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For over a hundred years (1714 - 1830) a King George sat on the British throne. It was a time of transformation, as cities grew, industry thrived and trade expanded round the world.
The Georgia Humanities Council presents a guidebook with cultural, historical, and regional coverage of Georgia
The eighteenth-century home, in terms of its structure, design, function, and furnishing, was a site of transformation – of spaces, identities, and practices. Home has myriad meanings, and although the eighteenth century in the common imagination is often associated with taking tea on polished mahogany tables, a far wider world of experience remains to be introduced. At Home in the Eighteenth Century brings together factual and fictive texts and spaces to explore aspects of the typical Georgian home that we think we know from Jane Austen novels and extant country houses while also engaging with uncharacteristic and underappreciated aspects of the home. At the core of the volume is the claim that exploring eighteenth-century domesticity from a range of disciplinary vantage points can yield original and interesting questions, as well as reveal new answers. Contributions from the fields of literature, history, archaeology, art history, heritage studies, and material culture brings the home more sharply into focus. In this way At Home in the Eighteenth Century reveals a more nuanced and fluid concept of the eighteenth-century home and becomes a steppingstone to greater understanding of domestic space for undergraduate level and beyond.
A comprehensive book on the social and political geography of one of the most distinctive newly independent States to emerge from the collapse of the Soviet Union. Being one of the most developed Soviet republics in terms of levels of welfare, education and cultural activity, Georgia is fiercely defending its national self-identity and striving for independence. The difficult process of building a nation-State and of concurrent dramatic social changes has led in the 1990s to serious complications in its development, even to the point of several civil wars. But there are signs that the crisis will be overcome before long.
"[A] vivid historical tapestry, depicting both the silk trade and the silk riots in eighteenth-century England."—Booklist New York Times bestselling author Liz Trenow presents The Hidden Thread, a breathtaking novel about the intricate craft of silk and the heartbreak of forbidden love. When Anna Butterfield's mother dies, she's sent to live with her uncle, a silk merchant in Victorian London, to make a good match and provide for her father and sister. There, she meets Henri, a French immigrant and apprentice hoping to become a master weaver. But Henri, born into a lower class, becomes embroiled in the silk riots that break out as weavers protest for a fair wage. Caught between her family and her star-crossed romance, Anna must decide what it means to be a woman in a time of revolution. For fans of Hazel Gaynor and Pam Jenoff, acclaimed historical fiction author Liz Trenow weaves a luminous tale of class struggle and star-crossed love. Also by Liz Trenow: The Forgotten Seamstress The Last Telegram
From the award-winning author of The Gentleman’s Daughter,a witty and academic illumination of daily domestic life in Georgian England. In this brilliant work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition. The basis of a 3-part TV series for BBC2. “Vickery is that rare thing, an…historian who writes like a novelist.”—Jane Schilling, Daily Mail “Comparison between Vickery and Jane Austen is irresistible…This book is almost too pleasurable, in that Vickery's style and delicious nosiness conceal some seriously weighty scholarship.”—Lisa Hilton, The Independent “If until now the Georgian home has been like a monochrome engraving, Vickery has made it three dimensional and vibrantly colored. Behind Closed Doors demonstrates that rigorous academic work can also be nosy, gossipy, and utterly engaging.”—Andrea Wulf, New York Times Book Review
A young English woman, on the run from her father, and a retired Prussian military officer sent to England by King Frederick the Great are plunged into the London demi-monde and a pursuit across Europe in search of fulfilment. The young woman's music book bears witness to what unfolds. Former senior British diplomat turned historical novelist Edward Glover's first novel tells a story of intrigue, betrayal, revenge, death and redemption, revealing a world of dark secrets beneath the veneer of 18th-century social glamour. Fast moving and packed with intrigue, The Music Book takes us into the relationship between Arabella Whitfield and Colonel Carl Manfred von Deppe as they escape the dark demi-monde of mid 18th-century London, becoming fugitives pursued across Europe.
Much of what is known today of Georgia history was preserved through the diligent efforts of a single family. From Wormsloe, their ancestral plantation near Savannah, the De Rennes built an extraordinary collection of books and manuscripts on the history of the state and the Confederacy, much of which is now housed at the University of Georgia and the Museum of the Confederacy. This book focuses on their efforts in the years 1827 through 1970, conveying the passion and purpose with which they pursued their avocation. William Harris Bragg has mined a vast array of archival sources to present this engaging narrative of the De Renne family. He tells how wealthy bibliophile and philanthropist G. W. J. De Renne and his wife, Mary, set the precedent for the family’s accumulation of historic material, how their son established the Wymberley Jones De Renne Georgia Library that bears his name, and how his children in turn expanded upon that tradition. The De Rennes also printed limited editions of primary historical materials beginning with the series known as the Wormsloe Quartos. Bragg’s account of three generations of the De Renne family vividly records their achievements as it reconstructs their life at Wormsloe and follows them in their travels around the world. It provides glimpses into the dynamics and behavior of one of Georgia’s oldest and most prominent families and the evolution of the southern aristocracy. The book draws on newly available material to expand significantly on Ellis Merton Coulter’s 1955 work, Wormsloe, and provides the most complete account to date of the De Rennes. Beyond the story of the De Renne family, Bragg also reveals much about the history of collecting and of the antiquarian book trade, as well as of the evolution of Georgia historical documentation. Appendix material includes genealogical tables and lists of collections and publications, making De Renne: Three Generations of a Georgia Family an invaluable source for all scholars and aficionados of southern history.
From the gothic fantasies of Walpole’s Otranto to post-modern takes on the country house by Kazuo Ishiguro and Ian McEwan, Phyllis Richardson guides us on a tour through buildings real and imagined to examine how authors’ personal experiences helped to shape the homes that have become icons of English literature. We encounter Jane Austen drinking ‘too much wine’ in the lavish ballroom of a Hampshire manor, discover how Virginia Woolf’s love of Talland House at St Ives is palpable in To the Lighthouse, and find Evelyn Waugh remembering Madresfield Court as he plots Charles Ryder’s return to Brideshead. Drawing on historical sources, biographies, letters, diaries and the novels themselves, House of Fiction opens the doors to these celebrated houses, while offering candid glimpses of the writers who brought them to life.