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What would happen to the race problem in America if black people could suddenly become white?
A satirical approach to debunking the myths of white supremacy and racial purity, this 1931 novel recounts the consequences of a mysterious scientific process that transforms black people into whites.
George Samuel Schuyler, was a noted black satirist of the early 20th century. This book is an intricate tale of black nationalism, science fiction, and incredible feats of derring-do intended to bolster black pride and accomplishment in the uneasy years before World War II. The book originally ran as weekly serialized fiction in the Philadelphia Courier from 1936 to 1938. Principal character Dr. Henry Belsidus is obsessed with releasing blacks from the crushing tyranny of racism and poverty, and he plans to take over the world and enlists black intellectuals to help him. Underlying the story is an attempt to resolve the philosophical, economic, and cultural chasms between blacks and whites. The book reflects the hope and despair felt by blacks during this time--From Library Journal.
George S. Schuyler was a journalist and cultural critic whose writings appeared in such diverse publications as Crisis, Nation, Negro Digest, American Mercury, and National Review. In the 1920s, Schuyler was a member of the American Socialist Party and espoused liberal views. By the 1950s, he had become an ardent supporter of U.S. Sen. Joseph P. McCarthy and touted himself as an American patriot, believing that communism was a threat to African Americans. In the 1960s, Schuyler was one of the few African Americans who openly characterized the civil rights movement as a communist-inspired plot to destroy America. Although Schuyler was a prolific writer and an outspoken commentator during his fifty-four-year career, historians of twentieth-century African American history have paid scant attention to his literary endeavors and have overlooked his conservative views. George S. Schuyler: Portrait of a Black Conservative is the first full biography of Schuyler and traces his transformation from a socialist to a conservative by examining his childhood, his career as a journalist and writer, his opinions about race and class, and his desire for professional notoriety. The book is divided into three parts. Part I discusses Schuyler's early life prior to his arrival in Harlem and his becoming a writer for the Messenger, an African American socialist magazine edited by A. Philip Randolph and Chandler Owen. Part II chronicles his career as a journalist, novelist, satirist, and critic from the Harlem Renaissance of the 1920s through World War II. Part III reviews his post-World War II career from the late 1940s until his death in 1977. While Schuyler's career took many turns, his writings reveal surprising continuities and the stamp of a true American iconoclast, not unlike his mentor and hero, H. L. Mencken.
"Rac(e)ing to the Right is a great read and brings overdue attention to one of the most popular and controversial African American writers in history. . . . These writings reveal both the presence and the limits of conservatism in the African American intellectual tradition."--Jeffrey A. Tucker, University of Rochester From the 1920s to the 1970s, George S. Schuyler was one of the country's most prolific--and controversial--observers of African American life. As journalist, socialist, novelist, right-wing conservative, and, finally, political outcast, his thought was rife with insight and contradiction. Until now, only Schuyler's fiction has found its way back into print. Rac(e)ing to the Right is the first collection of his political and cultural criticism. The essays gathered by Jeffrey Leak encompass three key periods of Schuyler's development. The first section follows his literary evolution in the 1920s and 1930s, during which time he deserted the U.S. Army and briefly became a member of the Socialist Party. Part II reveals his shift toward political conservatism in response to World War II and the perceived threat of Communism. Part III covers the civil rights movement of the 1960s--an era that prompted some of his most extreme and volatile critiques of black leadership and liberal ideology. The book includes many essays that are not well known as well as pieces that have never before been published. One notable example is the first printed transcript of Schuyler's 1961 debate on the Black Muslims with Malcolm X, James Baldwin, and C. Eric Lincoln. Because African American experience is more often than not associated with liberalism and the left, the idea of a black conservative strikes many as an anomaly. Schuyler's writings, however, force us to broaden and rethink our political and cultural conceptions. At times misguided, at times prophetic, his work expands our understanding of black intellectual thought in the twentieth century. The Editor: Jeffrey B. Leak is assistant professor of African American literature at the University of North Carolina at Charlotte. He has published articles and reviews in Callaloo, African American Review, and The Oxford Companion to African American Literature.
These two recently recovered novellas by the influential Harlem Renaissance author feature the thrilling and suspenseful adventures of African Americans involved in the Italo-Ethiopian war of the 1930s.
Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s.
"Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket.
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR
Analysis of four Harlem Renaissance texts that challenges our assumptions about the stability of racial identity and investigates the ways those assumptions shape how we have read literature by Black writers.