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One of Australia’s most revered environmental scholars and its most distinguished landscape essayist. George Seddon was renowned for championing a ‘sense of place’, giving that phrase a uniquely Australian substance. He was a connoisseur of landscapes, from the rugged Snowy Mountains to the humble domestic backyard. With wit and deep knowledge, he radically rethought our relationship with the environment, considering everything from water to mining, suburbs to wilderness. Seddon was an extraordinary polymath: a professor of geology, the history and philosophy of science, and environmental science, who also taught in departments of English and philosophy. He broke new ground in urban planning, landscape architecture and environmental conservation. The highlights of his wide-ranging and always illuminating work are selected here by Andrea Gaynor, with a lively introduction by historian Tom Griffiths. ‘Seddon’s vision has enduring significance today: he made life better, planners more thoughtful and landscapes more beautiful; he helped us see our country from the inside. He was a maverick, an original. In his boyish way he encouraged us to “wag school” from time to time, to climb fences, to play, and to challenge what we read with what we feel, hear and see.’ —Tom Griffiths ‘George Seddon’s words are beacons.’ —Tim Flannery
From one of Australia's foremost thinkers, a uniquely broad-ranging 1997 collection of essays on landscape.
A collection of essays by various Australian and European authors on a wide range of Australian cultural topics, this is a story of struggle and achievement and occasional failure. Departures deals with innovation and transgression in Australian literature and history and brings out the vitality of Australian culture as it meets new challenges.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Stories and phrases can powerfully shape the ways we experience and manage our environment. What languages have been used to characterise Australian landscapes and how have they influenced the way we see and treat our environment? How do stories take root in particular places? How do we find the right words for those parts of the country that matter to us? "Words for Country" answers these questions while exploring the inter-relationship between Australia's landscape and language. Tim Bonyhady and Tom Griffiths have brought together a collection of essays whose subjects range from the Ord River in the far north-west to Antarctica in the south, from the centre to the coast, the prehistoric to the present. Their terrain is environmental and cultural, political and poetic. Words for Country reveals not just how language grows out of the landscape but how words and stories shape the places in which we live.