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"This book is a first of its kind: an edited collection bringing the finest of Georg Simmel's writing on art and aesthetics together, and bringing many of these essays into English for the first time. Simmel is considered one of the founding fathers of modern sociology but he, like his contemporary Walter Benjamin, wrote about many aspects of life and culture. Simmel's intellectual contributions have long been recognized and he is a keystone in cultural theory of the early 20th century. The essays in this collection are gathered topically and show the wide range of Simmel's thinking even within the arts: aesthetics, landscape, theater, sculpture, literature, and more. Austin Harrington is the brilliant guide behind this substantial volume. He served as editor and translator and also wrote an introduction. Richly informative and thoroughly familiar with Simmel's life and work, Harrington's introduction will itself be an important contribution to the scholarship on Simmel"--
Outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his relationship with Marxism.
An internationally famous philosopher and best-selling author during his lifetime, Georg Simmel has been marginalized in contemporary intellectual and cultural history. This neglect belies his pathbreaking role in revealing the theoretical significance of phenomena—including money, gender, urban life, and technology—that subsequently became established arenas of inquiry in cultural theory. It further ignores his philosophical impact on thinkers as diverse as Benjamin, Musil, and Heidegger. Integrating intellectual biography, philosophical interpretation, and a critical examination of the history of academic disciplines, this book restores Simmel to his rightful place as a major figure and challenges the frameworks through which his contributions to modern thought have been at once remembered and forgotten.
Published in 1918, The View of Life is Georg Simmel’s final work. Famously deemed “the brightest man in Europe” by George Santayana, Simmel addressed diverse topics across his essayistic writings, which influenced scholars in aesthetics, epistemology, and sociology. Nevertheless, certain core issues emerged over the course of his career—the genesis, structure, and transcendence of social and cultural forms, and the nature and conditions of authentic individuality, including the role of mindfulness regarding mortality. Composed not long before his death, The View of Life was, Simmel wrote, his “testament,” a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety. Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger’s Being and Time and whose extraordinary impact on European intellectual life between the wars was extolled by Jürgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel’s last journal, providing a beguiling look into the mind of one of the twentieth century’s greatest thinkers.
This book draws upon the work of Georg Simmel to explore the limits, tensions and dynamism of social life through a close analysis of the works produced in the final years of his life and reveals what they might still offer some 100 years later. Focusing on the relationships between worlds, lives and fragments in these works, David Beer opens up a conceptual toolkit for understanding life as both an individual experience and as a deeply social phenomenon. Taking the reader through artistic and musical forms of inspiration, to the problems of culture and on to the conceptual understanding of lived experience, the book illuminates the richness of Simmel’s ideas and thinking. This sophisticated dialogue with Simmel’s lesser known later works will provide fresh insights for students and scholars of cultural and social theory and pave the way for a reinvigorated engagement with his ideas.
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Georg Simmel's highly original take on the newly revived field of sociology succeeded in making the field far more sophisticated than it had been beforehand. He took insights from dialectical thought and Kantian epistemology to develop a "form sociology" method that remains implicit in the field a century later. Forms include such patterns of interaction as inequality, secrecy, membership in multiple groups, organization size, and coalition formation. While today texts and professional societies are organized around "contents" rather than "forms," a fresh reading of Simmel's chapters on forms suggests original avenues of inquiry into each of the contents--family, business, religion, politics, labor relations, leisure.
This book shows that a dialectical conceptual model underpins Georg Simmel's writings. The book provides key examples of social forms – including fashion, the secret and money – as exemplifications of this method. The volume concludes with a reassessment of Simmel's relevance today.