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This meticulously researched biography tells the extraordinary story of Georgiana Molloy, one of Australia's first internationally successful female botanists. From the refined beauty of 19th century England and Scotland, to the dramatic landscape of the West Australian coast, Georgiana Molloy: The Mind That Shines gives new insight into the life of this pioneering botanist. Following a swift marriage, Georgiana and Captain John Molloy, a handsome hero with a mysterious past, emigrated to Australia among the first group of European settlers to the remote southwest. Here, despite personal tragedy, Georgiana's passion for flora was ignited. Entirely self-taught, she gathered specimens of indigenous flora from Augusta and Busselton that are now held in some of the world's leading herbarium collections. Using Georgiana's own writings and notes, accompanied by full-colour pictures of some of the stunning plants mentioned throughout, Bernice Barry reveals a resilient, independent woman of strong values, whose appreciation and wonder of the landscape around her became her salvation, and her legacy.
The story of a remarkable pioneer who discovered in the strange colonial wilderness the splendour and richness of Australia's unique flora. In 1829 Georgiana Molloy moved from the middle-class comfort of the English border country to an isolated wilderness on the opposite side of the world. The young bride and her husband, Captain John Molloy, were among a small party that founded the settlement of Augusta on Western Australia's south-west coast. A pioneer of great courage and capacity, Georgiana was presented with seemingly overwhelming trials and hardships. But she was a woman who was never defeated by circumstance, and never ceased to find enjoyment and satisfaction in her life. One of her enduring legacies is her study and identification of much of the unique local flora. A vivid portrait of an extraordinary woman.
This epic story of settlement and colonization is, specifically, the story of the settlement of the southeast of Western Australia. At its heart is the story of Georgiana Molloy and the Bussells, pioneer settlers of Western Australia. The book uses Georgiana's life-story to tease out and weave together a number of big themes: the conquest of nature, war, religion, beginnings (in Aboriginal myth, scientific theory and settler society), and landscape history (as explored in Carter's The Road to Botany Bay). At the centre of this vast canvas linking the settlement of the Swan River colony to the economic and scientific forces at work in Europe, is the story of the life of one pioneer - Georgiana Molloy.
This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.
A young woman travels to a new world, and discovers who she really is. In October 1829, Georgiana Molloy embarked on a gruelling five-month sea journey from her home in England, hopeful of a prosperous future in the new settlement in Western Australia. But the land she finds is harsh and unyielding, food is often short, and the struggle of colonial life spells dreadful loneliness. Yet despite the hardships, she begins to see the unique beauty of her adopted country, and becomes fascinated with its amazing plant life, so different from anything she has known in England. Based on the real life of Georgiana Molloy, pioneer botanist, this novel by acclaimed author Libby Hathorn takes us into the fascinating work of a young woman whose passion for flowers transformed her, and the world. 'Libby Hathorn's historical novel is a wonderfully accessible introduction to the life of Georgiana Molloy, the Woman of Flowers, and extraordinary and unique figure in early Australia's history. A beaut book!' - Dr Kevin Thiele, Curator, Western Australian Herbarium 'This engaging novel about a modest but remarkable woman really gets to the heart of early colonial life in Australia. It's both a great story and an enthralling piece of social history.' - SYDNEY MORNING HERALD Celebrating 25 years of Libby Hathorn, acclaimed author of the Australian young adult classic THUNDERWITH.
Bringing together decolonial, Romantic and global literature perspectives, Transcultural Ecocriticism explores innovative new directions for the field of environmental literary studies. By examining these literatures across a range of geographical locations and historical periods – from Romantic period travel writing to Chinese science fiction and Aboriginal Australian poetry – the book makes a compelling case for the need for ecocriticism to competently translate between Indigenous and non-Indigenous, planetary and local, and contemporary and pre-modern perspectives. Leading scholars from Australasia and North America explore links between Indigenous knowledges, Romanticism, globalisation, avant-garde poetics and critical theory in order to chart tensions as well as affinities between these discourses in a variety of genres of environmental representation, including science fiction, poetry, colonial natural history and oral narrative.
Life Writing in the Anthropocene is a collection of timely and original approaches to the question of what constitutes a life, how that life is narrated, and what lives matter in autobiography studies in the Anthropocene. This era is characterised by the geoengineering impact of humans, which is shaping the planet’s biophysical systems through the combustion of fossil fuels, production of carbon, unprecedented population growth, and mass extinction. These developments threaten the rights of humans and other-than-humans to just and sustainable lives. In exploring ways of representing life in the Anthropocene, this work articulates innovative literary forms such as ecobiography (the representation of a human subject's entwinement with their environment), phytography (writing the lives of plants), and ethological poetics (the study of nonhuman poetic forms), providing scholars and writers with innovative tools to think and write about our strange new world. In particular, its recognition on plant life reminds us of how human lives are entwined with vegetal lives. The creative and critical essays in this book, shaped by a number of Antipodean authors, bear witness to a multitude of lives and deaths. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.
Synthesis of the results of may years of research on Estuarine environments form the Murchison to Esperance, Western Australia.
Assembles a range of women's letters from the former British Empire. These letters 'written home' are not only historical sources; they are also representations of the state of the Empire in far-off lands sent home to Britain and, occasionally, other centres established as 'home'.
"Whether a small plot in the backyard of an inner-urban home or a capital city's sprawling botanic garden, Australians have long desired a patch of dirt to plough or enjoy. 'Reading the garden' explores our deep affection for gardens and gardening and illuminates their numerous meanings and uses from European settlement to the late twentieth century."--Cover.