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This book details the Liberty ships and the Emergency Shipbuilding Program during World War II. For the first time, comprehensive information is provided about the builders, the namesakes, and the operators under one cover. Included is a list of all 2,710 Liberty ships delivered by U.S. shipyards, giving each ship's namesake and detailed descriptions of the companies that built the ships and the steamship companies that operated them during the war. This book also details the formation of two shipyards in South Portland, Maine, the Todd-Bath Iron Shipbuilding Co. and the South Portland Shipbuilding Corp. South Portland's shady operations were investigated by the U.S. Congress and resulted in the merger of both companies into the New England Shipbuilding Corporation in April 1943. Also featured is the Jeremiah O'Brien. Built by New England Ship in 1943 and one of only two operational Liberty ships left in the world, its service history and crew information are given along with its postwar restoration and return to Normandy in 1994.
This book maps out the temporal and geographic coordinates of the trope of sensationalism in the long nineteenth century through a comparative approach. Not only juxtaposing different geographical areas (Europe, Asia and Oceania), this volume also disperses its history over a longue durée, allowing readers to perceive the hidden and often unacknowledged continuities throughout a period that is often reduced to the confines of the national disciplines of literature, art, and cultural studies. Providing a wide range of methodological approaches from the fields of literary studies, art history, sociology of literature, and visual culture, this collection offers indispensable examples of the relation between literature and several other media. Topics include the rhetorical tropes of popular culture, the material culture of clothing, the lived experience of performance as a sub-text of literature and painting, and the redefinition of spatiality and temporality in theory, art, and literature.
George Benjamin Luks (1867-1933) is renowned for the oil paintings, watercolours, and pastel drawings he created as an acclaimed member of the artists' collective known as the Ashcan School. His professional development came, however, from his apprenticeship as a newspaper and magazine artist. Luks spent his early career drawing cartoons, spot illustrations, political caricatures, and comic strips. This study brings Luks's early work to light and reveals the funny, often edgy, and sometimes prejudicial creations that formed the base upon which Luks built his later career.
In 300 extraordinary drawings, Hogarth shows how to draw the head from every angle, age the face from infancy to old age, and delineate every feature and wrinkle.