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This interdisciplinary study explores the evolution, structure, and uses of the image of Georgian Bath, from its genesis in the eighteenth century to its renaissance in the twentieth century. In recent decades there has been both a popular resurgence of interest in heritage and tradition, and a growing academic awareness of the power of imagery in shaping the lives of individuals and societies. There is perhaps no city in Britain so saturated in history and layered with historic imagery as Bath. It therefore provides an ideal case-study to investigate the dynamic fusion and impact of the forces of past and representation. The dominant perception of Bath today is that of a classical and particularly Georgian city. In this stimulating and scholarly study, Peter Borsay examines the construction and development of this image. Its principal components, biography and architecture, are explored, together with the media through which it was constructed and transmitted, as well as its commercial, social, political, and psychological uses. Dr Borsay concludes by relating the findings for Bath to current debates on towns, heritage, and the nature of history.
Approaching the past as both historian and artist, Cynthia Imogen Hammond documents how women across classes shaped the built environment of one of England's most architecturally significant cities. Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape documents Hammond's own creative, spatial interventions in the city, through which she brings the history of women to the foreground of Bath's urban image.
A unique contribution to the architectural and social history of Bath, Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape approaches the past with the methods of the architectural historian and the site-specific interventions of the contemporary artist. Looking beyond and behind Bath's strategic marshalling of its past, Cynthia Imogen Hammond presents the ways in which women across classes shaped the built environment and designed landscapes of one of England's most architecturally significant cities. This study argues that Bath's efforts to preserve itself as an idealized Georgian town reveal an aesthetics of exclusion. Jane Austen may be well known, but the role of historic women in the creation of this city has had minimal treatment within the city's collective, public memory. This book is an intervention into this memory; the author uses site-specific works of public art as strategic counterparts to her historical readings. Through them, she aims to transform as well as critique the urban image of Bath. At once a performative literature, an extensively researched history, and an alternative guide to the city, Architects, Angels, Activists engages with current struggles over urban signification in Bath and beyond.
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In this picturesque exploration of Britain’s constructed landscape, an array of medieval lanes, Georgian crescents and Victorian squares make an appearance, together with the people – famous, infamous and unfamiliar – who designed, built and lived in them. From Bedford Square and Portobello Road in London, through to Grey Street in Newcastle and Charlotte Square in Edinburgh, Historic Streets and Squares takes you over the doorstep of some of the country’s most familiar addresses. Melanie Backe-Hansen takes us beyond the facades, delving into the evolution of ancient streets, the aspirations of builders and architects, and the extraordinary lives of past residents. She also reveals the fascinating stories of how some of our oldest and most valued crescents, lanes and avenues have survived into the twenty-first century, and the twists and turns of their journey along the way. Taken together, these fifty examples tell us much about Britain’s urban development over the centuries, while also highlighting more recent attempts to preserve our architectural heritage. The history of our streets, avenues, lanes and squares reveals more than just changes to architectural style, but offers a doorway into the heritage of our nation.
Peering through the windows of private homes and Assembly Rooms alike, this book shines a new light on the middle classes during the long eighteenth century.
This book presents individuals who have made an important contribution to tourism. Most are entrepreneurs in the classic sense, but others are individuals who have had unintentional subsequent effects on tourism through their actions. The book is arranged in four parts: (i) giants of hospitality (chapters 1-5); (ii) giants of travel (chapters 6-10); (iii) giants of activities (chapters 11-14); and (iv) giants of development (chapters 15-19).
This fully annotated edition sheds much light on eighteenth-century British literary and publishing history.
This volume introduces, through a series of freshly researched studies, new perspectives on the history of European urban culture from the eighteenth to the twentieth century. The approach is an international one, with essays on Austria-Hungary, France, Germany, Great Britain and Italy, and the authors drawn not only from Europe, but also the USA and Japan. The essays examine a range of specialist aspects of culture, such as gardening, spa towns, painting, and music. At the same time the contributors also explore jointly several broader interconnected themes - health, nature, the arts and cultural institutions, leisure, and tourism - of central importance to the cultural identity and development of the modern European town.