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This book provides historians and genealogists with a one-stop guide to every Civil War–related manuscript collection stored in Georgia’s many repositories. With this guide in hand, researchers will no longer spend countless hours pouring through online catalogs, emailing archivists, and wondering if they have exhausted every lead in their pursuit of firsthand information about the war and the experiences of those who lived through and were impacted by it. In assembling the first state-specific bibliography to be compiled since the Indiana and Illinois bibliographies were assembled for the Civil War Centennial in the 1960s, David Slay has expanded the scope of this survey to include works relating to women, African Americans, and social history, as well as the letters and diaries of soldiers who fought in the war, reflecting society’s evolving understanding and interest in this defining period of American life. In addition, this compilation is not confined to material produced from 1861 to 1865, but also includes collections spanning the lives of prominent Civil War figures, making it an invaluable source for biographers. Organized by institution, Georgia Civil War Manuscript Collections has many time-saving features, all designed to increase efficiency of research. Each collection description contains the title and catalog number used in the holding institution. Where possible, collection descriptions have been improved upon, providing the researcher with information beyond what is listed in the holding institution’s card catalog and finding aid. It also cross-references duplicate collections that are held in two or more institutions as microfilm or photocopies. Simply put, Georgia Civil War Manuscript Collections takes the mystery out of Civil War research in Georgia.
"A significant voice in a significant debate . . . full of marvelous quotes."--William W. Freehling, University of Kentucky "Shows clearly that the Solid South was not solid at all [and] demonstrates that the war encompassed much more than military strategy and tactics . . . it was fought at home as well as on the battlefield."--Wayne K. Durrill, University of Cincinnati This compelling and engaging book sheds new light on how planter self-interest, government indifference, and the very nature of southern society produced a rising tide of dissent and disaffection among Georgia's plain folk during the Civil War. The authors make extensive use of local newspapers, court records, manuscript collections, and other firsthand accounts to tell a story of latent class resentment that emerged full force under wartime pressures and undermined southern support for the Confederacy. More directly than any previous historians, the authors make clear the connections between the causes of class resentment and their impact. Planters produced far too much cotton and avoided the draft at will. Speculators hoarded scarce goods and brought on spiraling inflation. Government officials turned a blind eye to the infractions of the rich, and were often bribed to do so. Women left to go hungry took matters into their own hands, stealing livestock in rural areas and rioting for food in every major city in Georgia. The hardships of families back home weighed heavily on soldiers in the field, contributing to rampant desertion. Deserters banded together, sometimes with draft dodgers and blacks escaping enslavement, to defend themselves or to go on the offensive against Confederate authorities. Some whites even planned and participated in slave resistance, a joining of forces that previous historians have long dismissed as highly improbable. So violent did Georgia's inner civil war become that one resident commented, "We are fighting each other harder than we ever fought the enemy." This work stresses more forcefully than any before it that plain folk in the Deep South were far from united behind the Confederate war effort. That lack of unity, brought on largely by class resentment, helped to ensure that the Confederacy's cause would, in the end, be lost. David Williams is professor and acting chair of the Department of History at Valdosta State University.
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
In this historical treasure, now restored to posterity, text and drawings by a Union cartographer record the daily life of Civil war soldiers, the firsthand observation of officers, and the battles he witnessed from Yorkville to Bull Run. 85 full-color illustrations.
Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.
"Presents excerpts from the diary of Carrie Berry, a 10-year-old girl who lived in the Confederate South in 1864"--