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This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, sociology, and urban spectatorship. Her compassionate study newly assesses the artists' rejection of 'genteel' New York, their alignments with mass media, and their innovative ways of seeing in the modern city."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-35 If the Ashcan School brought a special and embracing eye to the city, Rebecca Zurier in her richly contextual and impressively interdisciplinary book explains and evokes that historically specific urban vision in all its richness. Finally, in Picturing the City, we have the study these painters have long deserved. And we gain new and delightful access to New York City at the moment of its emergence as a compelling embodiment of metropolitan modernity."—Thomas Bender, Director, International Center for Advanced Studies, New York University "Picturing the City is both meticulous and wide-ranging in its assessment of the Ashcan artists and their passionate efforts to represent New York. It charts their pleasures and problems, warmth and prejudices, generosity and differences, originality and formula. It takes seriously their habits as journalists and provides the most complete sense of their immersion in a world of urban spectatorship and vision. Rebecca Zurier has written a wonderful, timely book that will be a benchmark for any future discussions of them."—Anthony W. Lee, author of Picturing Chinatown: Art and Orientalism in San Francisco "Rebecca Zurier takes us on an intellectually exhilarating and breathtakingly beautiful visual voyage through turn-of-the-century New York City as the Ashcan painters saw it. As we watch them learn a new way of looking in the commercially dynamic, sensual New York of a century ago, we too see that time and place with fresh eyes. Inevitably, thanks to Zurier, the way we look at city life today will change as well."—Lizabeth Cohen, author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America
American life and culture is truly unique in that it was born from many other cultures around the world. When immigrants migrated to the Land of Opportunity, they brought with them pieces of their own heritage: foods, religions, holidays, festivals, music, and art, just to name a few. Through time, these customs have developed into what we now know as American life. Explore how even within the US, various cultures and customs differ from New England to the Midwest to the Pacific. Discover how many religions are practiced all over the country, and how each sect differs in its celebration. Learn how gender plays an important role in American society, and how things have changed and progressed in the past century. Readers will learn about American holidays-religious, federal, and even those fabricated by Hallmark and television! Sports, leisure activities, and fashion also play a major role in American culture, as discussed in this all-encompassing work. Discover how American cuisine has evolved from other cultures, such as Italian, Greek, Mexican, Chinese, Indian, and West Africa, and how each region has its own indigenous dishes, including New England clam chowder, Southern jambalaya, and Mid-western lutefisk. Contemporary and classic literature is also discussed, along with the evolution of poetry. Readers will learn about the development of mass media, as well as the growth of cinema and films from the first silent film to today's popular blockbuster trilogy Pirates of the Caribbean. Music and dance are also discussed in detail, covering the New York Philharmonic to Woodstock. Contemporary art and architecture is discussed as well as types of housing across all the regions of the U.S. This unique two-volume addition to the Culture and Customs of the World series gives high school students, both national and international, the chance to examine the United States from the outside in. The mosaic of American culture comes to life in this expansive yet detailed study of what makes the United States a complex blend of customs and traditions. Each volume in this comprehensive two-volume study offers chapters that detail how American life was born and how it has grown, covering the history of customs as well as how traditions are now celebrated in New England, the South, the Midwest, the Pacific Northwest, and the Southwest, as well as Alaska and Hawaii. Narrative chapters include the following:
In an era when ease of travel is greater than ever, it is also easy to overlook the degree to which voyages of the body – and mind – have generated an outpouring of artistry and creativity throughout the ages. Exploration of new lands and sensations is a fundamental human experience. This volume in turn provides a stimulating and adventurous exploration of the theme of travel from an art-historical perspective. Topical regions are covered ranging from the Grand Tour and colonialism to the travels of Hadrian in ancient times and Georgia O’Keeffe’s journey to the Andes; from Vasari’s Neoplatonic voyages to photographing nineteenth-century Japan. The scholars assembled consider both imaginary travel, as well as factual or embellished documentation of voyages. The essays are far-reaching spatially and temporally, but all relate to how art has documented the theme of travel in varying media across time and as illustrated and described by writers, artists, and illustrators. The scope of this volume is far-reaching both chronologically and conceptually, thereby appropriately documenting the universality of the theme to human experience.
In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.