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Designed by Atlanta architect A. Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called “the people’s house,” the mansion is always on display, always serving the public. Memories of the Mansion tells the story of the Georgia Governor’s Mansion—what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968. The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state’s most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.
"Douglas Frey is an architectural historian ... He recounts scholarly details about the houses and their architectural styles, but also offers a portrait of the earlier residents and the ideas and values that shaped their lives. The house histories, and the human stories they tell, are grouped chronologically ... Antebellum Heritage (1838-1851), Victorian Splendor (1867-1895), and Eclectic Revival (1899-1949)." From the bookjacket.
From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.
After attaining approval from the governor to form a city on April 21, 1821, Gainesville, Georgia, transformed into a commercial and resort area that soon attracted a street railway. When its line was expanded in 1877, Green Street eventually became one of the most desirable places to raise a family. Even after a fire nearly destroyed the town in 1851, its determined residents persevered. In 1975, the Green Street homes were placed in the Green Street Historic District and on the National Registry. Within a fascinating presentation, Helen Martin looks beyond the jewels and grandeur to capture the past and offer a glimpse into the versatile architectural designs of North Green Street. Some of the homes described include the Martin-Matthews-Norton house built at (58) 393 Green Street between 1910 and 1911; the Wallace House at 417 Green Street, constructed at around 1900; and the Nalley Martin house, one of the last homes erected in 1938. Included are historical photographs and additional details regarding the twenty-five homes that fell in the name of progress. Beyond the Jewels and Grandeur shares the architectural history of a beloved street in Gainesville, Georgia, as its homes and residents endured changes through both simple and challenging times.
Excerpt from The Lapham-Patterson House: A National Historic Landmark, Thomasville, Georgia This home also represents the hopes and desires of the owners, or at least of the first owners - builders, since it is believed to have been built to their likes, specifications, and dreams. To fully understand it, one must learn something about the original family that of Charles Lapham, his wife and children because their personalities are reflected in the house. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.