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The question of whether or not George Eliot was what would now be called a feminist is a contentious one. This book argues, through a close study of her fiction, informed by examination of her life's story and by a comparison of her views to those of contemporary feminists, that George Eliot was more radical and more feminist than commonly thought.
This collection offers students and scholars of Eliot’s work a timely critical reappraisal of her corpus, including her poetry and non-fiction, reflecting the latest developments in literary criticism. It features innovative analysis ­exploring the relation between Eliot’s Victorian intellectual sensibilities and those of our own era. A comprehensive collection of essays written by leading Eliot scholars Offers a contemporary reappraisals of Eliot’s work reflecting a broad range of current academic interests, including religion, science, ethics, politics, and aesthetics Reflects the very latest developments in literary scholarship Traces the revealing links between Eliot’s Victorian intellectual ­concerns and those of today
The egotism that fuels the desire for greatness has been associated exclusively with men, according to one feminist view; yet many women cannot suppress the need to strive for greatness. In this forceful and compelling book, Alison Booth traces through the novels, essays, and other writings of George Eliot and Virginia Woolf radically conflicting attitudes on the part of each toward the possibility of feminine greatness. Examining the achievements of Eliot and Woolf in their social contexts, she provides a challenging model of feminist historical criticism.
A TLSBOOK OF THE YEAR. Who was the real George Eliot? In Love with George Eliotis a glorious debut novel which tells the compelling story of England's greatest woman novelist as you've never read it before. Marian Evans has scandalised polite society. She lives in sin with a married man, George Henry Lewes, but writes in secret under the pseudonym George Eliot. Gradually, it becomes apparent that the genius Eliot is none other than Evans, the disgraced woman. Her tremendous celebrity begins, and prior indiscretions are forgiven. But when Lewes dies, Evans finds herself in danger of shocking the world all over again. Meanwhile, from one rudderless century to another, two women compete to interpret Eliot as writer and as woman ...
First published in 1989. Generations of critics have seen George Eliot as a conservative Victorian high moralist and sybil. Vocation and Desire questions that image, and finds in her work elements of anger, feminism, subversiveness, revenge, iconoclasm, wit, and eroticism – elements that we have been taught not to expect. After looking at the development of the sybilline image and the gradual eclipse of the subversive George Eliot – which Eliot herself initiated – Dorothea Barrett goes on to investigate the evidence of the novels themselves and finds an alternative emphasis. Her study of the heroines of the six major novels and issues of language and desire provides a refreshing and acute analysis of the contradictions and strengths of Eliot’s work. She also considers the reception of George Eliot by feminist critics and the broader implications of her work for contemporary feminism. This title will be of interest to students of literature.
This analysis of the writings of two major Victorian intellectuals examines the crucial place of gender in the larger Victorian debate about nature, religion, and evolutionary theory. Demonstrating the primacy of Herbert Spencer's influence on George Eliot's thought, Nancy Paxton discloses the continuous dialogue between this profoundly learned novelist and one of the most formidable and influential scientific authorities of her time. Paxton reveals that Eliot and Spencer initially agreed in supporting several of the goals of early Victorian feminism when they met in 1851. Paxton looks at the ways scientific data get turned into arguments about the nature of women in society, about women and education, about women and sexuality.
This study explores the ways in which George Eliot's involvement with contemporary scientific theory affected the evolution of her fiction. Drawing on the work of such theorists as Comte, Spencer, Lewes, Bain, Carpenter, von Hartmann and Bernard, Dr Shuttleworth shows how, as Eliot moved from Adam Bede to Daniel Deronda, her conception of a conservative, static and hierarchical model of society gave way to a more dynamic model of social and psychological life.
According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
George Eliot's literary achievement is explored through essays on its historical, intellectual, political and social contexts.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.