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Thomas and Jane Welsh Carlyle moved from rural Scotland to London's Cheyne Walk. This title focuses on writers for whom 'the centre' was a pressing concern. Elizabeth Gaskell, like her contemporary Emily Bronte, was from the north of England, though based in Lancashire and Cheshire rather than Yorkshire. Her first novel, Mary Barton 1848) was set in the north and was unusually realistic in its depiction of Manchester working-class life. Ruskin grew up in suburban London; in later life, he settled in the Lake District . The three volumes that comprise a set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary persons: John Ruskin, Elzabeth Gaskell and the Carlyles.
Strauss's Life of Jesus (1835) was an epoch-making work which transformed the nature of biblical criticism. Providing a radical new approach that went straight to the heart of Christianity, it created an immediate sensation and Straus (1808-74) became the centre of intense controversy. This, the first English translation, was by George Eliot and was her first published book. Strauss's interpretation of biblical events was a result of an a response to the attacks on orthodox Christianity brought by the Enlightenment. In the face of skepticism about such biblical events as miracles, his aim was to explain how Christians came to believe when there was no objective historical basis for their faith. Taking the resurrection as the key article of faith, his verdict was that religion was an expression of the human mind's ability to generate myths and interpret them as truths revealed by God. Influenced by Hegel and Schleiermacher, Strauss characterized Christianity as a stage in the evolution of pantheism that had reached its culmination in Hegelian philosophy. He thus created an entirely new atmosphere of scholarship on Christ's life and historical criticism of the Bible. The furore turned the Life of Jesus into a cause celebre and to German liberals Strauss became a symbol for the freedom of thought. Reprinting the English translation in its original and most important edition for the first time, these three volumes provide the reader with the key work of one of the world's most well-known and frank critics of Christianity.
Reading George Eliot's work was described by one Victorian critic as like the feeling of entering the confessional in which the novelist sees and hears all the secrets of human psychology—'that roar which lies on the other side of silence'. This new biography of George Eliot goes beyond the much-told story of her life. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art exists not for art's sake but in the exploration and service of human life. It shows the formation and the workings of George Eliot's mind as it plays into her creation of some of the greatest novels of the Victorian era. When at the age of 37 Marian Evans became George Eliot, this change followed long mental preparation and personal suffering. During this time she related her power of intelligence to her capacity for feeling: discovering that her thinking and her art had to combine both. That was the great ambition of her novels—not to be mere pastimes or fictions but experiments in life and helps in living, through the deepest account of human complexity available. Philip Davis's illuminating new biography will enable you both to see through George Eliot's eyes and to feel what it is like to be seen by her, in the imaginative involvement of her readers with her characters.
Biography of George Eliot (1819-1880, born as Mary Anne Evans), British writer and poet. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art exists not for art's sake but in the exploration and service of human life.
The Victorian period was the age of the novel and critics at the time clearly saw the importance of prose fiction. First published in 1993, this anthology contains over fifty original extracts from contemporary critics on the early and mid-Victorian novel. Arranged thematically, the volume covers such topics as literary form, the social responsibility of literature, issues of politics and gender, the influence of criticism, realism, plot and characterisation, imagination and creativity, and the office and social standing of the novelist. The introductions and notes draw together the large number of voices and guide the reader through the Victorian literary critical debate. This accessible and invaluable guide will be of interest to those studying Victorian literature.
The Lifted Veil by George Eliot is a gothic novella in the vein of other Victorian horror stories like Mary Shelley's Frankenstein, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, and Bram Stoker's Dracula. In The Lifted Veil, the unreliable narrator, Latimer, believes that he is cursed with an otherworldly ability to see into the future and the thoughts of other people. This leads to tragedy as his obsession with his brother's fiancee. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes