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Five years in the making, the Edgeworks Abbey Archive represents Harlan Ellison's last word on his written legacy. Researched and edited by Ellison's long-time associate, Jason Davis, under the supervision of Harlan and Susan Ellison, this collection assembles the preferred texts of each story and essay along with previously uncollected and unpublished material to create the definitive edition.This is the book that established Harlan Ellison once and for all as a master of short fiction; this is the book that took Ellison to Hollywood; and this is the only paperback book, ever, reviewed by the legendary Dorothy Parker in Esquire magazine:"It is not the province of this department to take up recent paperbacks? But lately there has come into my weary hands a paperback of short stories by Harlan Ellison, a young writer whose name I had not known before. The book is horribly titled, 'Gentleman Junkie and Other Stories of the Hung-Up Generation.' ? It turns out that Mr. Ellison is a good, honest, clean writer, putting down what he has seen and known, and no sensationalism about it? I cannot recommend it too vehemently."DOROTHY PARKER
A remarkably trenchant collection of early stories by “the dark prince of American letters” exploring the injustice and desperation of a forgotten America (Pete Hamill, author of A Drinking Life). Bold and uncompromising, Gentleman Junkie and Other Stories of the Hung-up Generation is a watershed moment in Harlan Ellison’s early writing career. Rather than dealing in speculative fiction, these twenty-five short stories directly tackle issues of discrimination, injustice, bigotry, and oppression by the police. Pulling from his own experience, Ellison paints vivid portraits of the helpless and downtrodden, blazing forth with the kind of unblinking honesty that would define his career. Reviewing this collection, Dorothy Parker called Ellison “a good, honest, clean writer, putting down what he has seen and known, and no sensationalism about it.”
Tales of love, sex, and relationships as only “one of the great . . . American short story writers” can tell them (The Washington Post Book World). A one-night stand begins a tragic journey that consumes a man’s soul in “Neither Your Jenny Nor Mine.” Afraid to interact with men who would condemn her as ugly, a young woman imagines herself living the love lives of every woman she sees until one daydream becomes a nightmare in “Mona at Her Windows.” On “A Path Through the Darkness,” a man struggles to understand his attraction to a cruel, morbid woman. Multi-award-winning author Harlan Ellison shatters the rose-colored glasses view of romance in these and other stories, coming to understand the elusive power of love about in terms of the primal passions and emotional onslaughts human beings engage. Insightful and devastating, these are realistic depictions of men and women desperate to connect and communicate, only to discover that love doesn’t conquer all. Includes: “The Resurgence of Miss Ankle-Strap Wedgie,” “The Universe of Robert Blake,” “G.B.K.—A Many Flavored Bird,” “Neither Your Jenny Nor Mine,” “Riding the Dark,” “Train Out,” “Moonlighting,” “What I Did on My Vacation this Summer by Little Bobby,” “Hirschhorn, Age 27,” “Mona at Her Windows,” “Blind Bird, Blind Bird, Go Away from Me!,” “Passport,” “I Curse the Lesson and Bless the Knowledge,” “Battle Without Banners,” “A Path,” “Through the Darkness,” “A Prayer for No One’s Enemy,” “Punky & the Yale Men”
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
An anthology more than half a century in the making, The Last Dangerous Visions is the third and final installment of the legendary science fiction anthology series. In 1973, celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed. Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it. Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including David Brin, Max Brooks, Cory Doctorow, Dan Simmons, AE van Vogt, Edward Bryant, and Robert Sheckley, among others. With an introduction and exegesis by J. Michael Straczynski, and a story introduction by Ellison himself, The Last Dangerous Visions is an extraordinary addition to an incredible literary legacy.
From the Hugo and Nebula Award–winning author of Strange Wine: A gritty memoir of life in NYC that became the basis for a Hitchcock TV drama. Hemingway said, “A man should never write what he doesn’t know.” In the mid‐fifties, Harlan Ellison—kicked out of college and hungry to write—went to New York to start his career. It was a time of street gangs, rumbles, kids with switchblades, and zip guns made from car radio antennas. Ellison was barely out of his teens himself, but he took a phony name, moved into Brooklyn’s dangerous Red Hook section, and managed to con his way into a “bopping club.” What he experienced (and the time he spent in jail as a result) was the basis for the violent story that Alfred Hitchcock filmed as the first of his hour‐long TV dramas. This autobiography is a book whose message you will not be able to ignore or forget.
An essential collection of short stories and essays from the multi-award-winning author of Deathbird Stories. “Arguably the best and most prolific author of novellas and novelettes that Anglophone letters has produced.” —Norman Spinrad, author of Bug Jack Barron, from his Foreword Despite the awards and accolades that categorize Harlan Ellison as a science fiction writer, his canon of work spans a diverse range of categories across fiction and nonfiction. He is, first and foremost, a writer of the human condition, whether he’s richly imagining characters’ experiences and adventures or commenting on the foibles and follies of those he had the misfortune to meet and observe. Over the Edge brings together ten of Ellison’s stories and three of his essays. From a sheriff’s ignoble end in an Old West town to a conspiracy on the steel beams of a construction site and an astronaut’s lonely existence and descent into madness, Ellison’s fiction resides in a genre of his own creation. Meanwhile, his commentary about topics such as writing for Star Trek and interactions with fans captures real human behavior more bizarre and horrifying than anything his imagination can conjure. Includes: “Pennies, Off a Dead Man’s Eyes,” “The End of the Time of Leinard,” “3,” “Faces of Fear: An Essay,” “Blind Lightning,” “Walk the High Steel,” “Shadow Play,” “The Words in Spock’s Mouth: An Essay,” “From a Great Height,” “Night Vigil,” “Xenogenesis: An Essay,” “Rock God,” “Ah-Wegh Thogha,” “Ernest and the Machine God”