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George French Angas (1822-1886) spent 18 months sketching and observing in Australia and New Zealand between 1844 and 1845. It was a period of decisive and irreversible cultural change. The young Angas excelled at capturing the minute detail of plants and people, objects and landscapes, and rapidly assembled a portfolio of 250 fine watercolours. In this fully illustrated volume, Philip Jones has used Angas's sketches, watercolours, lithographs and journal accounts to retrace his Antipodean journeys in vivid detail. Set in the context of his time, Angas emerges both as a brilliant artist and as a flawed Romantic idealist, rebelling against his father's mercantilism while entirely reliant upon the colonial project enabling him to depict pre- and early colonial ways of life.
Discusses early explorers & artists attitudes to natives, differing national attitudes of British & French, analysis of painting styles & ways in which Aborigines are depicted; includes notes on cartoons, notes on artists & paintings.
‘Us Maoris used to practice slavery just like them poor Negroes had to endure in America . . .' says Beth Heke in Once Were Warriors. ‘Oh those evil colonials who destroyed Maori culture by ending slavery and cannibalism while increasing the life expectancy,' wrote one sarcastic blogger. So was Maori slavery ‘just like' the experience of Africans in the Americas and were British missionaries or colonial administrators responsible for ending the practice? What was the nature of freedom and unfreedom in Maori society and how did that intersect with the perceptions of British colonists and the anti-slavery movement? A meticulously researched book, Outcasts of the Gods? looks closely at a huge variety of evidence to answer these questions, analyzing bondage and freedom in traditional Maori society; the role of economics and mana in shaping captivity; and how the arrival of colonists and new trade opportunities transformed Maori society and the place of captives within it.
This newly-designed volume of C. W. Woolnough's classic book, "The Whole Art of Marbling as applied to Paper, Book Edges, Etc.," has been printed in color. The publisher has included a timeline of Woolnough's publications and annotated with footnotes throughout to clarify obscure details.
Indigenous Australians have long understood sustainable hunting and harvesting, seasonal changes in flora and fauna, predator–prey relationships and imbalances, and seasonal fire management. Yet the extent of their knowledge and expertise has been largely unknown and underappreciated by non-Aboriginal colonists, especially in the south-east of Australia where Aboriginal culture was severely fractured. Aboriginal Biocultural Knowledge in South-eastern Australia is the first book to examine historical records from early colonists who interacted with south-eastern Australian Aboriginal communities and documented their understanding of the environment, natural resources such as water and plant and animal foods, medicine and other aspects of their material world. This book provides a compelling case for the importance of understanding Indigenous knowledge, to inform discussions around climate change, biodiversity, resource management, health and education. It will be a valuable reference for natural resource management agencies, academics in Indigenous studies and anyone interested in Aboriginal culture and knowledge.
There was a hum of excitement. Flags flickered in the breeze as Maggie's heart danced with delight. 'This is a very special day!' her mother said. Maggie holds tight to her mother as they await the long anticipated apology to show a willingness to reconcile the past for future generations. In the excitement of the crowd Maggie loses touch of her mother's hand as is lost. In a time 'long ago and not so long ago' children were taken from their parents, their 'sorrow echoing across the land'. As the Prime Minister's speech unfolds Maggie is reunited with her mother. But the faces and memories of the stolen generation are all around them. Two stories entwine in this captivating retelling of the momentous day when the then Prime Minister of Australia, Kevin Rudd, acknowledged the sorrows of past and said 'Sorry' to the generation of children who were taken from their homes. The book includes a foreword from Lee Joachim; Chair of Rumbalara Aboriginal Cooperative and Director of Research and Development for Yorta Yorta Nation Aboriginal Corporation.
Late one night, a thing appears in the paddock next to Fabio's house. His dad calls it 'space junk' but inside Fabio discovers books. Books about the galaxy; big, fat books; books full of poems. He swaps a book with Leila from next door and the thing becomes a Great Book-swapping Machine. But will the very important woman from the Space Agency let the community keep their machine? And what will happen when Fabio pulls its shiny red lever? Comprising a funny, original and imaginative story, whimsical illustrations and an informative fact section, The Book-swapping Machine is a book about the joys of reading and the importance of community.
'A glorious love story' – Sarah Winman, author of Still Life Longlisted for the Dublin Literary Award A stunning story about the impossible lengths we go to for the ones we love, with a breathtaking twist, from the bestselling author of Burial Rites, Hannah Kent. Hanne and Thea’s friendship is a miracle. Before, Hanne always felt apart from the local girls, but with Thea it all came easy. Suddenly she could imagine a future for herself, a happy one, by Thea’s side. But when their tight-knit community embarks on a long and brutal journey to Australia, in search of new freedoms on old land, Hanne and Thea’s bond must find a way to survive the most impossible devastation. Will their love prove too strong for even Nature to break? 'Extraordinarily daring . . . a remarkable novel, an almost visionary celebration of the death-defying power of the women’s love' - Sunday Times 'Exquisite . . . it's taken root in my heart' – Kiran Millwood Hargrave, author of The Mercies 'So beautiful and so raw . . . Devotion is impossibly good' – Evie Wyld, author of The Bass Rock