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For forty years Charles Alavoine has sleepwalked through his life. Growing up as a good boy in the grip of a domineering mother, he trains as a doctor, marries, opens a medical practice in a quiet country town, and settles into an existence of impeccable bourgeois conformity. And yet at unguarded moments this model family man is haunted by a sense of emptiness and futility. Then, one night, laden with Christmas presents, he meets Martine. It is time for the sleeper to awake.
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Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother’s whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snow opens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go. Hans Koning has described Dirty Snow as “one of the very few novels to come out of German-occupied France that gets it exactly right.” In a study of the criminal mind that is comparable to Jim Thompson’s The Killer Inside Me, Simenon maps a no man’s land of the spirit in which human nature is driven to destruction—and redemption, perhaps, as well—by forces beyond its control.
Set in the oppressively squalid streets of Paris, A Man's Head features Simenon's famed detective as he tracks a killer on the run, while the writer's sharp prose evokes the atmosphere of Parisian luxury hotels, seedy bars, and dark alleys.
'Penetrating, fully researched and very well written. It describes this extraordinarily productive literary genius at all stages of his life and adds to an understanding not only of Simenon's art, but the art of the novel itself.' - Muriel Spark in Scotland on Sunday
An actor, recently divorced, at loose ends in New York; a woman, no less lonely, perhaps even more desperate than the man: they meet by chance in an all-night diner and are drawn to each other on the spot. Roaming the city streets, hitting its late-night dives, dropping another coin into yet another jukebox, these two lost souls struggle to understand what it is that has brought them, almost in spite of themselves, together. They are driven—from moment to moment, from bedroom to bedroom—to improvise the most unexpected of love stories, a tale of suspense where risk alone offers salvation. Georges Simenon was the most popular and prolific of the twentieth century’s great novelists. Three Bedrooms in Manhattan—closely based on the story of his own meeting with his second wife—is his most passionate and revealing work.
'For personal reasons, or for reasons I don't know myself, I began feeling old, and I began keeping notebooks. I was nearing the age of sixty' Georges Simenon's autobiographical notebooks, in which he recorded his observations, experiences, anxieties and 'all the silly ideas that pass through my head', are one of the most candid self-portraits of a writer ever put to paper. Here, as the celebrated author ruthlessly examines his tortuous writing methods, his past, his fame, his intimate relationships and his fears of ageing, the result is an unsparing, often painfully revealing insight into a man trying both to find and to escape himself. 'As revealed in these notebooks, Simenon's is a shrewd, lucid mind ... the balance tips toward the real, the immediate, the mysteries of human complexity above all ... Utterly unpretentious' The New York Times
Translated by Eileen Ellenbogen. "A Helen and Kurt Wolff book."