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This carefully crafted ebook: "The Complete Works of George Eliot" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Scenes of Clerical Life (1858): The Sad Fortunes of the Rev. Amos Barton, Mr. Gilfil's Love Story, Janet's Repentance Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner, the Weaver of Raveloe (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) The Spanish Gypsy (1868) Middlemarch (1871/72) The Legend of Jubal, and Other Poems (1874): The Legend of Jubal, Agatha, Armgart, How Lisa Loved the King, A Minor Prophet, Brother and Sister, Stradivarius, A College Breakfast-Party, Two Lovers, Self and Life, "Sweet Endings Come and Go, Love," The Death of Moses, Arion, "O May I Join the Choir Invisible." Daniel Deronda (1876) Impressions of Theophrastus Such (1879) The Essays: From the Note-Book of an Eccentric, How to Avoid Disappointment, The Wisdom of the Child, A Little Fable with a Great Moral, Hints on Snubbing, Carlyle's Life of Sterling, Margaret Fuller, Woman in France: Madame de Sablé, Three Months in Weimar, Evangelical Teaching: Dr. Cumming, German Wit: Henry Heine, The Natural History of German Life, Silly Novels by Lady Novelists, George Forster, Worldliness and Other-Worldliness: The Poet Young, The Influence of Rationalism, The Grammar of Ornament, Address to Working Men, by Felix Holt, Leaves from a Note-Book. Miscellaneous Poems: On Being Called a Saint, Farewell, Sonnet, Question and Answer, "'Mid my Gold-Brown Curls," "'Mid the Rich Store," "As Tu Va la Lune se Lever," In A London Drawing Room, Arms! To Arms!, Ex Oriente Lux, In the South, Will Ladislaw's Song, Erinna, I Grant you Ample Leave, Mordecai's Hebrew Verses, Count that Day Lost.
The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.
George Eliot's Religious Imagination addresses the much-discussed question of Eliot’s relation to Christianity in the wake of the sociocultural revolution triggered by the spread of theories of evolution. The standard view is that the author of Middlemarch and Silas Marner “lost her faith” at this time of religious crisis. Orr argues for a more nuanced understanding of the continuity of Eliot’s work, as one not shattered by science, but shaped by its influence. Orr’s wide-ranging and fascinating analysis situates George Eliot in the fertile intellectual landscape of the nineteenth century, among thinkers as diverse as Ludwig Feuerbach, David Strauss, and Søren Kierkegaard. She also argues for a connection between George Eliot and the twentieth-century evolutionary Christian thinker Pierre Teilhard de Chardin. Her analysis draws on the work of contemporary philosopher Richard Kearney as well as writers on mysticism, particularly Karl Rahner. The book takes an original look at questions many believe settled, encouraging readers to revisit George Eliot’s work. Orr illuminates the creative tension that still exists between science and religion, a tension made fruitful through the exercise of the imagination. Through close readings of Eliot's writings, Orr demonstrates how deeply the novelist's religious imagination continued to operate in her fiction and poetry.
The great Victorian novelist's complete surviving journals - first publication of new George Eliot text.
An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.