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In the first half of the nineteenth century in England there was a strong interest in German literature and German scholarship. George Eliot studied German and German literature from the age of twenty. Her first publication, in 1846, was a translation of Friedrich Strauss's Das Leben Jesu; followed, in 1854, by the translation of Ludwig Feuerbach's Das Wesen des Christentums. That same year George Eliot left England with George Henry Lewes on her first visit to Germany. During the next three months they visited Frankfurt, Weimar and Berlin to collect material for Lewes's biography of Goethe. In this study, Gerlinde Röder-Bolton explores the impact of Goethe on George Eliot, whose elective affinity with Goethe was both ethical and artistic, and analyses George Eliot's responsiveness to Goethe's moral vision and the literary uses she makes of her familiarity with Goethe's work. George Eliot and Goethe: An Elective Affinity concentrates on The Mill on the Floss and Daniel Deronda, showing how the intertextual relationship with Die Wahlverwandtschaften holds the key to an understanding of the latter part of The Mill on the Floss, while the first part of Faust and Wilhelm Meisters Lehrjahre throw new light on Daniel Deronda. This study, with its close analysis of a range of works by George Eliot and Goethe, is essential reading for anyone interested in both or either of these authors or in Anglo-German literary relations.
In the first half of the 19th century in England there was a strong interest in German literature and scholarship. This study explores the impact of the work of Goethe on George Eliot, whose "elective affinity" with Goethe was both ethical and artistic, and analyzes Eliot's responsiveness to Goethe's moral vision and the literary uses she makes of her familiarity with his work. Concentrates on The Mill on the Floss and Daniel Deronda, showing their relationship with Die Wahlverwandtschaften and Faust. Annotation copyrighted by Book News, Inc., Portland, OR
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
A unique study of how novels by Lawrence, Forster and George Eliot can be read as rewritings of Sophocles's Antigone : each is presented as a socially and sexually involving argument between two sisters. The author provides an interconnected case-study where each text works on the hidden meanings of the other. Female sexuality, expressed through the language of duality (vulnerability, frustration, submission and destructivity, consummation and rebirth), becomes an ideal vehicle for crossing the barriers between sexes and between societies, as between the texts themselves.
Lewes--consort of George Eliot, biographer of Robespierre and Goethe, novelist, editor, and critic--was also a scientist and philosopher. Tjoa not only reconstructs Lewes' theory of criticism and his social and political opinions but also evaluates his contributions to Darwinian science both as original thinker and as popularizer.
Terence Cave traces the afterlives of Mignon, an apparently minor character in Goethe's novel Wilhelm Meisters Lehrjahre, through the European cultures of the 19th and 20th centuries. The enigmatic and fascinating Mignon reappears in wide range of different works, mainly narrative fiction but also poetry, song, opera, and film.
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.