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Born in the last decade of the nineteenth century in rural Bladen County, North Carolina, Georgia was the typical child whose two great loves were being outdoors and spending time with her father. However, the presentation of her story is unique in that the first part is autobiographical in nature. She started writing what she called “a few things that happened in my life” on January 1, 1952, when she was 57 years old. Her childhood and early adulthood experiences reflect the customs of the times as she describes how her family survived floods, fire, illness and extreme weather conditions. On her first day of school, she really did walk two miles to the one-room schoolhouse. Since her father disapproved of her choice for a husband, at 17 she eloped to marry Judd Ezzell. She and the groom drove away in a horse and buggy to start a new life in neighboring Sampson County. Georgia always maintained that Judd was the love of her life, and 10 children later, they were still together.. The account of her later years is provided by four of her granddaughters. This phase of her life begins during the Great Depression, when events occurred that made recovery from the devastation of the depression very difficult. Th e family’s responses to life’s challenges make an interesting narrative that ranges from inspirational to religious to comical.
“Bockoven is magic.” —New York Times bestselling author Catherine Coulter A fabulous repackaging of this deeply emotional novel from the bestselling author of Beach House and Another Summer, Georgia Bockoven’s Things Remembered is a heartrending tale of family and the healing power of love. This intensely moving story follows a young woman’s difficult homecoming to Northern California where, despite painful memories of her past, she must make peace with her ailing grandmother before it’s too late. An enduring masterwork of women’s fiction, Things Remembered is Georgia Bockoven at her very best. They say you can’t go home again—but Bockoven fans will find this heartfelt return to be well worth the journey, as will readers of Elin Hilderbrand, Juliette Fay, and Karen White.
A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In this volume, meet young Zech MacIvey, who learns to ride like the wind through the Florida scrub on Ishmael, his marshtackie horse, his dogs, Nip and Tuck, at this side. His parents, Tobias and Emma, scratch a living from the land, gathering wild cows from the swamp and herding them across the state to market. Zech learns the ways of the land from the Seminoles, with whom his life becomes entwined as he grows into manhood. Next in series > > See all of the books in this series
Remembering Enslavement explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014–17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved. Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums. It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.
As the first NAACP field secretary for Mississippi, Medgar Wiley Evers put his life on the line to investigate racial crimes (including Emmett Till's murder) and to organize boycotts and voter registration drives. On June 12, 1963, he was shot in the back by white supremacist Byron De La Beckwith as the civil rights leader unloaded a stack of "Jim Crow Must Go" T-shirts in his own driveway. His was the first assassination of a high-ranking public figure in the civil rights movement. While Evers's death ushered in a decade of political assassinations and ignited a powder keg of racial unrest nationwide, his life of service and courage has largely been consigned to the periphery of U.S. and civil rights history. In her compelling study of collective memory and artistic production, Remembering Medgar Evers, Minrose Gwin engages the powerful body of work that has emerged in response to Evers's life and death--fiction, poetry, memoir, drama, and songs from James Baldwin, Margaret Walker, Eudora Welty, Lucille Clifton, Bob Dylan, and Willie Morris, among others. Gwin examines local news accounts about Evers, 1960s gospel and protest music as well as contemporary hip-hop, the haunting poems of Frank X Walker, and contemporary fiction such as The Help and Gwin's own novel, The Queen of Palmyra. In this study, Evers springs to life as a leader of "plural singularity," who modeled for southern African Americans a new form of cultural identity that both drew from the past and broke from it; to quote Gwendolyn Brooks, "He leaned across tomorrow." Fifty years after his untimely death, Evers still casts a long shadow. In her examination of the body of work he has inspired, Gwin probes wide-ranging questions about collective memory and art as instruments of social justice. "Remembered, Evers's life's legacy pivots to the future," she writes, "linking us to other human rights struggles, both local and global." A Sarah Mills Hodge Fund Publication.
The movement for civil rights in America peaked in the 1950s and1960s; however, a closely related struggle, this time over themovement's legacy, has been heatedly engaged over the past twodecades. How the civil rights movement is currently being rememberedin American politics and culture - and why it matters - is the commontheme of the thirteen essays in this unprecedented collection.Memories of the movement are being created and maintained - in waysand for purposes we sometimes only vaguely perceive - throughmemorials, art exhibits, community celebrations, and even streetnames.
A Bouquet of Utpalas: Brief accounts of the lives of siddhas of Ga whom my guru actually met or whose stories he heard from trustworthy sources, set forth here as medicine to restore faithKhenpo Tsultrim Gyamtso Rinpoche strongly encouraged Lama Karma Drodhul to request Khenpo Karthar Rinpoche to tell the stories of accomplished tantric practitioners (siddhas) from Kham, Eastern Tibet.Most of the holy beings whose lives are recounted here began as ordinary people like us, and were not recognized emanations of buddhas or bodhisattvas. This book clearly demonstrates that we can, through diligence, achieve the same result.Beautifully recorded by Lama Karma Drodhul, these are stories of siddhas that Khenpo Karthar Rinpoche actually knew. Traleg Kyabgon Rinpoche once remarked that there is nothing like these accounts of Siddhas of Ga.
In the midst of racial strife, one young man showed courage and empathy. It took forty years for the others to join him Being a student at Americus High School was the worst experience of Greg Wittkamper's life. Greg came from a nearby Christian commune, Koinonia, whose members devoutly and publicly supported racial equality. When he refused to insult and attack his school's first black students in 1964, Greg was mistreated as badly as they were: harassed and bullied and beaten. In the summer after his senior year, as racial strife in Americus -- and the nation -- reached its peak, Greg left Georgia. Forty-one years later, a dozen former classmates wrote letters to Greg, asking his forgiveness and inviting him to return for a class reunion. Their words opened a vein of painful memory and unresolved emotion, and set him on a journey that would prove healing and saddening. The Class of '65 is more than a heartbreaking story from the segregated South. It is also about four of Greg's classmates -- David Morgan, Joseph Logan, Deanie Dudley, and Celia Harvey -- who came to reconsider the attitudes they grew up with. How did they change? Why, half a lifetime later, did reaching out to the most despised boy in school matter to them? This noble book reminds us that while ordinary people may acquiesce to oppression, we all have the capacity to alter our outlook and redeem ourselves.
In this unique illustrated survey of Keaton's career, Eleanor Keaton, his wife of 26 years, & film historian Jeffrey Vance provide a personal account of this icon of American cinema. - Tie in with the Academy of Motion Picture Arts & Sciences.