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Romantic history of girl who prefers a saxophone player to a millionaire as told by Lorelai.
“Kissing your hand may make you feel very very good, but a diamond and safire bracelet lasts forever.” Anita Loos first published the diaries of the gold-digging blonde Lorelei Lee in the flapper days of 1925, forging a new archetype for the modern world. Gentlemen Prefer Blondes follows Lorelei and her best friend, Dorothy, from Hollywood to Manhattan to Paris and London, pursued by eager suitors all the while. In “the Central of Europe,” with a new diamond tiara in her handbag, Lorelei meets a traveling American millionaire who just might be the one. She retires her diary, but not for long, because, as she writes in the opening pages of But Gentlemen Marry Brunettes, “it is bright ideas that keep the home fires burning, and prevent a divorce from taking all of the bloom off Romance.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Lorelei Lee is the ultimate fapper. She's a not-so-dumb blonde whose taste for orchids, champagne, and diamonds is so single-minded she is almost an innocent. Here she is, portrayed on screen, in Anita Loos's own inimitable style. Illustrated.
Lorelei Lee is just a little girl from Little Rock who takes the world by storm to teach its gentlemen that "kissing your hand may make you feel very very good but a diamond and sapphire bracelet lasts forever." Anita Loos first published the diaries of the gold-digging blonde in 1925, forging a new archetype for the modern world.
"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."—Carol Channing "This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."—John Sayles "If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the irresistible Ms. Loos."—Kenneth Turan, film critic for the Los Angeles Times "This is a wonderful book about a talented, fascinating, and groundbreaking woman. Her life epitomizes a certain era in show business and describes a Hollywood in which few women were allowed to rise to the top. Anita Loos did and we were all the beneficiaries. I loved the book!"—Peter Duchin "Not only is it valuable to have these delightful Anita Loos pieces, but the biographical chapters are fascinating too."—Kevin Brownlow, author of David Lean: A Biography
Intertwines the stories of rock star and vampire Lestat, beautiful twins haunted by a gruesome tragedy, and Akasha, mother of all vampires, who dreams of godhood.
"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.