, Annie Oakley, Georgia O’Keefe, Dolly Parton, Kimberly Pierce, Gilda Radner, Sojourner Truth, and Abby Wambach. Their contributions to the arts, education, science, politics, civil rights, fashion, design, technology, and sports are enduring and noteworthy. Courage, perseverance, brilliance, and passion were the guiding, groundbreaking principles for these diverse women who span the eighteenth, nineteenth, and twentieth centuries.
This captivating group of 14 spirited women from the Peach State includes Margaret Mitchell, author of the world's most beloved novel; "Ma" Rainey, known as the "Mother of the Blues"; Juliette Gordon Low, founder of the Girl Scouts; and more.
A Washington Post Notable Nonfiction Book of 2017 One of NPR Fresh Air's "Books to Close Out a Chaotic 2017" NPR's Book Concierge Guide To 2017’s Great Reads “How lucky for us readers that Shapiro has been listening so perceptively for decades to the language of food.” —Maureen Corrigan, NPR Fresh Air Six “mouthwatering” (Eater.com) short takes on six famous women through the lens of food and cooking, probing how their attitudes toward food can offer surprising new insights into their lives, and our own. Everyone eats, and food touches on every aspect of our lives—social and cultural, personal and political. Yet most biographers pay little attention to people’s attitudes toward food, as if the great and notable never bothered to think about what was on the plate in front of them. Once we ask how somebody relates to food, we find a whole world of different and provocative ways to understand her. Food stories can be as intimate and revealing as stories of love, work, or coming-of-age. Each of the six women in this entertaining group portrait was famous in her time, and most are still famous in ours; but until now, nobody has told their lives from the point of view of the kitchen and the table. What She Ate is a lively and unpredictable array of women; what they have in common with one another (and us) is a powerful relationship with food. They include Dorothy Wordsworth, whose food story transforms our picture of the life she shared with her famous poet brother; Rosa Lewis, the Edwardian-era Cockney caterer who cooked her way up the social ladder; Eleanor Roosevelt, First Lady and rigorous protector of the worst cook in White House history; Eva Braun, Hitler’s mistress, who challenges our warm associations of food, family, and table; Barbara Pym, whose witty books upend a host of stereotypes about postwar British cuisine; and Helen Gurley Brown, the editor of Cosmopolitan, whose commitment to “having it all” meant having almost nothing on the plate except a supersized portion of diet gelatin.
Looks at the literary contribution of various of women authors throughout the ages.
This volume gathers nearly half of some 300 letters written by Mary Telfair of Savannah to her best friend, Mary Few of New York. Telfair was born in 1790 to a wealthy, prominent, slaveholding Savannah family. Few, born in 1790 into equally affluent circumstances, moved with her family from Savannah to New York in 1799. Self-exiled because of their strong antislavery views, the Fews never returned to Georgia, yet they remained close to the Telfairs. The close friendship between Telfair and Few ended only with their deaths in the 1870s. Regular travelers, they met on many occasions. Chiefly, however, they kept in touch through frequent correspondence (Few's letters to Telfair remain undiscovered, and may not have not survived). Wherever Telfair happened to be--in Savannah, the northern states, or Europe--she wrote to her friend at least two or three times a month. Telfair's letters offer unique insights into the daily life of her family and the changes wrought by the deaths of so many of its members. The letters also reveal the shared interests and imperatives at the base of her various relationships with elite women, but especially with Mary Few, whom Telfair memorably described as her "Siamese Twin." The two women, neither of whom ever wed, nonetheless discussed the rights and obligations of marriage as well as their own state of "single blessedness." They also conversed about shared intellectual interests--literature, lecture topics, women's education--as well as the foibles of common acquaintances. Here is a fascinating, unfamiliar world as revealed in what editor Betty Wood calls "one of the most remarkable literary exchanges between women of high social rank in the early national and antebellum United States."
These recovered histories of entrepreneurial women of color from the colonial Caribbean illustrate an environment in which upward social mobility for freedpeople was possible. Through determination and extensive commercial and kinship connections, these women penetrated British life and created success for themselves and future generations.
In 1930, Emily Carr met Georgia O'Keeffe at an exhibition of O'Keeffe's paintings in New York. Inspired by the idea of a bond between these two powerful painters, award-winning poet Kate Braid has expanded that momentary meeting into a passionate, revolutionary friendship. In Georgia O'Keeffe's voice, she envisions what might have happened if the two women had visited each other in the landscapes that inspired their art: O'Keeffe's New Mexico and Carr's British Columbia. Thus begins an extraordinary journey through landscape, art and desire--and inward to the bones. This Kate Braid classic was originally published by Polestar in 1998. It was nominated for the Pat Lowther Memorial Award and the Milton Acorn People's Poetry Prize. Inward to the Bones was a winner of the Vancity Book Award.
Vividly characterized and meticulously researched, "Roswell Redemption" takes the reader on a journey to the sorrows of the Cherokee Nation and celebrates the triumphs of two women who act with integrity and passion to transcend injustice.